London
Kaleidoscope Chamber Collective, Wigmore Hall review - a joyous celebrationMonday, 17 February 2020
Nobody could deny that this was a weekend when we needed cheering up. The place for that was the Wigmore Hall, which played host to a recently formed “shape-shifting” ensemble of superb young soloists. The Kaleidoscope Chamber Collective was... Read more... |
Elysian Singers, SPCMH, Sam Laughton, St Luke’s, Chelsea review - John Cage and friends given a rare airingMonday, 17 February 2020
In my reviewing for theartsdesk I like as much as possible to ski off-piste, reaching areas of repertoire, performer and venue that mainstream coverage doesn't. There is much great music-making that flies, to mix my metaphors, under the radar, but... Read more... |
Secrets of the Museum, BBC Two review - the incredible hidden worlds of the V&AFriday, 07 February 2020
The nation’s public attics – museums – hold a huge jumble of objects collected and used in all sorts of ways to tell us stories of past and present. In this BBC Two film, we went behind the visible face of the Victoria and Albert, with its holdings... Read more... |
Universal Credit: Inside the Welfare State, BBC Two review - drowning in a bureaucratic quagmireWednesday, 05 February 2020
The benefits system is feared for its resemblance to a vast poisonous swamp, from whose clutches many travellers fail to return. Universal Credit began to be rolled out in 2013, having been announced in 2010 by Conservative work and pensions... Read more... |
Imran Perretta, Chisenhale Gallery review - a deeply affecting filmTuesday, 04 February 2020
“I forgive you,” he said. “I forgive you… for the bombs.” Spoken by a young Muslim in measured tones that can’t hide his fear, these chilling words recall a random encounter with a stranger. Written and directed by Imran Perretta and based on... Read more... |
Anaïs Mitchell, Bonny Light Horseman, Roundhouse review - heart-warming folk blissMonday, 03 February 2020
Anaïs Mitchell should be a star: she sings like a dream, oozes presence and charisma, and writes songs of classic simplicity, poetry and depth. Her other outstanding quality is a natural modesty and a delight in just being herself on stage, and... Read more... |
Robert Henke CBM 8032, Barbican - a vision of possibilities from 40 years agoSaturday, 25 January 2020
Robert Henke is to techno fans as Leo Fender and Les Paul are to rock lovers. The Ableton Live software which he co-created is every bit as influential as any guitar they built, and probably more used. However, of course, being just a piece of code... Read more... |
Scrounger, Finborough Theatre review - uncomfortable play tackles disability discriminationTuesday, 14 January 2020
Scrounger is no comfortable evening in the theatre, for reasons both intentional and inadvertent. Athena Stevens’ new play recounts her 2016 battle with British Airways and London City Airport, who subjected her to the humiliation of being... Read more... |
The Tyler Sisters, Hampstead Theatre Downstairs review – raucous celebration of sisterhoodWednesday, 08 January 2020
The Tyler sisters start as they mean to go on: bickering. Middle sister Gail (Bryony Hannah) has come home from uni to find that youngest Katrina (Angela Griffin) has stolen her room. “What about Maddy’s? Why didn’t you take that?” Gail snaps. “She... Read more... |
The Gentlemen review - it ain't woke but don't fix itThursday, 02 January 2020
Guy Ritchie enjoyed his greatest commercial success with 2019’s live-action fantasy Aladdin, the most atypical project of his career, but The Gentlemen finds him back on his best-known turf as a purveyor of mouthy, ultra-violent geezerism. It’s 21... Read more... |
Rod Stewart, Royal Philharmonic Orchestra, O2 review - Tonight's the NightFriday, 20 December 2019
I can’t look at Rod Stewart without thinking of Barbara, one of the naughtier girls in my third-form class at East Barnet Senior High School. She was tiny, and obsessed with him, her hair cut like his. “Maggie May” was number one, playing from tinny... Read more... |
Cats review - feline freakinessThursday, 19 December 2019
Tom Hooper’s freakily phantasmagoric visualisation of an already strange West End smash is a high-wire act risking the sniggers which greeted its trailer. And yet it never falls, sustaining a subtly hallucinatory, wholly theatrical reality. Doubling... Read more... |
