sat 02/08/2025

London

Cats review - feline freakiness

Tom Hooper’s freakily phantasmagoric visualisation of an already strange West End smash is a high-wire act risking the sniggers which greeted its trailer. And yet it never falls, sustaining a subtly hallucinatory, wholly theatrical reality. Doubling...

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Albums of the Year 2019: Terror Danjah - Invasion

This is a bittersweet recommendation to make. On the one hand, it is simply one of the mightiest electronic albums of the year, an exemplar of how grime continues to be a vital part of the British sound palette long after it was pushed aside as the...

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Steeleye Span, Barbican review - party like it's 1969

The Barbican, a week before Christmas, and it’s British folk-rock legends Steeleye Span’s last gig of the year, a year in which its vigorous seven-strong line-up – featuring a new recruit in the shape of former Bellowheader Benji Kirkpatrick –...

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Hewitt, Clein, Aurora Orchestra, Ward, Kings Place review – rise and shine

Why does music suddenly disappear? It is all the more heartening when a work as excellent and enjoyable as Louise Farrenc’s Symphony No 3 takes wing once more, but you do have to wonder how in the world such a terrific orchestral piece was...

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Choirs of St Catharine's College, Cambridge, Wickham, Kings Place review - fresh take on 'lessons and carols'

At this time of year the musical world – and particularly the choral world – is full of festive concerts, and the challenge can be to find programmes venturing off the well-worn path of traditional favourites. But at Kings Place on Saturday I found...

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Rufus and Martha Wainwright, A Not So Silent Night, RFH review - Christmas, family-style

It’s 10 years this month since Kate McGarrigle gave her last concert, the annual Christmas concert that meant so much to her, at the Royal Albert Hall. Next month, 18 January, marks the first decade since her passing at the tragically early age of...

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Giri/Haji, Series Finale, BBC Two review - a thriller, but much more besides

Happily, Joe Barton’s tinglingly original thriller (BBC Two) finished as smartly as it began, not by any humdrum tying-up of loose ends but by giving free rein to the story’s ambiguities and impossible choices. If indeed they really were choices....

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Behzod Abduraimov, Queen Elizabeth Hall review - enchanting engagement and breathtaking virtuosity

Given the number of audience members playing air-piano along with parts of Pictures at an Exhibition, Behzod Abduraimov should perhaps be described as a pianist’s pianist. He is nevertheless a great deal more than that. Ten years ago this young...

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Billy Bragg, Islington Assembly Hall review - a pep talk from the progressive patriot

It’s always good to be among friends and it’s safe to say that everyone gathered at Islington Assembly Hall on Saturday for the third and final North London gig of Billy Bragg’s One Step Forward, Two Steps Back Tour was left of centre. The tour...

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Darlingside, Cecil Sharp House review - finger-picking good

The four young men who comprise Darlingside met at Williams College, in the Berkshires which, each October, declares a “Mountain Day” when students hike up Stony Ledge and celebrate with donuts, cider and a cappella singing. Perhaps on one such hike...

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Shaw, Attacca Quartet, Kings Place review - composer portrait shows strengths and limitations

There aren’t many musicians who could appear as composer, singer and violist on a single programme but that was Caroline Shaw’s lot last night. As part of Kings Place’s Venus Unwrapped season, the first half comprised entirely her music, played by...

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Mary Poppins, Prince Edward Theatre review - a lavish but old-fashioned revival

It’s been 15 years since Cameron Mackintosh’s stage musical version of P. L. Travers’ Mary Poppins made its West End debut. Now, the magical nanny returns to the Prince Edward Theatre, with Zizi Strallen (who also headlined the UK tour) succeeding...

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