sun 08/06/2025

composers

Cash for arts: should it be bums-per-pound or pounds-per-bum?

The organisation that channels public money to generate today's new classical music has been resoundingly condemned this week by all of Britain's most important composers. In an open letter, signed by Sir Harrison Birtwistle, Sir Peter Maxwell...

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The music man who kept them dogies rollin'

On Thursday the London Symphony Orchestra plays a night of epic movie music by the man who gave America’s cowboy heroes their most stirring tunes. Dimitri Tiomkin was one of Hollywood’s film-score giants, John Wayne’s choice as composer for The...

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Paganini's Daemon

Niccolò Paganini was the most controversial classical musician who ever lived. Although widely acknowledged to be one of the most brilliant performers of his lifetime, he provoked wildly contradictory opinions amongst his contemporaries and was...

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BBC Proms: BBC Singers, Sinfonye, Hollingworth, Wishart, Cadogan Hall

Twelfth-century abbess, healer and mystic Hildegard of Bingen had no formal musical training. Perhaps because of this her music – exquisite arabesques of chant melody, animated by the conviction of her religious beliefs – creates a language all its...

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My Summer Reading: Composer Nitin Sawhney

Composer and music producer Nitin Sawhney (b 1964) is known for his variety of musical projects, reflecting his background fusing Indian and British heritage. He has written music for films, television, dance productions, studio albums and concert...

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The Emperor of Atlantis, Arcola Theatre

Composer Viktor Ullmann's one talent was pastiche

We critics often find ourselves "embarrassed by historical facts", as Craig Raine once put it. Raine was trying to explain why so many people still value Wilfred Owen's poetry - to him, the most overrated corpus of the 20th century. "[Owen's]...

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Secrets of the Pop Song, BBC Two

'Don't bore us, get to the chorus': Rufus Wainwright ponders the mysteries of the ballad

This hugely entertaining first instalment of a three-part investigation into what makes pop songs tick took as its theme "The Ballad", perhaps the most bomb-proof of pop's traditional forms. Mind you, the programme's definition of a ballad was...

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Now McCartney writes a ballet...

Hot on the heels of the Pet Shop Boys’ foray into ballet for Sadler’s Wells next month, it’s revealed that Sir Paul McCartney has composed a ballet for New York City Ballet, a love story called Ocean’s Kingdom.Scheduled to premiere on 22 September,...

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Interview: Eric Whitacre, Virtual Choirmaster

Eric Whitacre: From electropop to choral music for the cyberspace era

McDonald's (the hamburger people) are rarely acknowledged for their contributions to the arts, but without them we may never have witnessed the meteoric rise of composer Eric Whitacre. When he was 14, he heard a casting call on the radio for a...

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Sondheim pits Porter against Coward

Stephen Sondheim

Talking to Jude Kelly at the Royal Festival Hall last night, Stephen Sondheim gave a glimpse into his own theory of lyrical composition by contrasting Noël Coward (whom "I intensely dislike") and Cole Porter.The problem with Coward, he said after...

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The ROH's Create contract tells the truth about the rights grab

After Monday's report on the Royal Opera House’s new contract demands, a young composer alerted theartsdesk to an intriguing offer on the Covent Garden website - to "Create" a soundtrack for dance. This is a competition for new talent which will be...

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Rights Grab at The Royal Opera House

For a creator of any kind, keeping control over what happens to their original work is essential. Their creativity is their livelihood, and their reputation is built on it. They protect it fiercely from other people copying it, altering it, selling...

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