Proms
Prom 69: Cleveland Orchestra, Welser-MöstTuesday, 09 September 2014Is there something about the start of a new cultural season, or indeed the Proms, that make classical music’s conductors rush to jump ship? Consider this. Last Friday, two days before his pair of Prom concerts with his American outfit, the Cleveland... Read more... |
Prom 66: St Matthew Passion, Berlin Philharmonic, RattleSunday, 07 September 2014Peter Sellars’ work used to be about making a statement. He would dislocate texts from contexts, subvert musical suggestion and ignore written statement for the sheer joy of the artistic friction it would generate. The beauty of his St Matthew... Read more... |
Prom 64: Berlin Philharmonic, RattleSaturday, 06 September 2014After Monday’s Respighi extravaganza at the Proms, it was back on the rainbow express for more wonders of orchestral colour last night. In the young Stravinsky’s large-scale signing-in and poor depressed old Rachmaninov’s signing-off, you could... Read more... |
Prom 63: McAllister, BBCSO, AlsopFriday, 05 September 2014Conductor Marin Alsop was welcomed like Britannia herself at last night’s concert, an astute partnership of John Adams’ vivacious hybridism and Gustav Mahler’s colourful patchwork quilt of a symphony. Alsop won the Prommers’ hearts with her... Read more... |
Proms Chamber Music 7: Benjamin Grosvenor/Prom 60: Driver, RPO, DutoitTuesday, 02 September 2014![]() After the enervating excesses of Salome and Elektra at the weekend, the abundance of notes at the Proms continued in a piano recital and an orchestral showstopper, but this time with built-in air conditioning. After all, both 22-year-old Benjamin... Read more... |
Prom 59: Elektra, BBC Symphony Orchestra, BychkovMonday, 01 September 2014![]() How much familial dysfunction and lust - whether for sexual gratification or revenge - can one take in a single weekend? Salome and Elektra back-to back may on paper seem like a feast of divine decadence but no sooner had one become accustomed to... Read more... |
Prom 58: Salome, Deutsche Oper Berlin, RunniclesSunday, 31 August 2014So here’s where I join the ranks of Old Opera Bores by declaring this Salome, Nina Stemme, the best I’ve seen since Hildegard Behrens in 1978, and this Salome as in Richard Strauss’s Wilde opera from Donald Runnicles and his Deutsche Oper Berlin... Read more... |
Prom 53: Brahms Symphonies, Budapest Festival Orchestra, FischerWednesday, 27 August 2014![]() About 10 minutes into the Brahms Third Symphony I wanted to check a name in the Budapest Festival Orchestra’s programme. I dared to turn a page. Bad idea. Such preternatural stillness had settled over the sold-out Royal Albert Hall that the gesture... Read more... |
Prom 52: Budapest Festival Orchestra, FischerTuesday, 26 August 2014![]() The first of this year's two Proms by the Budapest Festival Orchestra had looked like a rather strange confection, on paper at least. With eleven scheduled contributions, and only two of them destined to make it into double figures, its timings had... Read more... |
Prom 50: Weilerstein, Czech Philharmonic Orchestra, BělohlávekMonday, 25 August 2014Even as orchestras began to sound more and more alike, there was the Czech Philharmonic. And many of its notable characteristics remain to this day: a modest, homespun quality, warm and engaging and full of bright-eyed distinction in the woodwinds.... Read more... |
Prom 47: Britten War Requiem, CBSO, BBC Proms Youth Choir, NelsonsFriday, 22 August 2014![]() Nothing has resonated through the unfolding First World War commemorations more than the poetry of Wilfred Owen; and in terms of its grim immediacy and enduring heartbreak nothing ever could. Benjamin Britten knew that when he set down his War... Read more... |
Prom 46: West-Eastern Divan Orchestra, BarenboimThursday, 21 August 2014By the time we got to the end of this Prom, with four of the five encores – the whole of Bizet’s Carmen Suite – cannily crafted to bolster the short official programme, most of the rightly euphoric audience had forgotten the most unsatisfying first... Read more... |
