London
Pitzhanger Manor review - letting the light back inTuesday, 02 April 2019
When in 1800 the architect Sir John Soane bought Pitzhanger Manor for £4,500, he did so under the spell of optimism, energy and hope. The son of a bricklayer, Soane had – through a combination of talent, hard work and luck – risen through... Read more... |
Jack the Ripper: The Women of Whitechapel, English National Opera review - powerful ensemble, wrong subjectSunday, 31 March 2019
If you can’t put a name to any of Jack the Ripper’s victims – and spin it however you please, victims they remain – then you shouldn’t buy the publicity about this new opera "bringing dignity back" to the murdered women in question. Isn’t it time to... Read more... |
Victoria, Series 3, ITV review - can Her Maj cope with the Age of Revolution?Monday, 25 March 2019
ITV has an enviable knack for creating populist historical costume dramas which never seem to wear out, despite a million rotations on ITV3. Once everybody had got over the shock of a young and glamorous Queen Victoria, who had previously... Read more... |
Vasari Singers, Backhouse, St Bride’s Fleet Street review - rarely heard choral classic soarsSaturday, 23 March 2019
London performances of Alfred Schnittke’s Concerto for Choir are like Meaningful Votes: you wait a long time for one, then they come in clusters. After last night’s Vasari Singers performance, there is only three weeks till the London Concord... Read more... |
Yxng Bane, Brixton Academy review - all the fam on stageSaturday, 16 March 2019
There’s a wolf howl and Yxng Bane (pronounced Young Bane) jumps off a block on stage and his furry hooded coat flies open and the arena erupts in screams. The pit is filled almost exclusively with seventeen year old girls, excellently contoured and... Read more... |
Loreena McKennitt, Royal Albert Hall review - making Celtic connectionsFriday, 15 March 2019
Having long been immersed in folk and world music and acoustically-oriented singer-songwriters, it’s a surprise to be given a CD of music by someone who’s never crossed your radar, especially when the artist concerned turns out to have sold some 14... Read more... |
Betrayal, Harold Pinter Theatre review - Tom Hiddleston anchors a bold, brooding revivalThursday, 14 March 2019
The grand finale of Jamie Lloyd’s remarkable Pinter at the Pinter season is this starry production of one of the writer’s greatest – and certainly most personal – works, inspired by his extramarital affair with Joan Bakewell. The 1978 play is... Read more... |
I'm Every Woman, JW3, London - a musical celebration of International Women's DaySaturday, 09 March 2019
In one of the award-winning club’s forays from its Camden Town home, Green Note welcomed International Women’s Day with a special one-off concert exploring and celebrating the many ages and stages of being a woman. Three generations... Read more... |
Jason Mraz, Royal Albert Hall review - a rare UK visit from the Grammy-winning organic farmerFriday, 08 March 2019
Jason Mraz… How can someone so big slip under so many radars. Mine, the muso with whom I trek to all sorts of gigs, and that of a wide range of friends, most of whom are pretty au courant with the scene.Then you hear it. Of course, the big hit –... Read more... |
Robin Hood, The Opera Story, CLF Café review - folk hero re-imagined as Tory villainWednesday, 06 March 2019
What’s the one thing everyone knows about Robin Hood? That he steals from the rich and gives to the poor. So it was quite a brave decision to re-cast Robin as a rapacious Tory shires MP, doing his best to stop the poor becoming rich. At least, I... Read more... |
CD: Snapped Ankles - Stunning LuxuryWednesday, 06 March 2019
Was that "A waltz is a beat not a march" being hollered through what sounds like a megaphone on “Three Steps to a Development”? Sometimes it’s tricky to make out what vocalist Austin is on about, as he strains to be heard above the dazzling... Read more... |
A Previn treasurySaturday, 02 March 2019
In a way, he was a second Bernstein. Only 11 years Lenny's junior, and living to the much riper age of 89 – his 90th birthday would have been on 6 April – André Previn was a film composer and arranger at the start of his 70-plus-year career, a jazz... Read more... |
