thu 11/09/2025

Film Reviews

A Hologram for the King

Jasper Rees

Tom Hanks is reaching world treasure status, like some third-century heritage site protected by UNESCO. His everyman allure makes him today’s only equivalent to James Stewart. Stewart shocked fans when he played a vengeful man-hunter in Winchester '73, and maybe it’s time Hanks defibrillated us all by playing a cold-blooded killer. In the meantime, here’s A Hologram for the King in which Hanks is very much Hanks and the main reason to pay up.

The source material is...

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X-Men: Apocalypse

Adam Sweeting

It's getting mighty crowded in the superhero lounge. After the underwhelming Batman v Superman and the overwhelming Captain America: Civil War, here's the X-Men posse back on the warpath, once again under the bombastic helmsmanship of Bryan Singer.

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Sing Street

Matthew Wright

He did it Once. He did it with Begin Again. Sing Street is Irish writer and director John Carney’s third hymn to music’s inspiring power for his characters to find themselves. Almost too cute for its own good, it’s targeted at the feel-good market with the precision of one of those cruise missiles that can navigate up a jihadi’s u-bend.

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Mustang

Graham Fuller

Teenage girls in the West who routinely abuse their parents for imposing midnight curfews, cancelling suspicious sleepovers, and insisting bra straps be concealed should hope that they are not suddenly dragged along to see Mustang

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Green Room

Nick Hasted

Adding the Dead Kennedys’ “Nazi Punks Fuck Off” to their set-list when they find themselves playing an Oregon roadhouse filled with neo-Nazis isn’t where The Ain’t Rights’ trouble starts. It’s when this hardcore, hard-up punk band stumble on a woman’s murder by a fellow neo-Nazi afterwards, then get bundled and locked into their dressing-room with her knife-stuck corpse, that their nightmare begins.

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Everybody Wants Some!!

Nick Hasted

After Dazed and Confused, college days. This successor to Richard Linklater’s 1993 cult favourite about high school hedonism in 1976 moves on to the start of a 1980 college term. Everybody Wants Some!! is named after a Van Halen song instead of the earlier film’s Led Zeppelin but, with the Reagan years yet to kick in, little culturally essential has changed. The pursuit of sex, drugs and rock’n’roll remains these American kids’ inalienable right.

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Brighton Festival: Brighton – Symphony of a City, Brighton Dome

Nick Hasted

Brighton’s barely a city. It was awarded the title in 2004 without having to build a cathedral, or become bigger than a greatly swollen version of Brighthelmstone, the fishing village it once was, hemmed in from further growth by the South Downs and the sea. For all the relentless tide of London incomers and tourists, and the bustle of the bohemian North Laine, most of Brighton is quiet and peaceful, hardly urban compared to the capital.

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Our Kind of Traitor

Jasper Rees

John Le Carré made it quite clear what he thinks of the new world order in The Night Manager. All together now: a nexus of corrupt money and sinister establishment interests make for cynical realpolitik. It’s a persuasive weltanschauung that plays well to millennials priced out of their own future by ungovernable global forces beyond the reproof of electorates. But the message can become a bit of a stuck record. Take Our Kind of Traitor.

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Arabian Nights

Graham Fuller

Early in the first part of his sprawling metafictional docu-whatsit Arabian Nights, the director Miguel Gomes is reflected in a café window as he flees his crew for conceiving the absurdly overambitious project he’s set up. It was "the dumbest idea", he says in voiceover, to think “I could make a fine film of wonderful, seductive stories while following Portugal’s miserable situation for a year.” To reconcile militancy and escapism, he goes on: “That is betrayal. Disengagement.

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Florence Foster Jenkins

Matt Wolf

The Florence Foster Jenkins industry reaches newly giddy heights with Stephen Frears's film of the same name, which cleverly casts a great talent - who else but Meryl Streep? - as the cheerfully self-deluded American soprano. The subject already of separate Broadway and West End plays (both in 2005) and a French film (Marguerite) that has only just been released, Jenkins's extraordinary...

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I Saw the Light

Matt Wolf

The sad, short life of country legend Hank Williams makes for a surpassingly dour biopic in I Saw the Light, which does at least prove that its protean star Tom Hiddleston can do a southern American twang and croon with the best of ‘em. If only the actor weren’t trapped in the feel-bad film of the season.

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Knight of Cups

Saskia Baron

There are times when you sit in the cinema and wish that you didn’t speak English and could just enjoy what you’re seeing. Unfortunately Knight of Cups is one of those times. This is a stunningly beautiful film, the first of Terrence Malick’s films to be (mainly) set in Los Angeles, and it features amazing work by long-term collaborators cinematographer Emmanuel Lubezki and designer Jack Fisk. But its narrative voiceover and dialogue are excruciating, quasi-parodic and they drag...

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Son of Saul

Saskia Baron

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Golden Years

David Kettle

There’s a great film waiting to be made about the demographic crisis – old-age poverty, worthless pensions, abuse of the elderly, ramshackle retirement homes, disregard from the young. Likeable though it is, this breezy tale of ageing bank-robbing Robin Hoods from writer/director John Miller (with a little help from TV’s Nick Knowles as co-writer/exec producer) isn’t that film.

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Demolition

Ed Owen

How would you behave if your wife was killed in a random car accident? In Demolition, Jake Gyllenhaal’s Davis, a wealthy banker, is almost relieved – he can ditch his job, his house, nearly everything of his old life, and shack up with a total stranger.

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Captain America: Civil War

Adam Sweeting

This rousing instalment from the Marvel universe shares self-evident similarities with Batman vs Superman, the latest effort from their DC rivals. In both films we see superheroes at loggerheads, and in each case it's because they find themselves in a changing world where it's no longer acceptable for super-beings to roam around the planet leaving massive swathes of collateral damage in their wake.

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