Film Reviews
Girl ModelWednesday, 08 February 2012
American documentary directors David Redmon and Ashley Sabin have made a reputation with stories that study, as they describe it, “variations of truth and falseness”. Their latest, Girl Model, is just that, in spades. It tells the story of 13-year-old Russian teenage would-be model Nadya, plucked from the talent contests of Siberia to work in the potentially lucrative Japanese fashion market, where the premium is on youth. Read more... |
A Dangerous MethodTuesday, 07 February 2012
Those who are “Jung and easily Freudened” (to misquote Joyce) need have nothing to fear from David Cronenberg’s A Dangerous Method. Read more... |
CarnageFriday, 03 February 2012
Yasmina Reza first came to theatregoers' attention with her 1994 play Art, a very funny three-hander about friendship and intellectual pretension. God of Carnage, this time a four-hander but an equally astute comedy of manners peopled by another bunch of bourgeois characters, debuted in 2007 - and now Roman Polanski has adapted it for the screen, co-writing the screenplay with Reza and moving the action from Paris to New York City. Read more... |
Man on a LedgeFriday, 03 February 2012
Is it a voice coach Sam Worthington needs? He plays nothing but Americans – even in the mythological mash-up Clash of the Titans - but come those moments of what passes for heightened emotion in his performances, the Kiwi vowels will out. There is a lot of heightened emotion in Man on a Ledge, or at least height, being set on a ledge from which a man is threatening to jump. Close your eyes and you could be in Kaikoura or Wanganui, or Invercargill. Read more... |
Young AdultThursday, 02 February 2012
Charlize Theron proved her acting chops, and won an Oscar in the process, playing a serial killer in the movie Monster, but surely her brilliantly realised Mavis Gary in Young Adult is very nearly as monstrous, albeit in a different way. Emotionally fixated to the point of pathological single-mindedness, Mavis is every "psychotic prom-queen bitch" (the film's words, not mine) you may think you left behind in school but haven't. Read more... |
Martha Marcy May MarleneTuesday, 31 January 2012
Drawing us deep into the coercive, immersive world of a sinister sect, in its audacity and provocatively luscious aesthetic Martha Marcy May Marlene announces its first-time writer / director Sean Durkin as a major new talent. Durkin ingeniously emulates his young heroine’s disorientation as she fights for her sanity and - as the more-than-a-mouthful title suggests - her identity. Read more... |
Bombay BeachMonday, 30 January 2012
I can’t help thinking of Mad Men when watching the opening sequence of Alma Har’el’s marvellous documentary Bombay Beach. Newsreel footage from the 1950s excitedly trumpets the “miracle in the desert” of the Salton Sea, formed by accident when the Colorado River ran wild, and the heart of a development scheme that was to turn the area into “the recreational capital of the world”. Read more... |
House of ToleranceSaturday, 28 January 2012
In his previous films, the French director Bernardo Bonello has demonstrated a non-judgemental affinity for pornographers, prostitutes, and other transgressors. In his latest, House of Tolerance (House of Pleasures in the US), his sympathy is with the languid courtesans of a doomed high-class fin-de-siècle Parisian brothel, who are united in their contempt for the wealthy, condescending men who subject them to fetishes, diseases, and violence. Read more... |
Patience (After Sebald)Friday, 27 January 2012
Diehard Sebaldians may seek to retrace the footsteps that formed the basis of WG Sebald’s meditative masterpiece The Rings of Saturn. Or they may choose to watch Grant Gee’s film tribute instead. Patience (After Sebald) takes as its fulcrum the German expatriate’s category-defying memoir-cum-history, travelogue-cum-novel – which was published in 1995 and is considered by many to be his greatest work – and it attempts to recreate the book's physical and mental landscape. Read more... |
The DescendantsWednesday, 25 January 2012
“Paradise can go fuck itself”: the candid words of a disillusioned middle-aged man in director Alexander Payne’s latest road-to-redemption dramedy. He’s referring to the irritating presumption that Hawaii’s idyllic surroundings in some way shield its residents from the mire and misfortunes of life. Read more... |
Like CrazyTuesday, 24 January 2012
Romance follows a recognisably rocky path, and visa issues don't help much either, in Like Crazy, a small but seriously affecting movie that is sure to hit many filmgoers where they live. An Anglo-American tale of love's vagaries that doesn't follow the expected Hollywood arc, Drake Doremus's 2011 Sundance Film Festival darling raises niggling questions on various plot details while getting the large-scale issues right. Read more... |
Acts of GodfreyMonday, 23 January 2012
It must have been gruelling to pitch. A cynical modern satire set in a motivational conference for salesmen would have been a hard enough sell on its own. So too the choric figure who comments on the action directly to camera. But the bold USP of Acts of Godrey is the script: it's entirely in rhyming couplets. Read more... |
CoriolanusSaturday, 21 January 2012
Ralph Fiennes' commitment to the theatre, not least the classical repertoire, has long been a source of wonder, bringing legions of Voldemort followers to see him live, most recently as a movingly hirsute, brooding Prospero in an otherwise heavy-going account of The Tempest. So Fiennes deserves double credit for transmuting the Bardic passions that launched him on stage to the global marketplace of the screen, especially with a title that exists some way from the Hamlet Read more... |
J. EdgarFriday, 20 January 2012
People tend to know three things about J.Edgar Hoover: that he was in charge of America’s internal security for four decades; that he kept secret files on the political elite; and that the most powerful unelected man in the nation's history liked to throw on ladies’ attire. Read more... |
W.E.Thursday, 19 January 2012
“I’m not a beautiful woman,” Wallis Simpson once declared. “I’m nothing to look at, so the only thing I can do is dress better than anyone else.” Madonna’s second feature W.E. operates under a similar philosophy – with rather less success. Never knowingly under-dressed, under-designed or under-directed, the film contorts itself into ever more stylish poses in a desperate attempt to stun its audience into a couture-induced coma of submission. Read more... |
HaywireWednesday, 18 January 2012
The protean director Steven Soderbergh has offered us many things, from the art house individualism of his debut, sex lies and videotape, to glossy mainstream hits like Ocean’s Eleven and Erin Brockovich, the sci-fi of Solaris to the satire of The Informant!, and the meticulous biography of Che to the eccentric, experimental Schizopolis. Read more... |
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