Britten
Prom 47: Britten War Requiem, CBSO, BBC Proms Youth Choir, NelsonsFriday, 22 August 2014![]() Nothing has resonated through the unfolding First World War commemorations more than the poetry of Wilfred Owen; and in terms of its grim immediacy and enduring heartbreak nothing ever could. Benjamin Britten knew that when he set down his War... Read more... |
Gerhardt, Osborne, Queen's Hall/Keyrouz, Ensemble de la Paix, Greyfriars Kirk, EdinburghThursday, 14 August 2014![]() “Ah now, I can’t promise you sun,” says a Scots lady-in-waiting of her native weather to a novice Englishwoman near the start of Rona Munro’s masterly James Plays. It’s the first of many references to make the audience laugh knowingly. Well, after... Read more... |
theartsdesk Q&A: Pianist Saleem and Violinist Nabeel Abboud AshkarSunday, 03 August 2014![]() Saleem (born 1976), having dropped the "Abboud" from his name, is one of the world’s most individual top pianists: his recent disc of Mendelssohn concertos with Riccardo Chailly and the Leipzig Gewandhausorchester is bound to make my “best of year”... Read more... |
theartsdesk at the East Neuk Festival: Littoral SchubertiadSunday, 20 July 2014![]() Schubert played and sung through a long summer day by the water: what could be more enchanting? The prospect did not take into account the pain in that all too short-lived genius’s late work: when interpreted by a world-class trio, quartet and... Read more... |
The Turn of the Screw, Opera Holland ParkWednesday, 02 July 2014![]() “Is this sheltered place the wicked world where things unspoken of have been?” The Governess’s question echoes through the careful suggestions and delicate temporal interweavings of Annilese Miskimmon’s The Turn of the Screw, twisting smiles into... Read more... |
Owen Wingrave/ Pavel Haas Quartet, Aldeburgh FestivalMonday, 16 June 2014![]() What a red letter day it is when a work you’ve always thought of as problematic seems at last, if only temporarily, to have no kind of fault or flaw. That was the case for me on Sunday afternoon with Britten’s penultimate opera, Owen Wingrave,... Read more... |
Peter Grimes, Grange ParkSaturday, 31 May 2014![]() It takes a brave opera company indeed to stage Peter Grimes this summer. Benjamin Britten’s 2013 centenary celebrations took us to “peak Britten”, with performances of all his major works as well as the unprecedented, outstanding Grimes on the Beach... Read more... |
theartsdesk in Lyon: Britten FêtedFriday, 23 May 2014![]() “Assez vu” (“seen enough”) is the first line of Benjamin Britten’s last Rimbaud setting in his electric song cycle Les Illuminations. Victor Hugo and Paul Verlaine had been the objects of his 14-year old attention in the Quatre Chansons françaises;... Read more... |
Classical CDs Weekly: Britten, Poulenc, Peter WhelanSaturday, 19 April 2014![]() Britten to America – music for radio and theatre Hallé/Sir Mark Elder, Ex Cathedra/Jeffrey Skidmore Samuel West (narrator) (NMC)The official catalogue of Britten’s music currently runs to 1183 pieces – so, besides the 95 works with opus... Read more... |
The Prince of the Pagodas, Birmingham Royal Ballet, London ColiseumThursday, 27 March 2014![]() When three good choreographers can’t get a ballet right, there must be something wrong with either the story or the music. In the case of the Prince of the Pagodas (a Poirot mystery waiting to be written, that, but I digress), it’s hardly the music... Read more... |
Paul Bunyan, English Touring Opera, Linbury Studio TheatreTuesday, 18 February 2014![]() Paul Bunyan, best described as a "choral operetta", was Britten’s first foray into the operatic, and much of its value is surely gleaned through the prism of subsequent successes. The composer withdrew it after its poorly received US premiere in... Read more... |
Peter Grimes, English National OperaThursday, 30 January 2014![]() “Mind that door.” With the hurricane howling outside it’s no wonder the locals gathered in Auntie’s pub are yelling... but there is no door. Instead, a stage-wide sheet of corrugated iron rears up to let in Stuart Skelton’s storm-tossed Peter Grimes... Read more... |
