London
Eden, Hampstead Theatre Downstairs review - thoughtful commentary on people and principlesSaturday, 23 February 2019
"It's gonna be the best golf course in the world," a man in an Aertex shirt and a bright red baseball cap is assuring us. "The best. I guarantee it." You can tell he's the kind of person who thinks talking quickly and loudly is the same thing as... Read more... |
Tartuffe, National Theatre review - morality-heavy version of the comedy classicFriday, 22 February 2019
Here's a recipe for a successful National Theatre production: take a well-loved classical comedy, employ an outstanding young director and a talented writer (so much the better if they have a proven track record together) and cast gold-standard... Read more... |
Only Fools and Horses, Theatre Royal Haymarket review - rollicking remake of much-loved TV sitcomWednesday, 20 February 2019
It was TV gold-dust. The original seven series of Only Fools and Horses were broadcast on BBC One from 1981-1991, and a string of Christmas specials kept the show running until 2003. It was showered with awards and critical acclaim, and in 1996 the... Read more... |
Traitors, Channel 4 review - Cold War thriller fails to reach room temperatureMonday, 18 February 2019
It’s 1945 and World War Two is nearly over. Somewhere in England, Fiona Symonds (“Feef” to her friends) is training to be a spy and be dropped behind enemy lines. Her training involves such amusements as being woken in the night by having a bucket... Read more... |
Montero, Scottish Ensemble, Kings Place review - new music with a political edgeSaturday, 16 February 2019
The Venezuelan pianist and composer Gabriela Montero is an outspoken advocate for political change in her country, using her musical standing as a platform from which to highlight Venezuela’s "hijacking" by "forces of criminality, barbarism and... Read more... |
Grosvenor, Doric String Quartet, Milton Court review – a night to rememberTuesday, 12 February 2019
Imagine for a moment that you are at, say, the Derby. It’s pretty good. But then in flies Pegasus, the mythical winged horse. What happens?We need to talk about these rare moments of almost inexplicable magic in concerts, because unless I’m... Read more... |
Pure, Channel 4 review - sex, OCD and the single girlThursday, 31 January 2019
“No one wants a pervert for a daughter,” thinks Marnie (delightful TV newcomer Charly Clive), a 24-year-old from the Scottish Borders, who has intrusive thoughts. Don’t we all? But relentless graphic images about “fucked-up sex” have been messing... Read more... |
Christian Dior: Designer of Dreams, Victoria & Albert Museum - sumptuousThursday, 31 January 2019
The heart of the V&A’s sumptuous Christian Dior: Designer of Dreams is a room dedicated to the workmanship of the fashion house’s ateliers. A mirrored ceiling reflects dazzling strip-lit cases which hold the ghosts of ballgowns, slips and... Read more... |
Patti Smith, Roundhouse review – the priestess of punk has lost none of her powerSaturday, 26 January 2019
“Don’t love me yet,” replies Patti Smith to the first of tonight’s many excitable shout-outs. “Who knows, after 20 minutes you might be gone!” An unlikely scenario, given that this show – part of the Roundhouse’s annual “In the Round” series, which... Read more... |
Reissue CDs Weekly: Music is the Most Beautiful Language in the WorldSunday, 13 January 2019
The title comes from a slogan used in a 1920s newspaper ad for Weinberg’s, a gramophone, record and sheet music shop in Brick Lane. Readers saw the words in Yiddish though. Brick Lane was central to London’s Jewish East End and those who lived in... Read more... |
On Drums... Stewart Copeland!, BBC Four review - no drummer, no rock'n'rollFriday, 11 January 2019
On Drums was inhabited by a parade of fine-looking young and middle aged multi-ethnic anglophone drummers, all introduced by Stewart Copeland, the American drummer of the Police. In vintage film and contemporary interviews his chosen musicians... Read more... |
The Dead Room, BBC Four review - ghosts at the microphoneTuesday, 25 December 2018
Fired by the spirit of the MR James ghost stories which used to be a Christmas staple on the BBC, Mark Gatiss conceived this amusing bonne bouche as both a seasonal chiller and a nod to the ghost of broadcasting past. In passing, he also managed to... Read more... |
