Theatre Reviews
The Island, Young Vic TheatreWednesday, 13 November 2013
This near-legendary short play, devised by Athol Fugard with the actors John Kani and Winston Ntshona (who gave their names to its characters), was first shown in Cape Town in 1973, during the apartheid era. Its effect then must have been electric, and some of that visceral intensity still shone out in one of the pair's last performances of the piece at the Old Vic in 2002. Read more... |
Jeeves and Wooster: Perfect Nonsense, Duke of York's TheatreWednesday, 13 November 2013
In several of P.G. Wodehouse's Jeeves and Wooster stories, reference is made to something called "a knockabout cross-talk act". It's a two-handed sketch, usually performed at a village hall smoking concert or similar, in which the protagonists put on fake beards and terrible Irish accents to become "Pat" and "Mike". They then proceed to trade nonsensical insults and bust each other "over the bean" with umbrellas. Read more... |
The Dead Wait, Park TheatreSaturday, 09 November 2013
A single movement is all it takes. A wounded man is held at gunpoint, and instead of cringing away from the inevitable bullet, he lifts his head and looks his would-be executioner in eye. This simple gesture does not just save his life – it sets in motion a drama that will ultimately consume the lives of everyone caught up in it. Read more... |
Sweeney Todd, Royal Exchange, ManchesterWednesday, 06 November 2013
How many times can a director re-work the same show and still come up with something fresh, gripping and memorable? This is James Brining’s third version of Sondheim’s killer thriller musical Sweeney Todd. He produced an award-winning version in 2010 at Dundee Rep. He turned to it again last month for his first production since becoming artistic director at West Yorkshire Playhouse. Read more... |
Nut, National Theatre ShedWednesday, 06 November 2013
One of the best kept secrets about contemporary theatre is that audiences rather like short plays. Of course, there’s nothing wrong with epic classics, but sometimes it makes a change to witness a playwright who has something to say and manages to say it with economy in 90 minutes or less. New writing’s master of this trend is Debbie Tucker Green, whose plays don’t linger too long on stage, nor do they burden you with an interval. Read more... |
The Potsdam Quartet, Jermyn Street TheatreMonday, 04 November 2013
David Pinner's 1973 play showcases a string quartet working out their own problematic relationships while world leaders decide the shape of post-war politics. Between bouts of playing Haydn, Bartok and - at Stalin's request - Borodin in the conference chamber, they bicker in the anteroom next door. Read more... |
Live from the National Theatre: 50 Years on Stage, BBC TwoSunday, 03 November 2013
These celebrations of our yesterdays can easily end up all camembert and wind. But while film people and television people will generally cock such things up, we do still have the odd cultural institution which can be relied upon to throw the right sort of party. For the National Theatre's golden jubilee, therefore, the stops were jolly well pulled out and the invitations damn well accepted from the actors who, striplings at the Old Vic in the Sixties, are now our own Oliviers and Ashcrofts... Read more... |
The Dumb Waiter, The Print RoomThursday, 31 October 2013
The best moment in this production of Pinter's The Dumb Waiter comes when one of the protagonists snatches up a piece of paper and bellows "Scampi!" at his bewildered partner in crime. The line is delivered with face-reddening passion and absolute seriousness, perfectly encapsulating this play's fascinating absurdity. Read more... |
Home, Arcola TheatreWednesday, 30 October 2013
This is a strange one. Precious little happens and, in some ways, little is said in David Storey's muted chamber play from 1970. Two men named Harry and Jack – getting on in years, but keeping up appearances in jackets and ties – linger on a patio that's skirted by grass and strewn with autumn leaves. The sun is shining softly. Low-level birdsong is just audible in Amelia Sears's strongly cast production, staged in-the-round in the Arcola's intimate studio space. Read more... |
The Scottsboro Boys, Young VicMonday, 28 October 2013
Forever breaking into song and dance, musicals are fun, fun, fun. They are primarily what folks go to for uplifting entertainment, are they not? Actually, many of the best aren't anything like that simplistic. Opening at the Young Vic last night, The Scottsboro Boys is no mere barrel of vacuous laughs, though it is comical and buoyant along the way. Read more... |
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★★★★★
‘A compulsive, involving, emotionally stirring evening – theatre’s answer to a page-turner.’
The Observer, Kate Kellaway
Direct from a sold-out season at Kiln Theatre the five star, hit play, The Son, is now playing at the Duke of York’s Theatre for a strictly limited season.
★★★★★
‘This final part of Florian Zeller’s trilogy is the most powerful of all.’
The Times, Ann Treneman
Written by the internationally acclaimed Florian Zeller (The Father, The Mother), lauded by The Guardian as ‘the most exciting playwright of our time’, The Son is directed by the award-winning Michael Longhurst.
Book by 30 September and get tickets from £15*
with no booking fee.
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