thu 19/06/2025

Film Reviews

Dead Man Down

Jasper Rees

In 2009 Niels Arden Oplev sent a lightning bolt through the multiplexes with his adaptation of Stieg Larsson’s The Girl with the Dragon Tattoo. It was only a matter of time before a magpie in Hollywood noticed. They duly went about the business of re-adapting the film for people who can’t read pesky subtitles, and now the director has been summoned over the water to make his English-language debut.

Read more...

Gimme the Loot

Nick Hasted

It’s the sort of New York summer week where the sidewalk melts. But in writer-director Adam Leon’s SXSW Grand Jury prize-winning cool breeze of a debut, the mood stays amiably balmy. It’s the tale of teenage Bronx graffiti artists Malcolm (Ty Hickson) and Sofia (Tashiana Washington) who, disrespected at every turn by a tougher graffiti gang, decide to tag a legendarily impregnable, daffy holy grail: the sign that pops up at Mets baseball games when a home run’s scored.

Read more...

Sundance London 2013: A.C.O.D.

Emma Simmonds

Occasionally an ensemble cast comes along that makes you want to get down on your knees and give praise to the movie gods; A.C.O.D. (Adult Children of Divorce) has such a cast. The directorial debut of Stu Zicherman brings together Parks and Recreation stars Adam Scott and Amy Poehler and expertly tosses into the mix Oscar-nominee Richard Jenkins, along with bona-fide comic geniuses Jane Lynch and Catherine O'Hara. And that's just for starters.

Read more...

I'm So Excited

Emma Simmonds

"What makes you think all this is funny?" businessman Ricardo Galán (Guillermo Toledo) snaps after a particular high-spirited episode in Spanish director Pedro Almodóvar's latest, and it's undoubtedly a remark that will resonate with some members of the audience. Almodóvar is one of modern cinema's finest auteurs - a director for whom we reserve the highest of expectations.

Read more...

Sundance London 2013: In Fear

Demetrios Matheou

Many of us have felt the frustration mixed with nervousness, even fear as night has descended on a country walk, and we’re not quite sure where we are. And it's the sense of familiar foreboding that makes Jeremy Lovering’s debut feature such an effective chiller.  

Read more...

Sundance London 2013: Emanuel and the Truth About Fishes

Emma Simmonds

Fearlessly smart, honest and philosophical, Emanuel and the Truth About Fishes is the striking, sometimes breathtakingly beautiful second film from Italian-American writer-director Francesca Gregorini. It marries moments of sweeping surrealism with an earnest, credible exploration of female relationships.

Read more...

Scarecrow

Karen Krizanovich

Scarecrow tied for the coveted Palme D’or of 1973. Directed by Jerry Schatzberg, the man who did Panic In Needle Park and importantly Street Smart, which captured the electrifying moment when Morgan Freeman became a star, this sombre comedy stars Gene Hackman and Al Pacino. In fact, every element of Scarecrow aims for classic status.

Read more...

Sundance London 2013: In A World...

Demetrios Matheou

“In a world…” How many times have we heard this portentous introduction to a movie trailer, in a reverberating baritone whose seriousness is in stark contrast to the epic fluff it seeks to promote. Director/writer/star Lake Bell’s oddball and hugely likeable comedy makes up for some of the pain we’ve had to endure through such promos, by taking a peep into the world of the voice-over artists, whose finely-honed vocals are responsible.

Read more...

The Look of Love

Demetrios Matheou

It may not be Scorsese and De Niro, but the partnership between Michael Winterbottom and Steve Coogan has been extremely fruitful.

Read more...

Iron Man 3

Adam Sweeting

The only faintly cracked note in this zinging early-season blockbuster is that, just as spring belatedly puts in an appearance, the action is set around Christmas time, with snow, Christmas trees and even some Yuletide hip-hop beats. Still, think of it as just a further example of the smart counter-intuitiveness that director Shane Black (stepping in for Jon Favreau) has brought to the party, helping to make it the fizziest and funniest of the series so far.

Read more...

Sundance London 2013: Touchy Feely

Demetrios Matheou

I’ve always thought of Lynn Shelton as Sundance royalty. Her breakthrough film Humpday – the über-buddy movie with the amateur porn twist – screened at the festival, as did her follow-up, Your Sister’s Sister, which demonstrated that Shelton could handle more mainstream comedy-drama without losing her indie spontaneity.

Read more...

Sundance London 2013: Upstream Color

Emma Simmonds

Unburdened by conventional narrative sense, Upstream Color is a true curiosity. Seductively strange, woozily kinetic and above all romantic, Shane Carruth's second feature is a little film with big, bizarre ideas. Incorporating pig farming, scientific experimentation and sound recording, it proves that you don't need a sizeable production budget to swoop and soar on the big screen, and that you don't always need to know precisely what's going on to be immersed in a story.

Read more...

Bernie

Emma Simmonds

"There are people in town that would have shot her for five dollars." Those are the shocking but undeniably comic words of a resident of Carthage, Texas, who's nonchalantly describing the strength of the vitriol felt toward murder victim Marjorie Nugent. The format of the film is recognisable from countless documentaries: talking heads giving us the lowdown on a crime.

Read more...

Promised Land

Karen Krizanovich

Promised Land is much better than its poster suggests.

Read more...

Love Is All You Need

Veronica Lee

Following in the footsteps of hugely popular television dramas and film adaptations of various Scandi noir novels comes this overwhelmingly sympathetic piece, a romcom that hasn't an ounce of gloopiness and, unusually, is about middle-aged people getting it together.

Read more...

Olympus Has Fallen

Jasper Rees

South Korea begging Washington for protection as the dread threat of nuclear apocalypse looms? As Graham Norton recently twitquipped, the news headlines are no more than the publicity campaign for Olympus Has Fallen. Most amusing etc, but that was before a bomb on an American street killed three and injured many others.

Read more...

Pages

latest in today

'We are bowled over!' Thank you for your messages... ...
The Midnight Bell, Sadler's Wells review - a first repr...

Rarely has a revival given a firmer thumbs-up for the future of dance-theatre. Yet Matthew Bourne’s latest show, first aired at the tail-end of...

Album: HAIM - I Quit

Haim’s profile just grows and grows. Since their last album, youngest sibling Alana’s starring role in Paul Thomas Anderson’s whimsical Seventies...

Aldeburgh Festival, Weekend 1 review - dance to the music of...

This year’s Aldeburgh Festival – the 76th – takes as its motto a line from Shelley‘s Prometheus Unbound. The poet speaks of despair “...

Bonnie Raitt, Brighton Dome review - a top night with a char...

If you walked into a bar in the US, say in one of the southern states, and Bonnie Raitt and her band were playing, you’d have the best night of...

Hidden Door Festival 2025 review - the transformative Edinbu...

"When I was your age, I worked in a corrugated cardboard factory!" is a phrase my father was fond of telling me as a teenager, presumably in an...

Edward Burra, Tate Britain review - watercolour made mainstr...

It’s unusual to leave an exhibition liking an artist’s work less than when you went in, but...

Joyceana around Bloomsday, Dublin review - flawless adaptati...

It amuses me that Dubliners dress up in Edwardian finery on 16 June. After all, this was the date in 1904 when James Joyce first walked out with...

Stereophonic, Duke of York's Theatre review - rich slic...

The tag “the most Tony-nominated play of all time” may mean less to London theatregoers than it does to New Yorkers, but Stereophonic,...