thu 11/09/2025

Proms

Best of 2014: Classical Concerts

Offshoots of the Venezuelan El Sistema’s worldwide dissemination as well as other youth and music projects continued to bloom and grow in 2014. The morning after what was the orchestral concert of the year for many who caught it, Alexandra Coghlan (...

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Maestri: Conductors at the 2014 Proms

Chris Christodoulou is the official Proms photographer, writes David Nice. From his uniquely privileged position behind a velvet curtain, he captures the white heat of performance. The official shots roll off the press a couple of hours after the...

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Last Night of the Proms, Jansen, Williams, BBCSO, Oramo

If only the Last Night of the Proms could just be about the music. If it were, then the story which I would want to tell would be about Janine Jansen. A crowd which mainly turns up to wave its vast array of flags, to bounce its beach-balls and...

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Prom 75: Leipzig Gewandhaus Orchestra, Gilbert

The silliness of the Last Night is really just a postscript to the penultimate night of the Proms, traditionally given over to a performance of Beethoven’s Ninth Symphony. It was a tradition restored yesterday evening when Alan Gilbert and the...

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Prom 74: Wainwright, Voigt, Britten Sinfonia, Debus

Swathes of this year’s final Late Night Prom were so invertebrate, amateurish even, that I was tempted to go home and throw out my Want One and Want Two CDs. I won’t, of course: Canadian American singer-songwriter Rufus Wainwright has written some...

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Prom 72: Berthaud, BBCSO, Litton

A Prom billed as “English Music” sounds like a restful sort of affair – probably pastoral, definitely tuneful and potentially restorative after a day in the office. In practice however this concert from Andrew Litton and the BBC Symphony Orchestra...

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Prom 71: Time for Three, BBC Concert Orchestra, Lockhart

Aaron Copland was an unlikely musical portraitist of the American plains and prairies. Son of Jewish immigrants from Brooklyn and student of modernism with Nadia Boulanger in Paris, he nonetheless created the quintessential American orchestral sound...

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Prom 69: Cleveland Orchestra, Welser-Möst

Is there something about the start of a new cultural season, or indeed the Proms, that make classical music’s conductors rush to jump ship? Consider this. Last Friday, two days before his pair of Prom concerts with his American outfit, the Cleveland...

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Prom 66: St Matthew Passion, Berlin Philharmonic, Rattle

Peter Sellars’ work used to be about making a statement. He would dislocate texts from contexts, subvert musical suggestion and ignore written statement for the sheer joy of the artistic friction it would generate. The beauty of his St Matthew...

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Prom 64: Berlin Philharmonic, Rattle

After Monday’s Respighi extravaganza at the Proms, it was back on the rainbow express for more wonders of orchestral colour last night. In the young Stravinsky’s large-scale signing-in and poor depressed old Rachmaninov’s signing-off, you could...

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Prom 63: McAllister, BBCSO, Alsop

Conductor Marin Alsop was welcomed like Britannia herself at last night’s concert, an astute partnership of John Adams’ vivacious hybridism and Gustav Mahler’s colourful patchwork quilt of a symphony. Alsop won the Prommers’ hearts with her...

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Proms Chamber Music 7: Benjamin Grosvenor/Prom 60: Driver, RPO, Dutoit

After the enervating excesses of Salome and Elektra at the weekend, the abundance of notes at the Proms continued in a piano recital and an orchestral showstopper, but this time with built-in air conditioning. After all, both 22-year-old Benjamin...

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