humour
Can You Ever Forgive Me? review - no page unturned in a comedy about literary forgerySaturday, 02 February 2019
What is it with all these new films based on biographies? Vice, Green Book, The Mule, Stan & Ollie, Colette… and that’s before we even get to the royal romps queening up our screens. At least Can You Ever Forgive Me? brings a lifestory... Read more... |
Velvet Buzzsaw review - an acerbic takedown of the LA art sceneFriday, 01 February 2019
Sitting somewhere between Ruben Östlund’s The Square and Final Destination, Dan Gilroy’s Velvet Buzzsaw is a satirical supernatural thriller that goes for the jugular of the LA art scene.We open at the Art Basel Miami Beach, where art snobs with fat... Read more... |
DVD/Blu-ray: Under the TreeTuesday, 15 January 2019
If you’ve ever had an argument with a neighbour, watch Under the Tree and take notes. This mesmerising story of a dispute over a tree blocking the sun in a next-door garden is based, says Icelandic director Hafsteinn Gunnar Sigurðsson, on an actual... Read more... |
Kidding, Sky Atlantic review - tears of a clownFriday, 30 November 2018
There’s no one right way to grieve. It cuts through everyone differently, whether reverting to childhood traits or out-of-character impulses. The person you lose might mean one thing to you, and something completely different to someone else; it can... Read more... |
theartsdesk Q&A: Chas and DaveSunday, 23 September 2018
Chas Hodges has died at the age of 74, bringing to an end a career that reaches back to the very beginnings of British pop music. He was best known as one half of Chas and Dave. The duo he formed with Dave Peacock were the poster boys of rockney, a... Read more... |
I object, British Museum review - censorship, accidental?Saturday, 22 September 2018
It’s the nature of satire to reflect what it mocks, so as you’d expect from a British Museum exhibition curated by Ian Hislop, I object is a curiously establishment take on material anti-establishmentarianism from BC something-or-other right up to... Read more... |
Disenchantment, Netflix review - Matt Groening show has promise after poor startFriday, 17 August 2018
It’s an event that only comes around once a generation: a new Matt Groening TV series. The Simpsons is rightly regarded as one of the greatest shows ever made. It changed the face of American television, and 10 years later was followed Futurama, a... Read more... |
Alkaline, Park Theatre review - faith, friendship and failureSaturday, 14 July 2018
Britain is rightly proud of its record on multiculturalism, but whenever cross-cultural couples are shown on film, television or the stage they are always represented as a problem. Not just as a normal way of life, but as something that is going... Read more... |
Pin Cushion review - a twisted fable of daydreams and bulliesTuesday, 10 July 2018
On the surface, Pin Cushion is a whimsical British indie, packed with imagination and charm. But debuting director Deborah Haywood builds this on a foundation of bullying and prejudice, creating a surprisingly bleak yet effective film.Teenager Iona... Read more... |
David Shrigley talk, Brighton Festival review - comedic stroll through a career in artThursday, 24 May 2018
As the Brighton Festival 2018 draws towards its closing weekend, its Guest Director, the artist David Shrigley, has committed to an illustrated talk about his work that “will contain numerous rambling anecdotes but not be in the slightest bit boring... Read more... |
Revenge - a blood-soaked joyThursday, 10 May 2018
Deep in an unnamed desert, a violent and psychedelic retribution is sought. The aptly named Revenge is a brutally rewarding experience, bringing classic horror and exploitation tropes kicking and screaming into the 21st century. It is the debut... Read more... |
Lisa Halliday: Asymmetry review - unconventional and brilliantSunday, 04 March 2018
Lisa Halliday’s striking debut novel consists of three parts. The first follows the blooming relationship between Alice and Ezra (respectively an Assistant Editor and a Pulitzer Prize-winning writer) in New York; the middle section comprises a... Read more... |
