thu 12/06/2025

humour

My Left Right Foot: The Musical, Brighton Festival 2019 review - foul-mouthed comic brilliance

My Left Right Foot tiptoes right to the precipice of massive offense. For some, it tumbles right in. During the interval audience members can be heard tutting at the amount of times “the c-word” is casually thrown around. But it’s not just the...

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Cannes 2019: The Dead Don't Die review - festival opens with rich zombie satire

“The world is perfect. Appreciate the details” says a WU-PS driver played by RZA, in Jim Jarmusch’s gleefully meta zombie-comedy that has just opened the Cannes Film Festival. It’s good advice. Jarmusch’s latest work is a finely tuned, deadpan...

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The Hustle review - rotten scoundrels

This third version of Dirty Rotten Scoundrels’ yarn of rival, class-warring con artists on the French Riviera is just something for Anne Hathaway and Rebel Wilson to do till a better gig comes along. The concept goes no higher than teaming them up,...

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Woman at War review – timely comedy-drama about an eco-warrior with a difference

What is it about Nordic women and the environment? Hot on the heels of the London visit by Swedish teen activist Greta Thunberg – the most inspiring climate change campaigner since Al Gore – comes this timely, singular, enormously enjoyable comedy-...

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Captain Marvel review – Brie Larson is the Avenger we’ve always been waiting for

There have been two relatively recent, welcome correctives in what is grandiosely referred to as the “Marvel Cinematic Universe” – a move towards diversity (Black Panther) and a sharp injection of comedy (Guardians of the Galaxy, Thor: Ragnarok...

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Derry Girls, Series Two, Channel 4 review - welcome back, gang

When Derry Girls premiered on Channel 4 in early 2018, there was little fanfare. But it’s been a whirlwind year for the four girls from Derry (and the wee English lad), capturing British hearts before conquering the US through Netflix...

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Franz West, Tate Modern review - absurdly exhilarating

Franz West must have been a right pain in the arse. He left school at 16, went travelling, got hooked on hard drugs which he later replaced with heavy drinking, got into endless arguments and fights, was obsessed with sex and, above all, wanted to...

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Old Boys review - short but not especially sweet

How does the ever cherub-cheeked Alex Lawther keep getting served in pubs? That question crossed my mind during the more leisurely portions of Old Boys, an overextended English schoolboy revamp of Cyrano de Bergerac that flags just when it most...

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Keith? A Comedy, Arcola Theatre review - Molière mined for Brexit-era laughs

Breathe in the love and breathe out the bullshit. After the Arcola Theatre's founder and artistic director Mehmet Ergen read Keith? A Comedy, a wild spin on the quasi-ubiquitous (these days, anyway) Tartuffe by the critic and writer Patrick Marmion...

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Director Toby Macdonald: 'Comedy is something people need at the moment'

A British boys boarding school in the 1980s. Not the most obvious setting for a romantic comedy, especially one based on the most famous romcom of all, Cyrano de Bergerac. But for director Toby Macdonald, it was the ideal challenge for his debut...

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Blue, Chapter Arts Centre review - heartbreak in the family home

What's worse than grieving? That all-consuming loss. For those that have experienced it, nothing really comes close. It starts to bug Thomas (Jordan Bernarde, main picture second right) during his visit to the Williams household. Recently bereaved...

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Adam Riches Is The Guy Who..., Drink, Shop & Do review - super-suave Lothario on the prowl

The first line of this show is “I'm the guy who you meet right after you come out of a long-term relationship.” On the night I see The Guy Who..., Adam Riches has three tries with it before he meets his target, a woman who has been dumped by a...

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