Dance
Say Yes To Another Excess - TWERK, Sadler's WellsSaturday, 07 March 2015
"The music will be loud," the slender usher warns on entry to altered natives' "Say Yes To Another Excess" – TWERK, as a Grime bassline shakes the flimsy theatre floor. She hands over a text-heavy programme and does not frisk me. This is no London... Read more... |
Nómada, Compañía Manuel Liñán, Sadler's WellsMonday, 02 March 2015
"Sprung from pure flamenco, Manuel Liñán exudes purity from himself and his dance - he is life, freshness and passion." Leaving aside the need for a better copywriter, or at least translator, what does this, the opening line of the flamenco... Read more... |
Eva Yerbabuena/Ballet Flamenco de Andalucía, Sadler's WellsTuesday, 24 February 2015
The Sadler's Wells Flamenco Festival is cunningly scheduled for that particularly dreary fortnight in late February when winter has been going on forever, spring is still just out of reach, and half term brings the dismal realisation that we're only... Read more... |
Swan Lake, Royal BalletWednesday, 11 February 2015
Is there an art-form more tied to bad as well as good tradition than classical ballet? Yolanda Sonnabend’s unatmospherically if expensively kitsch designs for this Swan Lake wouldn’t have lasted more than a season or two in the worlds of theatre and... Read more... |
The Associates, Sadler's WellsSunday, 08 February 2015
The Associates is not the title of a new Scandi crime drama, though in dance world terms we’re perhaps approaching that level of Event. Associates are what Sadler’s Wells, London’s dance powerhouse, calls the selected band of dancemakers it deems... Read more... |
One Flute Note/Body Not Fit for Purpose, Lilian Baylis Studio, Sadler's WellsTuesday, 03 February 2015
One of the dance world's better-kept secrets is the existence of a brilliantly inventive comic double-act consisting of two paunchy, balding 50-something men. Neither humour nor the over-50s are seen all that often in dance, but it isn't tokenism... Read more... |
Onegin, Royal BalletThursday, 29 January 2015
The habit among ballet critics of being simultaneously down on John Cranko's 1965 Onegin and up on Kenneth MacMillan's 1974 Manon is a curious one. The two have many similarities, from their basis in novels that became operas (though Prévost's Manon... Read more... |
Richard Alston Dance Company 20th Anniversary Performances, Sadler's WellsTuesday, 27 January 2015
Testament to the work of Richard Alston Dance Company (RADC) over the 20 years since its foundation was not just the première-filled celebratory programme performed at Sadler's Wells last night, but the enthusiastic audience there to see it. Alston'... Read more... |
Young Men, BalletBoyz, Sadler's WellsThursday, 15 January 2015
Having gathered an excellent cadre of dancers and forged them over years into a fine company (The Talent), the BalletBoyz Michael Nunn and William Trevitt – two of the most astute artists in dance – must have known they needed to go further, to... Read more... |
Royal Danish Ballet Soloists and Principals, Peacock Theatre, LondonSaturday, 10 January 2015
“A link in the chain of beauty” – that’s how the choreographer August Bournonville, in the 1840s, wanted every dancer in the Royal Danish Ballet to regard their art. And, remarkably, the chain of beauty we now call the Bournonville style has... Read more... |
Swan Lake, English National Ballet, London ColiseumThursday, 08 January 2015
The twelve days of Christmas may be over, but I have good news for ballet fans in London: a whole new batch of presents for you has washed up at the Coliseum, and it's overflowing with lords-a-leaping, ladies dancing, and swans-a-swimming. In Derek... Read more... |
Romeo and Juliet, Moscow City Ballet, Cambridge Corn ExchangeMonday, 05 January 2015
The question with Moscow City Ballet is: should I judge them on what they are, or on what they claim to be? The touring company, a self-supporting private enterprise, takes productions of classic ballets (The Nutcracker, Swan Lake et al) round... Read more... |
