Film Reviews
Django UnchainedThursday, 17 January 2013
With its exuberant blood-spray, rambunctious dialogue and generous running time, Django Unchained is writer-director Quentin Tarantino’s first full foray into Westerns. Read more...
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V/H/SWednesday, 16 January 2013
V/H/S is the first film to convincingly update EC comics’ Fifties horror anthologies, which gleefully corrupted the kids of Eisenhower’s America. They also inspired British films such as Tales from the Crypt (the 1972 anthology with Peter Cushing as a vengeful pet owner, and Joan Collins murdered by a psychotic Father Christmas), an HBO TV series and the Stephen King-George Romero tribute Creepshow. Read more... |
Ballroom DancerMonday, 14 January 2013
Slavik Kryklyvyy was Jennifer Lopez's tush-shaking partner in Shall We Dance?, getting one over on Richard Gere. But that was 2004, and what happened then? Ballroom Dancer is a documentary feature about his year on the edge, 2010, when the former world number one Latin dancer tried to come back from a series of injuries and broken partnerships to mount his throne once more. Read more... |
Les MisérablesFriday, 11 January 2013
Les Misérables is revolutionary, but not in a French way. Oscar-winning director Tom (The King's Speech) Hooper’s film of a musical seen by over 60 million people in over 40 countries and in half again as many languages has engaged so much critical ink I’m almost dreading writing my own opinion. Read more... |
Gangster SquadThursday, 10 January 2013
Jean-Luc Godard once said, "All you need for a movie is a gun and a girl". Aside from upping the ante to include a formidable arsenal of the former, Ruben Fleischer's Gangster Squad hangs its fedora on that wisdom. It might however have aimed a little higher, as its glamour-and-guns story is trimmed to the point of frustration. There's action aplenty but with a story told in quips and shorthand, this is the gangster movie as entertainment pure and simple. Read more... |
Midnight SonWednesday, 09 January 2013
“It’s like you’re a vampire,” whey-faced LA security guard Jacob is told. He gives a dawning, diffident look of recognition. Back in the cramped apartment he’s stopped leaving by day, he places a crucifix on his face, not quite expecting it to sizzle. Read more... |
What Richard DidTuesday, 08 January 2013
A dark night of the soul gets mined for maximum effect in Irish director Lenny Abrahamson's third film, a subdued yet infinitely disturbing portrait of a teenager, and by extension his community, undone by a sudden act of violence. Set among Dublin's comfortable Sandymount middle-class, the film couples an improvisatory vibe with a gathering sense of grief that brings Greek tragedy to mind. Read more... |
May I Kill U?Tuesday, 08 January 2013
How could we have expected the London 2011 riots to be brought back for the big screen? The least likely answer must be as a black comedy about a bicycle cop who after a bad concussion has woken up as a one-man vigilante who’s taking out the villains on his beat, but asking their permission first. Read more... |
The ImpossibleWednesday, 02 January 2013
You will cry primal tears by the end of The Impossible, a family disaster drama by director Juan Antonio Bayona - because we can’t handle its overpowering truth. A delver of emotion, Bayona (The Orphanage) bases this spectacular drama on Sergio G Sánchez’s clear if sometimes curious script; the story itself comes from Maria Belon’s tale of the 2004 tsunami in Thailand. Read more... |
QuartetTuesday, 01 January 2013
Assured, warm and comfy, Dustin Hoffman’s directorial debut Quartet is a tasteful farce of froths and strops. Hoffman’s always wanted to direct and it’s not like he hasn’t tried. Read more... |
McCullinTuesday, 01 January 2013
"After such knowledge, what forgiveness?" TS Eliot’s line could well stand as an epitaph to Jacqui and David Morris’s troublingly thoughtful film about British photographer Don McCullin, whose haunting images of conflict across the world over half a century have defined our perception of modern warfare (though his range of subjects goes far beyond that). Read more... |
Hollywood’s Lost Screen Goddess: Clara Bow, BBC FourMonday, 31 December 2012
“Knowing Clara Bow brought you down socially”. Although one of the biggest and most bankable film stars of the Twenties, luminous fan-favourite Clara Bow wasn’t so treasured by the Hollywood elite. She didn’t hide her affairs. She turned up for dinner in a swimsuit. Her father was an alcoholic and banned from sets. She revealed her deprived background to the press, undermining the myth that stars sprang fully formed from the Elysian Fields. Read more... |
GrabbersFriday, 28 December 2012
“It’s always the quiet places where the mad shit happens,” observes Garda Lisa Nolan (Ruth Bradley) in Northern Irish director Jon Wright’s creature feature. And, credit where it’s due, the mirthfully monikered Grabbers presents us with some classically mad shit. Set on the fictional Erin Island - a fishing village off the coast of Ireland - Grabbers is Wright’s second feature after 2009’s Tormented. Read more... |
Safety Not GuaranteedThursday, 27 December 2012
If 2012 is to have a cinematic legacy, it may just be remembered as the year big-screen time travel came of age. While Rian Johnson’s pulpy noir Looper explored the moral and spiritual implications of a world in which decade-hopping has become the norm, first-time director Colin Trevorrow hones in on the concept’s core emotion. Read more... |
Midnight's ChildrenWednesday, 26 December 2012
It’s always the second-rate fiction which makes first-rate films, because there’s nothing to lose but plot. Midnight’s Children, lest anyone be allowed to forget, is first-rate fiction. It has won the Booker, the Booker of Bookers and James Tait Black Memorial Prizes and is listed somewhere or other as one of the Great Books of the 20th Century. That year you missed the broadcast it probably won Miss World. Read more... |
Jack ReacherMonday, 24 December 2012
Fans of Lee Child's Jack Reacher novels are spitting feathers that their fictional hero is being played by Tom Cruise. This is not least because in the books, Reacher is a hulking fellow built like a giant redwood with fists the size of dustbins (he's six foot five and 250 pounds). And probably not a Scientologist. Read more... |
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