Verdi
Verdi Requiem, Mariinsky Orchestra and Chorus, Gergiev, Barbican HallThursday, 05 April 2012
After conducting two performances of Parsifal since Saturday and one of Mahler’s Eighth Symphony, most human beings would be spending a day curled up at home. But Valery Gergiev doesn’t know what carpet slippers look like. Besides, he’s currently on... Read more... |
Rigoletto, Royal OperaSaturday, 31 March 2012
David McVicar’s Rigoletto hurls full-frontal nudity and an orgy at the audience within its opening minutes – dramatic grenades to clear the well-worn ground ahead. Back in 2001 this may have been enough to shock-and-awe, but a decade and a couple of... Read more... |
La Traviata, Welsh National OperaSunday, 12 February 2012
Famously, at its Venice premiere in 1853, La traviata had trouble with the censor, not only over the salty innuendos of the plot, but over the simple fact that it was set in the present day and in contemporary costume. A rule like that would finish... Read more... |
Q&A Special: Bass Sir John Tomlinson, Part 1Saturday, 17 September 2011
Next week Sir John Tomlinson (b 1946), renowned mega-bass and routine frequenter of the Covent Garden stage, appears in concert at the Windsor Festival. It is a picturesque halt on a career that sees him circling the world's greatest opera houses in... Read more... |
Farewell, Salvatore LicitraTuesday, 06 September 2011
The Swiss-born Sicilian tenor has died, far too young at the age of 43, 10 days after an accident on his Vespa. He was one of the best and most stylish of his rare breed, even if the scrummage to find an heir to Pavarotti sometimes pushed him into a... Read more... |
BBC Proms: Verdi's Requiem, BBCSO, BychkovSunday, 24 July 2011
You can't say this about many works but Verdi's Requiem really is as snug as a bug in a rug in the Royal Albert Hall. In which other space could the three moon-like bass drums orbiting the back of the orchestra not look ridiculous? Last night's... Read more... |
Hofesh Shechter, Political Mother: The Choreographer's Cut, Sadler's WellsTuesday, 12 July 2011
Only three years ago, Hofesh Shechter, the Israeli-born, London-based choreographer, made the leap into the big leagues, almost overnight, with his Uprising/In Your Rooms double bill. The following year he produced a "Choreographer’s Cut", a bulked-... Read more... |
Lend Me a Tenor - The Musical, Gielgud TheatreWednesday, 15 June 2011
Acid prophecies of this show’s swift demise, as with that of the great Italian tenor whose supposed transformation from il stupendo to il stifferino results in the debut of a surpise new Otello at the "Cleveland Grand Opera", turn out to be greatly... Read more... |
Luise Miller, Donmar WarehouseTuesday, 14 June 2011
Time lurches when you see a historical play. But is it a case of autre temps, autres moeurs, or of plus ça change, plus c’est la même chose? Either way, the history needs to slap your face hard with recognition. Schiller’s Luise Miller is a 1784... Read more... |
Simon Boccanegra, English National OperaThursday, 09 June 2011
Public feuding, private sorrows: the elemental passions of Verdi's Ligurian power struggle haven't had a vivid London staging since the Alden-Fielding ENO classic gave it a guiding (or, according to taste, hindering) giant hand in the late 1980s.... Read more... |
Rigoletto, Grange Park OperaFriday, 03 June 2011
They say that old sins cast long shadows, but these are nothing compared to the shadows cast by old productions. To set Verdi’s Rigoletto in 1950s America inevitably courts comparison with that operatic patriarch, Jonathan Miller’s New York Mafia... Read more... |
Ballo Della Regina/ Live Fire Exercise/ DGV, Royal BalletSaturday, 14 May 2011
Current affairs can be an on-trend choreographer's nemesis. In the new triple bill at the Royal Ballet last night, you could watch a new video-game war-ballet by Wayne McGregor, while blotting out thoughts of the Taliban suicide massacre in... Read more... |
