wed 10/09/2025

New Music Reviews

Panda Bear & Sonic Boom, Komedia, Brighton review - a delightfully woozy head-trip

Thomas H Green

My associate for the evening has recently returned from Breaking Convention, a conference on psychedelics, celebrating their renaissance in recent years. He’s been microdosing regularly. Around us the crowd sways, many with eyes closed, bobbing, silhouetted by two screens and a stage backdrop on which a dancing silver-grey blob-humanoid grooves itself to liquid, splatters flowing off it.

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New Regency Orchestra, Colour Factory review - sizzling Afro-Cuban big band

mark Kidel

Four trombones, four trumpets and five saxophones, six percussionists – this Afro-Cuban inspired band packs an irresistible punch and it’s loud!  This is a big band sound that revives the glory days of Tito Puente and Dizzy Gillespie, a 1940s fusion of Latin and jazz, as incendiary as it comes. A true wonder that London should produce music of this power and vibrancy, but the New Regency Orchestra (NRO) do just that, keeping the energy going for the full length of a 90-minute set.

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Music Reissues Weekly: Joe Meek And The Blue Men - I Hear A New World Sessions

Kieron Tyler

March 1960’s I Hear A New World EP was British pop at its most extraordinary. As its liner notes put it, it was “a strange record”: one seeking to aurally reflect life on the moon and in outer space. Musique concrète, pop and studio-only sonic manipulation were rolled into one. Its creator was producer Joe Meek.

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theartsdesk on Vinyl: Record Store Day Special 2023

Thomas H Green

Record Store Day is nearly here. At theartsdesk on Vinyl we have a selection of goodies which are appearing exclusively in record shops. See anything you fancy?

THEARTSDESK ON VINYL’S VINYL OF RECORD STORE DAY APRIL 2023

Suicide A Way of Life Rareties (BMG)

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theartsdesk on Vinyl 76: Elton John, Pharoah Sanders, Hellripper, Jah Wobble, T-Rex and more

Thomas H Green

There will be two theartsdesk on Vinyls this week. The first is here, an epic 11,000 words on a multitude of new releases in every genre, from reissues of classics to spanking new strangeness. There’s something for everyone. On Thursday we’ll have a special edition in honour of Record Store Day this coming Saturday, so watch out for that too. For now, though, dive in!

VINYL OF THE MONTH

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Goat, The Mill, Birmingham review - Scandinavian pagans see the weekend out in style

Guy Oddy

It might be nigh on six months since Scandinavian shamen (and women) Goat released their latest opus, Oh Death, but it has taken until now for them to finally bring their energetic live show back to the UK. On Sunday’s evidence, it is a wait that now feels like a small price to pay though, as Brummies young and old blew their minds and danced their socks off to intoxicating sounds that provoked a seriously ecstatic response.

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Music Reissues Weekly: Pharoah Sanders Quartet - Live at Fabrik Hamburg 1980

Kieron Tyler

Promises attracted a lot of attention upon its 2020 release. The album brought together UK electronica artist Floating Points, The London Symphony Orchestra and storied US jazz individualist Pharoah Sanders, who died in September 2022. It became his last album. Promises – composed by Sam Sheperd in his Floating Points guise – cannot though have been conceived to be as high profile as it became.

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The Damned, Town Hall, Birmingham review - original punks bring some darkadelica to a full house

Guy Oddy

The last time I saw the Damned live in concert was in a big tent in Finsbury Park in 1986, to celebrate the band’s 10th anniversary. It remains, without any doubt, the most violent gig that I’ve found myself experiencing to this day.

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The Orielles, G2, Glasgow review - shoegaze trio keeping their eyes on the future

Jonathan Geddes

It is temping to wonder what path the Orielles would have gone down in a world where the coronavirus never occurred. The Halifax trio had just released their second album, Disco Volador when the pandemic struck, and wiped out any hope of touring the record. Instead they reworked material from the record for use scoring a film, and have now returned with last year’s Tableau album as a significantly different beast.

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Orbital, Brighton Centre review - a solid hands-in-the-air night out

Thomas H Green

Just before the encore, the crowd is finally warmed up and dancing. It took a while, but hands are now in the air, middle-aged bodies are shifting about, muscle memory of MDMA nights in the last century.

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