Opera
The Magic Flute, Clonter Opera review - inventive ideas on the farmMonday, 24 July 2023
Necessity has to be the mother of invention for many operatic enterprises these days – and there are few with such inventive powers as those of Clonter Opera in Cheshire.Its avowed aim is to be a platform for emerging artists and a bridge from... Read more... |
L'Orfeo, Longborough Festival Opera review - landmark opera survives rock-star wedding and hospital soapMonday, 17 July 2023
Cotswold Line railway stations currently sport posters for Alex James’s “Big Feastival”, in which the ex-Blur bassist hosts a food-and-music jamboree on his cheese-making farm. Just up the road at Longborough Festival Opera, the crowd gathered on... Read more... |
theartsdesk at the Buxton International Festival - bel canto in the High PeakSaturday, 15 July 2023
Bellini’s La Sonnambula is the highspot of a four-show lyric theatre bill at the Buxton International Festival this year, and demonstrates again how beautifully suited the small Matcham opera house in the High Peak is to mid-19th century bel canto... Read more... |
The Bartered Bride, Garsington Opera review - brilliant revival of a comedy of crueltyMonday, 03 July 2023
Smetana’s enchanting bitter-sweet comedy is probably on the danger-list for cancellation by the modern guardians of our moral sanctity. The plot hinges, like Hardy’s The Mayor of Casterbridge, on the cash-sale of the hero’s bride (in Hardy, the wife... Read more... |
Don Carlo, Royal Opera review - Lise Davidsen soars above routineSaturday, 01 July 2023
Not a good start. The tenor (Brian Jagde) walks downstage and sings loudly, if securely, to the audience: hardly a characterisation of an idealistic young Infante meditating on love. The next voice, the Page’s, is barely heard (Ella Taylor gets... Read more... |
Out of Her Mouth, Dunedin Consort, Mahogany Opera, Hera, Assembly Roxy, Edinburgh review - she carried a watermelonTuesday, 27 June 2023
A joint venture between Dunedin Consort, Mahogany Opera and intersectional feminist opera company Hera, Out of Her Mouth is a semi-staged version of three short baroque cantatas. Written by French composer Élisabeth Jacquet de La... Read more... |
Candide, Welsh National Opera review - vaut le voyage, just for the visual sideMonday, 26 June 2023
If you read the synopsis of Candide - which I strongly advise if you plan a visit to this new WNO production - you may well wonder how it will be possible to get through so much in so short a time. Voltaire’s novella is itself fairly short, but... Read more... |
Werther, Grange Park Opera review - Italian-American principal singers with strong chemistryMonday, 26 June 2023
Grange Park Opera has been setting a high standard in French opera ever since the company's first proper season in 1999. This Werther is the company's third by Jules Massenet. The first two were rarities, pioneering efforts: a fascinating tussle... Read more... |
Ariadne auf Naxos, Garsington Opera review - golden thread leads to deep emotionSunday, 25 June 2023
When tears well up during stretches of Strauss and Hofmannsthal’s curious hybrid which you never expected to move you, something special's going on. The magic happened last night in an evening which I didn't anticipate equalling “the Carmelites... Read more... |
Everest, Barbican review - a powerful operatic debut from Joby TalbotSaturday, 24 June 2023
Schubert gave us a winter’s journey for the 19th century: a wandering lover brooding, remembering, fantasising, maybe even dying to the chilly accompanying churn of the hurdy-gurdy man. In Everest, composer Joby Talbot and librettist Gene Scheer... Read more... |
Il trovatore, Royal Opera review - heaven and hellFriday, 23 June 2023
The trouble with Trovatore, Verdi’s sometimes barrel-organish, slightly middle-aged troubadour, isn’t so much the silly shocker of a plot, triggered by a gypsy so crazed with vengeance that she throws her own baby on a bonfire by mistake, as the... Read more... |
Werther, Royal Opera review - Kaufmann off form in this stiff revivalWednesday, 21 June 2023
Benoit Jacquot’s handsome period production of Werther has been quietly putting in the miles for the Royal Opera. Since its premiere in 2004, this unexceptionable staging – “this wall, this fountain, this cool shade” all present and laboriously... Read more... |
