Opera
La Traviata, Welsh National Opera review - memorable revival, unforgettable leadSaturday, 23 September 2023
It’s always tempting, at curtain-up in La Traviata, to settle back, half-close one’s eyes, and soak up the familiar without the anxiety of the new. Not this time you won’t. David McVicar’s lavish 2009 text-true staging is being revived with a... Read more... |
Peter Grimes, English National Opera review - not quite the pity or the truthFriday, 22 September 2023
Britten’s biggest cornucopia of invention seems unsinkable, and no-one seeing his breakthrough 1945 opera for the first time in this revival will fail to register its forceful genius. David Alden’s expressionist nightmare of a production, though,... Read more... |
The Yellow Wallpaper, Lilian Baylis Studio review - a tense and intimate monodramaSaturday, 16 September 2023
What a difference a few years make. In 2019 I reviewed composer Dani Howard’s first opera, Robin Hood, also produced by The Opera Story, and commented on the fundraising success that enabled a cast of six and an ensemble of 10.Fast forward through... Read more... |
Das Rheingold, Royal Opera - knotty, riveting route to destructionFriday, 15 September 2023
Let’s set aside, to begin with, the question of the concept, other than to praise it as consistent. Most vital about this brave new Rheingold is the vindication of director Barrie Kosky’s claim that “what makes a Ring production interesting is the... Read more... |
First Person: mezzo Stephanie Wake-Edwards on open dialogue and shared goals in the new show 'FEAST'Friday, 15 September 2023
“Do you actually speak like that?” was the first thing a senior colleague said to me during my initial week at a prestigious UK opera house. I’ve always had a tricky time understanding who I really am.As a culture, we are obsessed with class.... Read more... |
Ainadamar, Welsh National Opera review - hits hard without breaking groundMonday, 11 September 2023
I find it hard to know quite what to make of Ainadamar, Argentinian composer Osvaldo Golijov’s one-act opera about the life and death of the Spanish poet Federico Garcia Lorca, who was murdered in unknown circumstances – probably by Nationalist... Read more... |
Prom 64: Les Troyens, Orchestre Révolutionnaire et Romantique, Sousa review - ravishing interpretation of Berlioz's masterpieceMonday, 04 September 2023
It’s one of the great tragedies of Les Troyens that its composer never got to hear it performed in its entirety during his lifetime. This ravishing, big-hearted interpretation of the two of the most dramatic episodes in Virgil’s Aeneid was dismissed... Read more... |
Tannhäuser, Deutsche Oper Berlin, Edinburgh International Festival 2023 - compelling concert WagnerSaturday, 26 August 2023
This was one of the more strait-laced concert performances, with few concessions to Wagner’s underlying stage drama. The soloists were in formal concert dress, strung out in a line at the front of the stage, with interaction between them limited to... Read more... |
Prom 43: Endgame, BBC Scottish SO, Ryan Wigglesworth review - beautiful sounds but slow, slow dramaFriday, 18 August 2023
György Kurtág is 97 and the last man standing of the post-war generation of avant-garde composers. Last night the Proms staged the UK premiere of his first opera, started in his eighties and premiered in 2018, a setting of Samuel Beckett’s typically... Read more... |
Prom 31: Dialogues des Carmélites, Glyndebourne, BBC Radio 3 review - full force on airTuesday, 08 August 2023
“There will be more incense,” promised Glyndebourne Music Director Robin Ticciati of the company’s annual visit to the Proms. He was talking to my Opera Zoom class between the final rehearsal and first performance of Poulenc’s great masterpiece... Read more... |
The Pilgrim's Progress, Three Choirs Festival review - revelatory performance by young musiciansFriday, 28 July 2023
Whatever your opinion of Vaughan Williams, it’s unlikely that you think of him as an essentially theatrical composer. Yet he did write at least three important (as well as several less important) works for the stage: a ballet (not so-called), Job, a... Read more... |
Semele, Glyndebourne review - the dark side of desireMonday, 24 July 2023
It never rains but it pours – and hails, snows or, above all, thunders. The presiding tone of Semele, in Adele Thomas’s new production for Glyndebourne, matches the current English summer with its grey skies, glowering clouds and stormy outbursts.... Read more... |
