tue 17/06/2025

New Music Reviews

Anna Calvi, Shepherds Bush Empire

David Cheal

It’s guitar rock, but not as we know it.

Read more...

Arctic Monkeys, O2 Arena

Bruce Dessau

Boy, do Arctic Monkeys move fast. There were 21 songs in their set at the O2 Arena last night and at one point they were racing through them at such a breathtaking lick I thought I would be on my way home within the hour. In the end their performance clocked in at around the length of a football match thanks to some pauses to swap guitars. Plus a break for Alex Turner to stand by the drums and ostentatiously comb his elaborate quiff.

Read more...

Britney Spears, O2 Arena

David Cheal

It’s a long time since I laughed during a show as much as I did in this one. And not, I hasten to add, in a snarky, narky, sarky way, but simply because it was fun. In another illustration of just how deeply competitive the business of the arena pop show has become, Britney Spears’s Femme Fatale tour is a formidable song-and-dance spectacle, with a full complement of dancers and hydraulics and epic visuals, and one that also features some damn fine music.

Read more...

An Audience With Barry Manilow, ITV1

Kieron Tyler

This wasn’t going to offer any surprises. Bernadette Nolan, Lulu and Stacey Solomon would deliver the questions they’d rehearsed. Manilow would respond, then deliver the relevant song. He’s a charmer, and you’d have to be made of lead not to be lifted by some of his songs. But he didn’t need this audience and format. The interaction added nothing. His fantasticness doesn't need restating.

Read more...

Noel Gallagher's High Flying Birds, Usher Hall, Edinburgh

graeme Thomson

Noel Gallagher is hardly renowned for his willingness to stand on the precipice and leap into the unknown. A songwriter happy to work well within his own limitations, he has embarked upon his solo career (don’t be fooled by the “High Flying Birds” shtick; this is a star-plus-hired-hands job) with due caution.

Read more...

Tinariwen, Koko

David Cheal

An aura of mystique surrounds Tinariwen. The members of this group’s shifting line-up are from the Tuareg people, nomadic Berbers of the North African desert regions, and several have taken part in armed Tuareg rebellions in the past.

Read more...

WHY?, Duke of York's Picture House, Brighton

Thomas H Green

Ah, the Duke of York’s Picture House, the oldest consistently operating purpose-built cinema in the country. It’s a beautiful venue, just over a century old, and almost too comfortable. It’s been jazzed up a few times over the decades and, tonight, bathed in red light, wears its history with lazy insouciance, merging it with the current interior design’s burlesque Art Deco spin.

Read more...

George Michael, Royal Albert Hall

Bruce Dessau

With the scheduled start time of last night's gig long gone and George Michael nowhere in sight, scurrilous jokes, gossip and unfounded rumours were floating around the Royal Albert Hall. We won't reprint them here but, needless to say, funny ciggies and Hampstead Heath were being mentioned.

Read more...

Bon Iver, Hammersmith Apollo

Russ Coffey

Not only could Bon Iver’s Justin Vernon not have planned the success of his first album; if he’d known he probably wouldn’t have wanted it. The fragile bucolic sound he produced in his Wisconsin cabin became so iconic it must have been impossible to know where to go. After the next record came out some complained that it sounded just like the first album only played on a Casio keyboard.

Read more...

Glen Campbell, Royal Festival Hall

Russ Coffey

The anticipation of Glen Campbell’s valedictory concerts has gone far beyond the goodbye to his music. It’s involved a reflection on his entire life. The sugar-throated cowboy with film-star looks and ballads as epic as daybreak in Arkansas has lived life like a great American novel. One of 12 children of a sharecropper, he went on to play the guitar with The Beach Boys, act with John Wayne, marry four times, and count Ronald Reagan as his friend.

Read more...

Pages

Subscribe to theartsdesk.com

Thank you for continuing to read our work on theartsdesk.com. For unlimited access to every article in its entirety, including our archive of more than 15,000 pieces, we're asking for £5 per month or £40 per year. We feel it's a very good deal, and hope you do too.

To take a subscription now simply click here.

And if you're looking for that extra gift for a friend or family member, why not treat them to a theartsdesk.com gift subscription?

latest in today

'We are bowled over!' Thank you for your messages... ...
Aldeburgh Festival, Weekend 1 review - dance to the music of...

This year’s Aldeburgh Festival – the 76th – takes as its motto a line from Shelley‘s Prometheus Unbound. The poet speaks of despair “...

Hidden Door Festival 2025 review - the transformative Edinbu...

"When I was your age, I worked in a corrugated cardboard factory!" is a phrase my father was fond of telling me as a teenager, presumably in an...

Joyceana around Bloomsday, Dublin review - flawless adaptati...

It amuses me that Dubliners dress up in Edwardian finery on 16 June. After all, this was the date in 1904 when James Joyce first walked out with...

Stereophonic, Duke of York's Theatre review - rich slic...

The tag “the most Tony-nominated play of all time” may mean less to London theatregoers than it does to New Yorkers, but Stereophonic,...

Blu-ray: Darling

A look at Darling on its 60th anniversary offers a sobering reality check on the "...

Pulp, O2 Arena review - common people like us

Jarvis Cocker is proudly holding the No 1 trophy handed to him on the day Pulp topped the album chart for the first time in 27 years with More...

Mazeppa, Grange Park Opera review - a gripping reassessment

Tchaikovsky has precisely two operas in the standard repertoire (including The Queen of Spades, currently playing at Garsington), and...