fri 05/09/2025

New Music Reviews

Music Reissues Weekly: American Baroque - Chamber Pop and Beyond 1967-1971

Kieron Tyler

The descending refrain opening the song isn’t unusual but attention is instantly attracted as it’s played on a harpsichord. Equally instantly, an elegiac atmosphere is set. The voice, coming in just-short of the 10-second mark, is similarly yearning in tone. The song’s opening lyrics convey dislocation: “You and I travel to the beat of a different drum.”

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Albums of the Year 2024: The Last Dinner Party - Prelude to Ecstasy

Kathryn Reilly

Does absolutely everything have to get more difficult with each passing year? Apparently so. The amount of time I’ve spent deciding which of the many truly excellent albums I’ve reviewed this year should get the ‘top prize’ has, frankly, been ridiculous. I’m not an indecisive person. And, for God knows that reason, I feel personally loyal to the artists upon whom it would have been easier to bestow this huge honour (Nadine Shah, Elbow, Joan as Policewoman, see below).

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Best of 2024: Music Reissues Weekly

Kieron Tyler

A reissue can be an aide-mémoire, a reminder that a record which has been off the radar for a while needs revisiting, that it deserves fresh attention.

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Travis, OVO Hydro review - a Christmas night out with some regrets

Jonathan Geddes

Travis arrived onstage with the theme tune from classic sitcom Cheers as an accompaniment. The cavernous OVO Hydro might not be a place where everyone knows your name, but a Glasgow homecoming by local lads made good certainly tapped into a festive vibe of friends and familiarity, with singer Fran Healy making ample reference to the group’s roots during their set.

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The Unthanks in Winter, Cadogan Hall review

Tim Cumming

A suitable place to find yourself out for the winter solstice, buttoning up for the longest night of the year, was at the Cadogan Hall off Sloane Square, a former place of worship marking its 20th year as a concert hall.

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Music Reissues Weekly: Hawkwind - X In Search Of Space, Doremi Fasol Latido

Kieron Tyler

One of last year’s major joys was the box set version of Hawkwind's Space Ritual, an 11-disc extravaganza which made the great live album, originally issued in May 1973, even more great. Now the two studio albums which preceded it – X In Search Of Space and Doremi Fasol Latido – have become similarly packaged, though less colossal, box sets.

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Albums of the Year 2024: Mercury Rev - Born Horses

Kieron Tyler

Born Horses remains as inscrutable as it was when it was issued in the summer. While it is about the search for enlightenment through journeying into inner space, much of what’s described – the album’s words are largely spoken – is allegorical, coming across as beatnik-style reportage documenting a form of psychedelic experience.

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Albums of the Year 2024: Ca7riel & Paco Amoroso - Baño María

Katie Colombus

My Spotify Wrapped this year is somewhat at odds with my Album of 2024. A ‘Van Life Folie Americana’ phase of Spring (presumably due to the actual VW trip to the Costa Brava at Easter) followed by the ‘Cinnamon Softcore Art Deco’ moment in early Summer – which I largely owe to Lana del Rey live at Reading Festival prep, has been trumped by an underdog that should Spotify have picked up on, would have read something like ‘Eclectic, Unhinged, Buenos Aires Basement Rave’ chapter.

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Albums of the Year 2024: Kenny Barron - Beyond This Place

Sebastian Scotney

Kenny Barron’s Beyond This Place is glorious. Whereas I’ve found some of the more talked-about albums of 2024 either been uneven or unfocused – as if attracting debate is more important than just setting out to make a great album – everything just works so well here.

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Music Reissues Weekly: Vanilla Fudge - Where Is My Mind The ATCO Recordings 1967-1969

Kieron Tyler

Vanilla Fudge could provoke a strong reaction. Writing about them in 1982, Tom Hibbert – then best-known for his contributions to Smash Hits – said of their February 1968 second album, The Beat Goes On, that “on one side of the bombastic concept LP, Vanilla Fudge summed up the history of music from Mozart, through Cole Porter and Elvis, to The Beatles concluding that it was all worthless.”

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