thu 11/09/2025

New Music Reviews

Sauti za Busara Festival 2021, Zanzibar review - 2500 gather to celebrate music unlocked

Simon Broughton

“Zanzibar, are you ready?” yells the singer from the stage.

There’s a huge cheer. It seems the crowd – and it is a crowd – is certainly ready. In shades, a flat cap and dreadlocks down his back, singer Barnaba Classic (pictured below left) is on stage at Zanzibar’s Sauti za Busara festival. Over from Dar es Salaam, Barnaba is a big star in Tanzania and is headlining the festival’s first night after seven hours of music.

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Disc of the Day 10th Anniversary: Albums We Got Wrong

theartsdesk

Continuing our week of pieces celebrating the 10th birthday of theartsdesk’s album reviews section, today it’s time to ‘fess up! Seven of our regular reviewers reflect on occasions when, in retrospect, their writing did not correctly sum up the music in question. Yes. It happens. Even to us!

The Black Keys - El Camino – by Russ Coffey

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Albums of the Decade 2011-2021

theartsdesk

On Valentine’s Day 2011 Disc of the Day album reviews sprang into being, and has been solidly reviewing five albums a week ever since. Out of the many thousands, which ones did we rate the most? To mark 10 years since its inception, 12 of theartsdesk’s music writers mark the occasion by choosing an Album of the Decade. They appear in alphabetical order by writer.

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Reissue CDs Weekly: Disco Zombies - South London Stinks

Kieron Tyler

“Witless punk” was the weekly music paper Sounds assessment of Disco Zombies’s first single “Drums Over London”. NME’s Paul Morley was more measured, declaring it “ill-disciplined slackly structured new pop but the chorus alone makes up for it.” That was March 1979.

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theartsdesk on Vinyl 62: Nick Mulvey, Off The Meds, Black Keys, Kreator, Oneohtrix Point Never, Sam Cooke and more

Thomas H Green

The top-selling vinyl at independent UK record shops in 2020 was Idles' latest album (closely followed by Yungblud, which is impressive, given his only came out in December!). The Top 10 is dominated by indie, rock and retro but, actually, the bigger picture is that limited runs by music in all styles are selling across the board.

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Reissue CDs Weekly: Allen Ginsberg - At Reed College: The First Recorded Reading of Howl & Other Poems

Kieron Tyler

“I saw the best minds of my generation destroyed by madness, starving hysterical naked, dragging themselves through the negro streets at dawn looking for an angry fix.” The opening words of Allen Ginsberg’s Howl are ingrained.

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Album: Elephant9 - Arrival Of The New Elders

Kieron Tyler

Arrival Of The New Elders is unlike anything Norwegian trio Elephant9 have done before. Previously, their jazz-prog mélange was as full-on as it could be. Attacking, hard and heavy.

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Reissue CDs Weekly: The Free Design - Butterflies Are Free

Kieron Tyler

“Dorian Benediction” begins with a muted organ and spectral chorale. Minimal drums, an electric piano, vibes, melancholy saxophone and a jazzy solo guitar fill out the picture. Over its four-and-a-half minutes, the atmosphere is haunted and haunting. This is music which appears to have seeped from the walls of a baroque church.

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Album: The Besnard Lakes - The Besnard Lakes Are The Last Of The Great Thunderstorm Warnings

Kieron Tyler

The title is in keeping with those of previous portentously handled albums from the Montréal art-rockers. There was their breakthrough 2007 set The Besnard Lakes Are The Dark Horse and 2010’s The Besnard Lakes Are The Roaring Night.

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Reissue CDs Weekly: Richard Hell & The Voidoids - Destiny Street Complete

Kieron Tyler

"Three plus versions of the same album. It’s ridiculous, but I’m glad.” The first paragraph of Richard Hell’s text in the booklet accompanying Destiny Street Complete lays it out. There are, indeed, three versions of his and his band The Voidoids’s July 1982 album Destiny Street on this double-CD set. It seems excessive.

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