Dance
Ahnen, Tanztheater Wuppertal Pina Bausch, Sadler's WellsSaturday, 25 April 2015
You’re already in the land of the unpredictable with Pina Bausch. Creating unease was her métier. But when she pulls a gag intended to convince you that something has gone badly wrong on stage, and then it really does, the discombobulation is... Read more... |
BBC Young Dancer 2015, BBC FourSaturday, 18 April 2015
Lest the BBC Four imprint prove not strong enough a signal, I'll say it loud and clear: don't go into this expecting Strictly, kids. On the evidence of last night's contemporary dance showdown, the first of four section finals, the brand new BBC... Read more... |
La Fille mal gardée, Royal BalletSaturday, 18 April 2015
In 1803 they called it Filly me Gardy. Today British ballet lovers refer to it by a single coded syllable: “Fee”. But translating its title is, for audiences at least, the only hard thing about this three-act romcom by Frederick Ashton. The rest is... Read more... |
Auf dem Gebirge hat man ein Geschrei gehört, Tanztheater Wuppertal, Sadler's WellsThursday, 16 April 2015
Retrospectives are difficult in dance, and for Pina Bausch's brand of Tanztheater, even more difficult. A great deal of her oeuvre's impact derives from the special atmosphere of her Wuppertal company, whose dancers were devoted to her and to each... Read more... |
Diana Vishneva, On the Edge, London ColiseumWednesday, 15 April 2015
Diana Vishneva's last solo show was called Beauty in Motion, a pretty safe bet under the Trade Descriptions Act, since the Mariinsky prima ballerina and ABT guest star is unfailingly, remarkably beautiful. The new one, which came to the Coliseum... Read more... |
theartsdesk Q&A: Choreographer Stephen MearSaturday, 11 April 2015
From Singin’ in the Rain and Anything Goes to Hello, Dolly! and Mary Poppins, Olivier Award winner Stephen Mear has done more than any other British choreographer to usher classic musicals into the modern era. But adept as he is at razzle-dazzling ’... Read more... |
A Streetcar Named Desire, Scottish Ballet, Sadler's WellsWednesday, 01 April 2015
Your mum told you (or at least, I hope someone did) that it wasn't about being pretty, it was about having personality. True wisdom though this is, you probably also noticed that there are some jobs where it appears to be necessary to conform to a... Read more... |
The Four Temperaments/Untouchable/Song of the Earth, Royal BalletSaturday, 28 March 2015
After the second piece of last night's triple bill, Hofesh Shechter's Untouchable in its world premiere, my friend asked me why it had been put on the programme with the first piece, George Balanchines 1946 Four Temperaments. He wondered if there... Read more... |
Bayadère - The Ninth Life, Shobana Jeyasingh Company, Linbury Studio TheatreThursday, 26 March 2015
The premise of last night’s world première made so much sense that one almost wondered why nobody had done it before now. Commissioned by the Royal Opera House and in its downstairs Linbury space, Shobana Jeyasingh, a classically-trained Indian... Read more... |
Serenade/Carmina Burana, Birmingham Royal Ballet, London ColiseumFriday, 20 March 2015
Serenade seems to be one of George Balanchine’s most evanescent works, a floating, delicate skein of movement that is over almost before it begins, leaving nothing but memory behind. In reality, it is tough as old boots, a warrior of a ballet, one... Read more... |
The Pursuit of Now, Sadler's WellsWednesday, 18 March 2015
Even for a dancer of Akram Khan’s sublime gifts, “Now” is an evasive concept to convey. During last night’s Sadler’s Wells extravaganza of Azerbaijani jazz and contemporary dance, “The Pursuit of Now”, Khan and his co-performer, the German-Korean... Read more... |
Modern Masters, English National Ballet, Sadler's WellsThursday, 12 March 2015
Reviews of English National Ballet in which I rave about what Tamara Rojo is doing for the company are getting to be the norm round here. This one is no exception, and I'm not even going to apologise for it. Last night was the opening of... Read more... |
