Film Reviews
Krabi, 2562 review - a trance-like visitationFriday, 29 May 2020
Have you ever visited a destination you saw on film, only to realise it’s not quite how you imagined? Filled with tourists, the scars of mass visitation, and caught between its own culture and staying commercially attractive. The Thai city of Krabi is one such location, made famous by such films as The Beach and The Man with a Golden Gun. Read more... |
The Uncertain Kingdom review - Britannia agonistesFriday, 29 May 2020
The Uncertain Kingdom is a VOD anthology of 20 short films, 10 directed by women, comprising a tapestry of life in – and, in one case, outside – Brexit-era Britain. Though hope, humour, and whimsy were threaded into the project, its dominant fabric is grey. Read more... |
The High Note review - Tracee Ellis Ross shines in so-so music dramedyThursday, 28 May 2020
Nisha Ganatra’s musical dramedy, penned by first time screenwriter Flora Greeson, isn’t going to win any prizes for originality and is almost unforgivably corny. But the feel-good vibes and winning combination of Tracee Ellis Ross and Dakota Johnson are still likely to win audiences over. Read more... |
Have a Good Trip, Netflix review - a breezy journey into the mindSaturday, 23 May 2020
Don’t do drugs, kids. For the past 50 years, that’s been the consistent message. But how much of what we know about psychedelics is just fearmongering? Do you really want to jump out of a window? Will you permanently lose your mind? Read more... |
Women Make Film: Part Two review - two steps forward, one step backFriday, 22 May 2020
The second half of Mark Cousins’ documentary on films by women filmmakers starts with religion; it ends with song and dance. This is a second seven-hour journey through cinema. Read more... |
Women Make Film: Part One review - a mesmerising journey of neglected filmThursday, 21 May 2020
Equally ambitious in scope as his 900min ode to cinema The Story of Film: An Odyssey, Mark Cousins’ latest work, Women Make Film, is a fourteen-hour exploration of the work of female... Read more... |
The County review - Icelandic drama from the director of 'Rams'Thursday, 21 May 2020
Like Rams before it, the ice-glazed hillsides and stark ochre grasslands of northern Iceland are the backdrop for Grímur Hákonarson’s third feature The County, a rural drama that explores the murkier side of local politics. Read more... |
Reborn review - horror on the Hollywood skidsSaturday, 16 May 2020
The Frankenstein-style, electrical storm-sparked resurrection of a dead baby in a hospital morgue, and her theft by its creepy attendant, is followed by a homage to Stephen King’s supernaturally potent teenagers, from Carrie to Firestarter, in a threadbare horror with consistent, curious ideas about its own B-movie realm. Read more... |
In Search of Greatness review - Gabe Polsky's absorbing sports documentaryFriday, 15 May 2020
Ask any great sportsman or woman about greatness and they'll tell you it's as much achieved as made; natal talent isn't worth much if you don't practise, or are unfit, or don't have a hunger to win. Read more... |
The Atom: A Love Affair review - hot fusion and cold heartsThursday, 14 May 2020
It’s fair to say that humanity’s relationship with nuclear energy over the last 50 years has had more highs and lows than a Spanish soap opera. From the Manhattan Project to Hinkley Point, it’s been a controversial technology that has promised both humanity’s salvation and damnation. Read more... |
Romantic Comedy review - a not-so-guilty pleasureSaturday, 09 May 2020
Only those who really love you can deliver the hard truths, and for filmmaker Elizabeth Sankey, that one love is romantic comedies. Better known as one half of band Summer Camp, Sankey is a self-confessed romcom expert, having watched nearly every film from the 80s onwards. Read more... |
Dangerous Lies, Netflix review - slick sillinessSaturday, 09 May 2020
When not dipping into its bottomless debts to write Scorsese blank cheques, Netflix tends to favour old-school TV movie potboilers such as this slick, silly thriller, in which young couple Katie (Camila Mendes) and Adam (... Read more... |
The Whistlers review – a smart, self-aware noir concerning a crooked copThursday, 07 May 2020
Romanian filmmaker Corneliu Porumboiu has made a career crafting perceptive and cerebral examinations of his native country. From his 2006 debut 12:08 to Bucharest to The Treasure, they were cerebral films that powerfully embodied the Romanian New Wave. Read more... |
Camino Skies review - NZ documentary brings no surprisesWednesday, 06 May 2020
A documentary about six middle-aged Antipodeans, four women and two men, walking the 500 mile pilgrims’ path through France and Spain to the cathedral of Santiago de Compostela sounds uplifting, inspiring, even fun. Just the ticket, perhaps, when one's travel horizons are limited. But this soft-focus film fails to dig deeply enough into the lives and motivations of strangers thrown together with nothing much in common apart from grief, and sometimes not even that. Read more... |
Can You Keep A Secret? review - a bumpy rideFriday, 01 May 2020
Featherweight is one thing, brainless is another. Can You Keep A Secret?, the romcom adapted by screenwriter Peter Hutchings from the 2003 novel by Sophie Kinsella, uneasily straddles the two until a conclusion that goes off the rails altogether and tumbles into the ludicrous. Read more... |
A Russian Youth, MUBI review - First World War setting, contemporary orchestraThursday, 30 April 2020
Alexander Tolotukhin’s debut film places the viewer into a microcosm of the first world war and frames the experience with a peculiar musical device. Read more... |
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