Italy
Aida, Royal Opera HouseFriday, 11 March 2011
What kind of Aida would you prefer: one in which singing actors stretched to the limits find Verdi's human volcano of emotions beneath the cod-Egyptian rubble, or a stand-and-deliver production with a stalwart cast of beaten-bronze voices? Having... Read more... |
Il Trovatore, Welsh National Opera, CardiffFriday, 25 February 2011
Verdi’s Il Trovatore, the WNO season brochure assures us, “is Italian opera at its most passionate and full-blooded”. But you could sit through this revival of Peter Watson’s seven-year-old production and overlook the fact. Always understated (to... Read more... |
CD: Iness Mezel - Beyond the TranceWednesday, 16 February 2011
No, not “trance” in the sense of galloping four-to-the-floor electronic music made by people on Ecstasy for people on Ecstasy. This trance is the original ritualised half-conscious state produced by fast, intensely repetitive, rhythmic tribal music... Read more... |
Art Gallery: Guitar Heroes - Legendary Craftsmen from Italy to New YorkSunday, 13 February 2011
From a guitar by Matteo Sellas dating back to Germany before 1630 to one made in New York by John Monteleone in 2008, the Metropolitan Museum of Art’s Guitar Heroes exhibition is will go down as the longest guitar solo slot in history. Including one... Read more... |
Antonioni Project, Barbican TheatreWednesday, 02 February 2011
Back in the early 1960s, anyone with half a curious cultural brain in their heads would take themselves off to small fleapit cinemas like The Academy or the Classic in Oxford Street (now defunct). There you could catch the latest European art... Read more... |
Il barbiere di Siviglia, Royal OperaWednesday, 19 January 2011
Moshe Leiser and Patrice Caurier’s Il Barbiere di Siviglia comes gift-wrapped in its own candy-striped box – packaging that sets the tone for the brittle, sugary entertainment within. Trading satire for slapstick, politics for aesthetics,... Read more... |
Zen, BBC OneSunday, 02 January 2011
There must be good reasons why the fine crime novels of Michael Dibdin have been absent from screens large and small. They're probably to do with Dibdin's deadpan satirical tone and the anti-heroic nature of his protagonist, the Venetian detective... Read more... |
theartsdesk Q&A: Author Michael DibdinSunday, 02 January 2011
“There is a sense I very much get about this place. Italians know what life is for and they know it won’t last very long. And so they take advantage. I like that. Particularly at my age.” The last of several times I interviewed the British crime... Read more... |
Loose CannonsTuesday, 14 December 2010
There is a climactic moment in Loose Cannons when one of the characters has rather more dolci than is good for her. For anyone without a sweet cinematic tooth, the two hours’ traffic of this soft-centred Italian melodrama may induce a similar kind... Read more... |
Operation Mincemeat, BBC TwoSunday, 05 December 2010
They have period names in the foreign country we call the past. In last night’s documentary about a brilliant wartime trick practised upon Hitler, we came across a coroner called Sir Bentley Purchase, a love interest called Peternel Hankins and a... Read more... |
Volodos, Leipzig Gewandhaus Orchestra, Chailly, BarbicanFriday, 03 December 2010
Not much snow left on the Barbican after last night's barnstormer from Riccardo Chailly and the Leipzig Gewandhaus. What hadn't melted in the flames of the Russian pyre that is Tchaikovsky's Francesca da Rimini would had been swept aside by the... Read more... |
Mingardo, Gritton, The English Concert, Bicket, BarbicanSaturday, 27 November 2010
Before Mozart, there was Pergolesi. The 18th century couldn't get enough of the Neapolitan prodigy. He was the first great tragic musical wünderkind of the Enlightenment, prefiguring what Mozart would become for the 19th century. Like Mozart,... Read more... |
