family relationships
Weapons review - suffer the childrenSaturday, 09 August 2025
Weapons’ enigmatic title, as with Zach Cregger’s previous film Barbarian, reveals little of what follows. The smalltown Pied Piper premise is sufficiently alluring: at 2.17 am, all bar one of a primary school class leave their beds and sprint... Read more... |
Oslo Stories Trilogy: Dreams review - love lessonsWednesday, 06 August 2025
Rising temperatures, prickling skin, longing’s all-consuming ache: first love’s swooning symptoms overtake 17-year-old Johanne (Ella Øverbye) in the Golden Bear-winning Dreams, the first UK release from Norwegian director Dag Johan Haugerud’s Oslo... Read more... |
Edinburgh Fringe 2025 reviews: I'm Ready To Talk Now / RIFTSunday, 03 August 2025
I’m Ready to Talk Now, Traverse Theatre ★★★★There are, inevitably, certain challenges when reviewing a one-to-one immersive show that’s already pretty much sold out its entire Edinburgh Fringe run (though there are rumours of some last-minute... Read more... |
Natalia Ginzburg: The City and the House review - a dying artSaturday, 02 August 2025
Many readers and writers think of epistolary novels as old-fashioned, just as letter writing itself can seem a bit quaint nowadays. The genre became popular during the 18th and 19th centuries following the success of Samuel Richardson’s ... Read more... |
Maiden Voyage, Southwark Playhouse review - new musical runs agroundWednesday, 30 July 2025
As the nation basks in the reflected glory of The Lionesses' Euro25 victory, it could hardly be more timely for the Southwark Playhouse to launch a new musical that tells the tale of The Maiden. That was the boat, built and sailed by Tracy Edwards... Read more... |
The Winter's Tale, RSC, Stratford review - problem play proves problematicTuesday, 29 July 2025
There’s a deal to be made when taking your seat for The Winter’s Tale. It’s one the title alone would have signalled to the groundlings as much as those invited to rattle their jewellery upstairs back in the 17th century – it’s a fairytale, a... Read more... |
A Moon for the Misbegotten, Almeida Theatre review - Michael Shannon sears the night skyThursday, 24 July 2025
Michael Shannon's long legs reach to the stars – or perhaps one should say the moon – in the Almeida's hypnotic revival of A Moon for the Misbegotten, the late Eugene O'Neill play that hasn't been seen in London since Kevin Spacey and Eve... Read more... |
Don't Rock the Boat, The Mill at Sonning review - all aboard for some old-school comedy mishapsTuesday, 22 July 2025
Now 45 years in the past, its dazzling star gone a decade or so, The Long Good Friday is a monument of British cinema. Its extraordinary locations, caught just before London’s Docklands were transformed forever, speaks to a past world. But the... Read more... |
Poor Clare, Orange Tree Theatre review - saints cajole us sinnersFriday, 18 July 2025
What am I, a philosophical if not political Marxist whose hero is Antonio Gramsci, doing in Harvey Nichols buying Comme des Garçons linen jackets, Church brogues and Mulberry shades? It’s 1987 and I do wear it well though…Chiara Atik’s comedy... Read more... |
Till the Stars Come Down, Theatre Royal Haymarket review - a family hilariously and tragically at warMonday, 14 July 2025
The 2024 play at the National Theatre that put writer Beth Steel squarely centre-stage has now received a West End transfer. Its title taken from an Auden poem urging people to dance till they drop, it’s probably the most passionate show in that... Read more... |
Girl From The North Country, Old Vic review - Dylan's songs fail to lift the moodThursday, 10 July 2025
Well, I wasn’t expecting a Dylanesque take on "Oh, What a Beautiful Mornin'" as an opening number and I was right. But The Zim, Nobel Prize ‘n all, has always favoured The Grim American Songbook over The Great American Songbook and writer/director... Read more... |
Run Sister Run, Arcola Theatre review - emphatic emotions, overwrought productionWednesday, 09 July 2025
Near the start of Chloë Moss’s latest play, Run Sister Run, one character tells his wife to “Calm your nerves”. A classic moment of emotional illiteracy perhaps, but given the heightened nature of the drama’s opening scene, it does also seem like an... Read more... |
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