composers
theartsdesk Q&A: Composer Rodion ShchedrinSaturday, 18 September 2010
The Russian composer Rodion Shchedrin has long been damned faintly by two facts - that he is the husband of the Bolshoi prima ballerina Maya Plisetskaya and that he was for a long time the president of the Russian Composers' Union in the USSR. These... Read more... |
Q&A Special: Composer ScannerFriday, 03 September 2010
Over this weekend the spaces of London's Royal Opera House will be transformed by strange sounds, vaguely operatic, vaguely foresty, thoroughly chilled. The ambient atmospheres will be made by Scanner, who calls himself a “cultural engineer” and has... Read more... |
Pollini, London Symphony Orchestra, Eötvös, Barbican HallMonday, 21 June 2010
Helmut Lachenmann is a sort of George Bush of contemporary classical composition, a bogeyman, a warrior, an ideologue. In my time his name has always been served up with an exclamation mark - "you like Lachenmann!?" - partly because his... Read more... |
The Seckerson Tapes: Finishing Mozart's Unfinished OperaMonday, 07 June 2010
The Classical Opera Company does exactly what it says on the tin and over the last few years has refreshed parts of the repertoire and corners of the nation that their bigger and more illustrious counterparts never reach. Conductor and artistic... Read more... |
Judith Weir, Bath FestivalSunday, 06 June 2010
In general, I’m no particular fan of composers talking in public about their own music. My family suggests that this is because I’m hoping to get the job of talking about it myself. But the real reason is that, on the whole, composers don’t tell the... Read more... |
The Return of Metal Machine MusicThursday, 15 April 2010
With Lou Reed’s Metal Machine Trio landing on these shores this weekend, I found myself remembering one of the most memorable listening experiences of my life; the first time I heard Reed’s 1975 album Metal Machine Music. How do you get your... Read more... |
Arvo Pärt Special 1: How Sacred Music Scooped an InterviewSaturday, 20 March 2010
When I was asked 12 months ago by the BBC if I’d be interested in making a film on Henryk Górecki (in Poland) and Arvo Pärt (in Estonia) for their Sacred Music series, I said yes, almost immediately. I’d been very impressed by the first series... Read more... |
Magnetic Fields, Variety music?Thursday, 18 March 2010
If music writers love to place artists in genres, it is a more-than-usually fruitless task with Magnetic Fields, the brainchild of “composer, multi-instrumentalist and bubblegum purist” Stephin Merritt. Many people discovered Magnetic Fields (named... Read more... |
Interview: Alex Hogg of Minima on scoring The Cabinet of Dr CaligariThursday, 18 March 2010
Before Shutter Island - long, long before - there was The Cabinet of Dr Caligari. First released in 1920, Robert Wiene's hallucinogenic film descends, like that of Martin Scorsese who cites it as a major influence, into the creepy shadowlands... Read more... |
As One/ Rushes/ Infra, Royal BalletSaturday, 20 February 2010
Someone sharp as a whip thought hard about the price-fun balance of the latest Royal Ballet triple bill. An accountant, probably. Deep inside the cloisters of the Royal Opera House, they said: “Now top price stalls are £97 each for Romeo and... Read more... |
The Seckerson Tapes: Lenny Bernstein's right-hand man, Craig UrquhartMonday, 25 January 2010
Craig Urquhart was Leonard Bernstein's personal assistant for the last five years of his life. In this touchingly frank interview he talks about the man he knew, the man he revered, the man who wanted to be all things to all people and who... Read more... |
theartsdesk Q&A: Tim LawrenceSaturday, 12 December 2009
Tim Lawrence is an author and academic, whose musical studies have led him from the dance scene of the 1990s to researching New York's disco scene – his Love Saves the Day was the first and remains the definitive history of the music, history and... Read more... |
