Theatre
Wolf Cub, Hampstead Downstairs review - haunting solo play about the American nightmareThursday, 14 April 2022
Ché Walker claims he wrote Wolf Cub, now in the Hampstead Downstairs studio space, in a two-day blitz prompted by Donald Trump’s election win in 2016. He was working in Atlanta at the time, the home city of Claire Latham, the solo performer for... Read more... |
Persuasion, Alexandra Palace Theatre review - graphic-novel-style AustenThursday, 14 April 2022
Jane Austen’s waspish vision revealed the vanities, delusions and cynical financial calculations that underpinned most of the relationships of her day. The element in which she thrived was repression; the heart constrained beneath the corset, the... Read more... |
The 47th, Old Vic review - ambitious Trump satire doesn't quite hit its targetMonday, 11 April 2022
Megalomania is inherently theatrical. So it feels like it was only a matter of time before Donald Trump took to the boards, blasting the assembled crowd with his tangerine paranoia and clownish nihilism. What was less predictable was the turbo-... Read more... |
'Daddy' A Melodrama, Almeida Theatre review - production exuberance carries a new play of promiseMonday, 11 April 2022
Danya Taymor’s production of “Daddy” A Melodrama has a huge exuberance: a tour de force in itself, it's also a scintillating introduction to the work of Jeremy O Harris. The young American dramatist earned considerable attention, and acclaim for the... Read more... |
Anyone Can Whistle, Southwark Playhouse review - full-on bonkersFriday, 08 April 2022
Musicals don't get madder than Anyone Can Whistle, the 1964 Broadway flop from onetime West Side Story and Gypsy collaborators Stephen Sondheim and Arthur Laurents which makes history of sorts at Southwark Playhouse as the first Sondheim show to be... Read more... |
Project Dictator, New Diorama Theatre review - anarchic satireThursday, 07 April 2022
When Rhum + Clay conceived this show, the idea of a comic becoming a political leader might have prompted thoughts of Boris Johnson's carefully cultivated buffoonery on "Have I Got News For You" and elsewhere. Since then, a certain Volodymyr... Read more... |
The Fever Syndrome, Hampstead Theatre review - ambitious family drama falls shortWednesday, 06 April 2022
The Fever Syndrome has an ambition that places itself firmly in the tradition of the great American family drama (comparisons with Arthur Miller feel the most appropriate), a piece in which the reassessment of ties of blood is played out against a... Read more... |
First Person: playwright Chinonyerem Odimba on birthing her potent and timely new showWednesday, 30 March 2022
People often ask how long a play takes to make its way out of you. And it’s always a valid question because no matter how beautiful, soft, joyful, or short a play is, there is a wrestling match that takes place between the idea lodging itself... Read more... |
Clybourne Park, Park Theatre review - excellent revival of Bruce Norris's award-winnerSaturday, 26 March 2022
Bruce Norris’s Clybourne Park arrived at London’s Royal Court like a blazing comet in 2010, a bold kind of satire about race relations that was both sassy and savvy.Now it’s back for a run at the Park Theatre, N1. Twelve years on, we have learnt to... Read more... |
Straight Line Crazy, Bridge Theatre review – in desperate need of a curve ballThursday, 24 March 2022
A few years ago Ralph Fiennes starred as the narcissistic, belligerently ambitious, ultimately tragic architect Halvard Solness in Ibsen’s The Master Builder, in a fine adaptation by David Hare. You might argue that there isn’t much of a leap... Read more... |
The Human Voice, Harold Pinter Theatre review – acting masterclassTuesday, 22 March 2022
Is there really such a thing as an unmissable show? Depends on your taste of course, but for sheer hype this event takes some beating: two-time Olivier Award-winning star Ruth Wilson (last seen doing her sinister stuff in the BBC’s His Dark... Read more... |
Tom Fool, Orange Tree Theatre review - testing family valuesTuesday, 22 March 2022
It’s not hard to see, watching Tom Fool at the Orange Tree Theatre, why Franz Xaver Kroetz is one of Germany’s most staged playwrights.Born in Munich in 1946, he’s known for unflinching portrayals of poverty and what it does to people. Directed... Read more... |
