Opera Features
theartsdesk Q&A: Kate Lindsey and Katharina Thoma on Glyndebourne's Ariadne auf NaxosSaturday, 18 May 2013
What’s the perfect Glyndebourne opera? Mozart, of course, must have first and second places with Le nozze di Figaro – Michael Grandage’s lively production of country-house mayhem is revived again this season – and Così fan tutte. Then comes Amadeus’s greatest admirer, Richard Strauss, and Ariadne auf Naxos - his most experimental collaboration with his then-established house poet for Elektra and Der Rosenkavalier, Hugo von Hofmannsthal. Read more... |
BBC Proms 2013: Ring operas for a fiver eachFriday, 19 April 2013
First, the good news: you can see Wagner’s entire Ring at the Royal Albert Hall, with absolutely the world’s finest Wagner singers and conductor in concert, for a grand total of £20. The bad news is that unless you have a season ticket – in which case it works out even cheaper – you’ll probably have to queue for most of the day to guarantee a place in the Arena or Gallery, and then you’ll still need the energy to stand for up to five hours an evening. Read more... |
'For him, maestro was an ironic term': Sir Colin Davis rememberedWednesday, 17 April 2013
Still the tributes come thick and fast, celebrating the greatest performances of the public figure who is remembered with the most universal affection and admiration this week (and on this day). We asked some of the top musicians to focus on an event, a meeting or a recording which made a special impact on them. Read more... |
Sir Colin Davis: 'He simply knew how Mozart should go'Tuesday, 16 April 2013
Colin was an enormous influence in my youth and I’d like to share some memories of those days. It was over 60 years ago, on a Sunday afternoon in May 1952, that I attended a concert performance of The Marriage of Figaro given by Chelsea Opera Group in a school hall in Hills Road, Cambridge. The singers were all young, gifted and sparky. The orchestra purred. Read more... |
theartsdesk in Lyon: A contemporary opera house taking a bold approachSunday, 14 April 2013
“There are three rivers in Lyons: the Rhône, the Saône and the Beaujolais.” Thus goes the popular saying – as apt today for France’s gastronomic and wine-quaffing capital as it was back in the 15th century, when the city first became a hub of European political and social life. Read more... |
Newcomers triumph at BBC Music Magazine AwardsWednesday, 10 April 2013
We had, as presenter James Naughtie so wryly remarked, set aside our mourning weeds for the low-key glamour of celebrating a far from moribund classical recording industry. Movers, shakers and humble BBC Music Magazine contributors all shifted from the airy dining space at the ever-accommodating Kings Place yesterday - I won't forget the mint marshmallow - and descended to woody Hall One for the magazine's 2013 awards. Read more... |
Q&A Special: Conductor Wolfgang Sawallisch on Strauss and WagnerSunday, 03 March 2013
In many ways the most well-tempered of conductors, Wolfgang Sawallisch (1923-2013) brought a peerless orchestral transparency and beauty of line to the great German classics. Even the most overloaded Richard Strauss scores under his watchful eye and ear could sound, as the composer once said his opera Elektra should, “like fairy music by Mendelssohn”. Read more... |
Galina Vishnevskaya on Britten and his War RequiemFriday, 14 December 2012
One of Russia’s greatest and most inspirational sopranos, Galina Vishnevskaya died on 11 December at the age of 86. To the world at large, she will probably be most famous for taking an heroic stand alongside her husband, cellist and conductor Mstislav Rostropovich, against the Soviet authorities over the treatment of Alexander Solzhenitsyn; in 1974, the couple were stripped of their citizenship as a result. Read more... |
Royal Opera House chief Tony Hall to the BBC - now what?Thursday, 22 November 2012
So Tony Hall moves from heading the Royal Opera House to taking over the BBC as its new Director-General. I can't for a moment imagine a rerun of that crucial mini-conversation between Helen Boaden and George Entwistle over the Jimmy Savile programming (if you can remember all the way back to mid-October through the cannonfire since) taking anything like a similar course had it been Tony Hall rather than Entwistle. Read more... |
theartsdesk Olympics: Athletes at the operaTuesday, 24 July 2012
Triumph, despair, glory and struggle: the Olympic Games might technically be a sporting event, but in spirit and essence they are pure drama. Film-makers may have shouted loudest about this discovery, generating hit after Olympic-themed hit throughout the 20th century, but composers also know a thing or two about sporting thrills, with almost 300 years of Olympic action in the opera house. Read more... |
Pages
latest in today
Help to give theartsdesk a future!
It all started on 09/09/09. That memorable date, September 9 2009, marked the debut of theartsdesk.com.
It followed some...
Ballerina review - hollow point
John Wick’s simple story of a man and his dog became a bonkers, baroque franchise in record time, converting Keanu Reeves’ limited acting into Zen...
Caroline, Islington Assembly Hall review - south London octe...
In 2022 I called caroline “perhaps the best band in the U.K” in my article about their debut, which I named my album of the year....
theartsdesk in Fes - world music central
With WOMAD not happening this year, where could one go for a feast of...
Songhoy Blues, Hare & Hounds, Birmingham review - West A...
No-one needs to be living in Trump’s USA to be aware that governments never feel that it’s in their interest to prioritise great art and music...
Album: Pulp - More
While the Gallagher brothers scrabble around in the dirt for their rich pickings, an altogether more...
Goebbels and the Führer review - behind the scenes from the...
“Do you know the name of the propaganda minister of England, or America, or even Stalin? No. But Joseph Goebbels? Everyone knows him.” The cynical...
Album: Turnstile - NEVER ENOUGH
Turnstile’s NEVER ENOUGH is a vibrant, shape-shifting album that proves the Baltimore-based band is fully committed to evolution. Since...
Fiddler on the Roof, Barbican review - lean, muscular delive...
It’s always a risk when a production changes venue. In the curious alchemy of live performance, no-one can be sure whether a shift in surroundings...