New Music Features
French Touch, Red GalleryFriday, 17 March 2017
Un Voyage Á Travers Dans Le Paysage Électronique Français, the French subtitle, goes further. French Touch is the first exhibition to celebrate and dig into France’s electronic music heritage: exploring the lineage which laid the ground for the world-wide success of Daft Punk. Read more... |
Listed: How I Do Love TheeTuesday, 14 February 2017
Love is in the air. Today, men and women and boys and girls will be pondering how to say it with roses and cards and candlelit dinners: those three words that contain multitudes. As the old strip cartoon never quite got round to saying, love is... the human condition, which is why a good quantity of the culture we review on this site has to do with it. To help you get into the mood for romancing, we have asked our... Read more... |
theartsdesk in Reykjavík: Iceland Airwaves 2016Sunday, 13 November 2016
On the final night of Iceland Airwaves 2016, Polly Jean Harvey and her band are ranged in a line just inside the edge of the stage constructed inside Valshöllin, a sports hall south of Reykjavík’s city centre. The festival’s five days have climaxed with a diamond-hard performance drawing heavily on this year’s Hope Six Demolition Project album. Read more... |
Leonard Cohen: Turning the Darkness Into BeautyFriday, 11 November 2016
Leonard Cohen, who has died at 82, was one of those artists born with a wisdom and maturity that cut deep into the baby-boomer youth culture of his times. He provided the perfect antidote to the innocent optimism of the 1960s, a vision shot through with world-weariness, melancholy and humour. Those who dismissed him as a purveyor of bed-sit self pity missed the point, hooked as they were on hedonism, and blind to the ever-present horrors and recurring tragedy of the world. Read more... |
Half a century of the RoundhouseThursday, 20 October 2016
We've got a lot to celebrate in 2016: 50 years since the Roundhouse became an arts centre and 10 years of transforming young lives through creativity. In celebration of this momentous year we embarked on a journey of discovery to uncover the stories from train-enthusiast accounts of our humble beginnings to real-life high-wire love stories, from week-long raves in the 1990s to politically-charged spoken word in the 2000s. Read more... |
theartsdesk Q&A: Musician Agnes ObelSaturday, 15 October 2016
Agnes Obel’s new album Citizen of Glass is released next week. Conceptually underpinned by a fascination with the German idea of the gläserner menschen or gläserner bürger – the glass citizen – its ten compositions examine privacy, the nature of what is hidden, why it is concealed and question how much self-exposure is needed, whether in day-to-day life or as fuel for an artist. The glass citizen is one for whom everything is apparent. Read more... |
On the road with Bob Dylan: the mother of all rockumentariesWednesday, 12 October 2016
Dont Look Back is the Ur-rockumentary, the template for hundreds of hand-held rock tour films, a source of inspiration as well as a model to aspire to. Read more... |
First Person: Nico Muhly on music for two pianosTuesday, 04 October 2016
Writing for two pianos is something that – until last year – I had not attempted. I was contacted by Katya Apekisheva and Charles Owen, two pianists who have performed as a duo for many years, asking me to compose a duet for them to perform at the inaugural London Piano Festival. I met Charles back in 2014 when he performed my pieces A Hudson Cycle and Fast Stuff in New York. Read more... |
10 Questions for Pianist Morten SchantzThursday, 08 September 2016
Pianist Morten Schantz has been a prominent and pioneering figure on first the Danish, then international jazz and fusion scene for more than a decade. With saxophonist Marius Neset and drummer Anton Eger, also members of his new trio, he founded ground-breaking quintet JazzKamikaze in 2005, playing an exhilarating fusion of jazz, rock, funk and hip hop. Read more... |
theartsdesk at The Green Man FestivalTuesday, 30 August 2016
The Green Man Festival is blessed by the expansive beauty of the Brecon Beacons, but this year, it was not blessed by the pagan rain deities. For two out of its four days, the downpour dominated, but the positive news was that this only created a very thin layer of mud, situated at strategic intersection points. Read more... |
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