Film Reviews

Detachment

Adam Sweeting Thursday, 12 July 2012

The lugubrious soulfulness of Adrien Brody is not to all tastes, and in many cases is wholly inappropriate, but his casting in Tony Kaye's downbeat meditation on education, or the lack of it, is masterly. Brody plays Henry Barthes, a substitute teacher drafted in to plug a temporary gap in a failing school in some unspecified American city. He has a natural gift for teaching, but by never taking up a permanent post he's able to avoid painful emotional attachments.

Magic Mike

Emma Dibdin Wednesday, 11 July 2012

Having spent the last few years alternating deftly between high-profile, star-studded blockbusters (the Ocean’s trilogy, last year’s Contagion) and smaller, more niche projects starring largely unknowns (Bubble, The Girlfriend Experience), Steven Soderbergh may have found his perfect middle ground. Male stripping dramedy Magic Mike pairs big names (Channing Tatum,...

Salute/Chariots of Fire

Jasper Rees Tuesday, 10 July 2012

Apparently it’s the taking part that counts, which would explain why recent weeks have brought unseemly howls of protest and threats of litigation from British athletes who have failed to make it into the Olympic squad. You’d like to sit these people with their adamantine sense of entitlement in front of a couple of this week’s releases. One we know all about.

Blackmail

Demetrios Matheou Saturday, 07 July 2012

The premiere of the newly restored version of Alfred Hitchcock’s 1929 silent classic Blackmail, outdoors at the British Museum, will go down as one of the defining moments of the London 2012 cultural extravaganza. This was a thrilling, beguiling, resonant celebration of the city and its greatest film-maker.

7 Days in Havana

Demetrios Matheou Friday, 06 July 2012

The most famous hotel in Havana is the Hotel Nacional de Cuba, since the 1930s the only place to stay for writers, mobsters and, most of all, film stars. During the city’s film festival, the Nacional is the hub, with dozens of filmmakers sitting in the garden bars that overlook the Gulf of Mexico.

Comment

The Amazing Spider-Man

Emma Dibdin Tuesday, 03 July 2012

Let’s be honest – there is no non-cynical way to justify remaking a barely 10-year-old franchise film. With a Batman “reboot” already on the cards for after Christopher Nolan ends his directing tenure with the upcoming Dark Knight Rises, and a similar fate rumoured to be in store for the Twilight saga, Hollywood seems to have embraced its inner Ouroboros and resigned itself to an infinite cycle of re-stagings.

Marina Abramovic: The Artist is Present

Sarah Kent Saturday, 30 June 2012

For three months in the spring of 2010, New Yorkers were gripped by Abramovic fever. The mania owed its origins to a somewhat unlikely source – a retrospective at the Museum of Modern Art (MoMA) of a 63-year-old Serbian performance artist.

Your Sister's Sister

Emma Dibdin Friday, 29 June 2012

Lynn Shelton’s follow-up to 2009 Sundance hit Humpday doesn’t immediately seem to share much common ground with its predecessor. Where that film could be summed up (albeit reductively) in a single attention-grabbing sentence – “Two straight male friends decide to have sex as an art project” – there is no unifying device in Your Sister’s Sister, which can best be described as a study of three people struggling to define what they need from one another.

Dark Horse

Fisun Güner Friday, 29 June 2012

Todd Solondz is the indie king of American dysfunction. But the director of Happiness and Welcome to the Dollhouse has served a strange fish for his latest film, and that’s not just because of the awkward terrain of his subject matter. Veering confusingly between comic realism and the protagonist’s flights of fancy, Dark Horse is a film that falters and swerves in a whole mess of directions.

Killer Joe

Emma Simmonds Thursday, 28 June 2012

Some movies are defined by sounds and Killer Joe is most certainly one of them. The squeak of a stripper’s heel on a clear plastic floor, the crack of thunder, the thrum of a motorcycle engine and the thump of a bouquet of flowers landing on a coffin – which unquestionably spell sex, trouble and death.

King of Devil’s Island

Kieron Tyler Thursday, 28 June 2012

Although tinged throughout with blue, the Norwegian drama King of Devil’s Island is so grim it might as well be grey. Basing it on real events pitches the film as a cautionary tale, but the message is hard to determine. Everything shies away from explanation. Norwegians might have the context, but the rest of us need to fill in the gaps.

Friends with Kids

Matt Wolf Monday, 25 June 2012

Can your BFF also be the father (or mother) of your child, not to mention the lover with whom you share both body and bed once all platonic constraints have been cast aside? It's in the DNA of the Hollywood romcom to contrive suspense out of so many foregone conclusions, and I doubt anyone watching Friends with Kids will be in any way surprised at the outcome.

Cloclo

Kieron Tyler Friday, 22 June 2012

Claude François doesn’t have the hipster cachet of Serge Gainsbourg, but he did lead an extraordinary life and died young. He also wrote “Comme d’habitude” which was Anglicised to become “My Way”. His live shows were spectacular, the women he married, dated and flirted with were striking, he had tax debts, a father who rejected him and his chosen career, and a mother addicted to gambling. It’s more than enough to fuel this two-and-a-half hour biopic.

Silent Souls

Tom Birchenough Friday, 22 June 2012

Fully retitling a foreign-language film for international release is a risky business. But it works very well with Russian director Alexei Fedorchenko’s melancholic drama Silent Souls.

Lay the Favorite

Jasper Rees Wednesday, 20 June 2012

Stephen Frears is one of a trio of great old British lags who’ve been knocking out films for the past four decades. But while you know where you are with Mike Leigh and Ken Loach, with their deadly serious careers as auteurs, Frears is a more elusive figure. A directorial pragmatist, he has always unfussily followed the scent of a good story.

Cosmopolis

Emma Simmonds Friday, 15 June 2012

Once again bringing to screen the seemingly unfilmable (see also Naked Lunch and Crash), the audacious David Cronenberg takes on Don DeLillo’s 2003 novel - a novel which in the last decade has become frighteningly pertinent. Respectfully retaining much of DeLillo’s original dialogue, Cosmopolis is a paranoid, loquacious nightmare, a sly, searing study of the alienated super rich, a meditation on greed, emptiness and jealousy.