thu 17/07/2025

Italy

Mingardo, Gritton, The English Concert, Bicket, Barbican

Before Mozart, there was Pergolesi. The 18th century couldn't get enough of the Neapolitan prodigy. He was the first great tragic musical wünderkind of the Enlightenment, prefiguring what Mozart would become for the 19th century. Like Mozart,...

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theartsdesk Q&A: Conductor Riccardo Chailly

When Riccardo Chailly (b 1953) left the Royal Concertgebouw for the Leipzig Gewandhaus, Richard Morrison said it was as if Bill Gates had ditched Microsoft for Aeroflot. The Gewandhaus has since become one of the lustiest of orchestral beasts in the...

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Adriana Lecouvreur, Royal Opera

In the event, Covent Garden's first glitzy star vehicle of the current season turned out to be a handsome ensemble piece, with three of the four leads bringing special gifts (though not quite the full picture) to their stagey roles, tender and...

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Salvator Rosa: Bandits, Wilderness and Magic, Dulwich Picture Gallery

Salvator Rosa's self-portrait 'Philosophy' provides 'a glimpse of the self-promotional flair that would spark a personality cult'

Mount Vesuvius blew its top in 1631, spewing molten lava into the sea and filling the air with ash clouds that reached as far as Constantinople. The eruption and accompanying earthquakes killed 3,000 people and caused widespread devastation, all of...

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Art Gallery: Pordenone Montanari, An Italian Discovery

Pordenone Montenari: 'Il Pittore a la modella' (1978)

Our culture is hungry for stories of buried treasure, for the lost archive. So when something of startling value is brought blinking into the light after many years, it answers a romantic urge. Of course it doesn’t happen much any more, not in a...

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Eat Pray Love

Julia Roberts takes a long time to find her centre in Eat Pray Love, a glossy adaptation of the Elizabeth Gilbert memoir that, while offering a respite from the usual cinematic diet of reboots, remakes and comic-book blockbusters, ends up being just...

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Don Pasquale, Royal Opera

Anticipating revivals of productions that were hardly vivacious in the first place, you can always find reasons to hope. Perhaps there'll be a dazzling house debut. Maybe someone, preferably the revival director, will bring a more focused individual...

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Monteverdi Choir, English Baroque Soloists, Gardiner, Royal Albert Hall

Monteverdi’s 1610 Vespers are something of a musical enigma. Neither their true pitch nor order of movements, their origins, nor even whether they were intended as a complete sequence is known for certain, prompting scholar Denis Arnold to conclude...

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Tuscany is Ready for Her Close-Up

As befits a film set in Tuscany, Certified Copy is an international affair. It stars Juliette Binoche as a French gallery owner and William Shimell as an English art historian. Its Iranian director is Abbas Kiarostami. The dialogue is in three...

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The Leopard: The Original Film for Foodies

The Leopard is being re-released by the BFI this week in a new digital restoration. Luchino Visconti’s adaptation of Giuseppe Tomasi di Lampedusa’s great Sicilian novel was first seen in 1963 and went on to win the Palme d’Or at Cannes. Il...

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Francesca da Rimini, Opera Holland Park

They're having a laugh at Holland Park, surely: offering 700 pay-what-you-like tickets to hook newcomers on the wonderful world of opera, and then serving up a Pythonesque staging of an immoveable Italian dinosaur. Three fine singers wasted, a...

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Opera Holland Park invites audiences to try Zandonai for free

A new "Inspire Project" over in Kensington hopes to catch more new audiences for opera by inviting 700 people to watch the new production of a real operatic rarity, Zandonai’s Francesca da Rimini, and pay what they like, if they like, at the...

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