Theatre
Much Ado About Nothing, Shakespeare's Globe review – a perfect piece of escapism for our uncertain summerTuesday, 03 May 2022
Lucy Bailey’s joyous, visually ravishing Much Ado About Nothing opens on a sombre note. On stage there is laughter and merriment as people prepare for a party in the sprawling grounds of an Italian estate, but then a lone soldier enters the... Read more... |
Jerusalem, Apollo Theatre review - Mark Rylance blazes in this astonishing revivalSaturday, 30 April 2022
At long last, the giant has come back. Over a decade after its critical apotheosis on both sides of the Atlantic, Jez Butterworth’s Jerusalem returns to London in an astonishing revival starring Mark Rylance as the high priest of its proceedings.... Read more... |
Prima Facie, Harold Pinter Theatre review - Jodie Comer sears the stageThursday, 28 April 2022
National statistics tell us that, in the year ending September 2021, 41% of rape victims in England and Wales eventually withdrew their support for prosecution. That justice is not always blind may have something to do with this.Indeed, as the... Read more... |
Punchdrunk's The Burnt City, One Cartridge Place review - thrilling, discombobulating vision of an ancient worldWednesday, 27 April 2022
Punchdrunk’s latest epic undertaking may be inspired by the legend of Troy, but this is nothing less than a dark journey into a mythological underworld. The company has brought its thrilling discombobulating vision to a venue that sprawls across 100... Read more... |
Marys Seacole, Donmar Warehouse review - frustrating yet unflinchingMonday, 25 April 2022
Inspiration jostles irritation in Marys Seacole, Jackie Sibblies Drury's Off Broadway hit from 2019 that has arrived at the Donmar as part of a banner season of late for Black American writing in the capital (cf. "Daddy": A Melodrama at the Almeida... Read more... |
The Corn Is Green, National Theatre review – Nicola Walker teaches a life lessonMonday, 25 April 2022
Let’s talk repertoire. Over the past decade the range of British plays, especially those from the 17th, 18th and 19th centuries, has shrunk in state-subsidized theatres. You can no longer easily see work by Shakespeare’s contemporaries, Restoration... Read more... |
First Person: playwright Naomi Wallace on finally hearing her work performed in EnglishSaturday, 23 April 2022
The Breach is a coming of age story and an age-in-the-making story. The play takes place in the U.S. in the 1970s and 1990s, switching back and forth between teenagers in Louisville and their older selves 15 years later. The promise of the... Read more... |
Lava, Soho Theatre review - silences, secrets and liesFriday, 22 April 2022
The title of James Fritz’s play is allusive, oblique even. I assume it refers to how, in the aftermath of a catastrophe such as an erupting volcano, it’s the lava that spreads outwards, changing the form of the surrounding landscape. It’s not the... Read more... |
Bonnie & Clyde, Arts Theatre review - great songs, but plot fires too many blanksThursday, 21 April 2022
One of the more irritating memes (it’s a competitive field, I know) is the “Name a more iconic couple” appearing over a photo of Posh and Becks, or Harry and Megan, or Leo and whoever. I’ve always been tempted to close the discussion down with a... Read more... |
For Black Boys Who Have Considered Suicide When The Hue Gets Too Heavy, Royal Court review - Black joy, pain, and beautyTuesday, 19 April 2022
The title is so long that the Royal Court’s neon red lettering only renders the first three words, followed by a telling ellipsis. But lyrical new play For Black Boys Who Have Considered Suicide When the Hue Gets Too Heavy lives up to its weighty... Read more... |
Scandaltown, Lyric Hammersmith review - Restoration-comedy-style take on 21st Century shamelessnessMonday, 18 April 2022
If Nero fiddled while Rome burned, then Boris Johnson has played the whole sodding orchestra. Between the parties, the lying, the enabling of Russian financial interests and the record European Covid death-toll he has not just traduced Pitt, he has... Read more... |
Zorro the Musical, Charing Cross Theatre review - struggling to find the right toneSaturday, 16 April 2022
Zorro (what a name!) is back, swashing and buckling his way into the West End, 13 years after he left and now not the only one wearing a mask. He’s also an entertainer turned political leader, inspiring his people to resist an evil martinet. Well,... Read more... |
