mon 09/06/2025

Britten

theartsdesk in Aix: Dreaming on

Britten’s A Midsummer Night’s Dream opens with creepy glissandi emanating from the pit like nocturnal spirits. There is no mention in the score – this is an educated guess – for the chirrup of swifts and the hoot of wood pigeons, but this avian...

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The Rape of Lucretia, Glyndebourne

Britten’s first chamber opera is very much a Glyndebourne piece; its world premiere in the old festival theatre in July 1946 was also the festival’s inaugural post-war production. It brought into being the English Opera Group, and led soon...

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Classical CDs Weekly: Bach, James Horner, Baltic Sea Youth Philharmonic

Bach to Moog: A Realisation for Electronics and Orchestra Craig Leon (Moog synthesizers and conductor), Jennifer Pike (violin), Sinfonietta Cracovia (Sony)Each new year throws up swathes of composer-related anniversaries, but 2015 also marks 50...

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Albert Herring, Britten Theatre, Royal College of Music

Some of the best nights of opera to be had in London come courtesy of students. It’s not something we talk enough about, possibly because, with four major music colleges in the city, the quality is so high that the performers can (and are) judged as...

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Death in Venice, Garsington Opera

Lagoon, miasma and scirocco may seem as far away as you can get from the rolling hills and pleasant airs of the Wormsley Estate in deepest home counties territory. Nor are the bleached bones of Britten’s bleak if ultimately transformative operatic...

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theartsdesk in Bergen 2: Leif Ove Andsnes curates

If this were only the usual international festival – and it’s still a big “only” where Bergen’s flagship fortnight of theatre, dance, art and music is concerned – it might not be easy to justify swanning off to one of the most beautifully situated...

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SCO, Swensen, Queen's Hall, Edinburgh

It was as a violin soloist with the Scottish Chamber Orchestra that Joseph Swensen first appeared, in the mid-1980s, on the Scottish musical scene. He went on to become the orchestra’s principal conductor – a long and fruitful collaboration that...

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Classical CDs Weekly: Barber, Britten, Ensemble Diderot, Jake Schepps

 Britten & Barber: Piano Concertos Elizabeth Joy Roe (piano), London Symphony Orchestra/Emil Tabakov (Decca)For years, the only available recording of Britten's Piano Concerto was the one with Sviatoslav Richter accompanied by the composer...

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Richard Alston Dance Company 20th Anniversary Performances, Sadler's Wells

Testament to the work of Richard Alston Dance Company (RADC) over the 20 years since its foundation was not just the première-filled celebratory programme performed at Sadler's Wells last night, but the enthusiastic audience there to see it. Alston'...

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Best of 2014: Opera

When everything works – conducting, singing, production, costumes, sets, lighting, choreography where relevant – then there’s nothing like the art of opera. But how often does that happen? In my experience, very seldom, but not this year. It's been...

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Ceremony of Innocence/The Age of Anxiety/Aeternum, Royal Ballet

English National Ballet and Birmingham Royal Ballet have staged programmes of war pieces already this year; now here's the Royal Ballet bringing up the rear in its own inimitable (and rather oblique) fashion with a triple bill that picks up on and...

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Shadows of War, Birmingham Royal Ballet, Sadler's Wells

Another week, another war commemorative; it’s the story of all the arts in 2014. But – because you can always rely on David Bintley and Birmingham Royal Ballet to be different – last night’s programme at Sadler’s was overshadowed by the Second World...

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