dance
The Centaur and the Animal, Sadler's WellsTuesday, 01 March 2011
To achieve a black stage that emits or reflects no light is a hell of an achievement. To place a huge black horse with black rider onto that stage, without the slightest noise, and to contrive a black shadow on the black, is to create an image found in the fathomless wells of subconscious imagery, and the skill of that vision and realisation of it is something I doubt I'm going to forget. Read more...
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Alice's Adventures in Wonderland, Royal BalletMonday, 28 February 2011
Some ballets are drugs in themselves - you’re under their sway no matter what the performance. Other ballets need drugs to help. This new Alice’s Adventures in Wonderland is definitely of the second kind, a very odd, very shallow, very bright and brilliantly bold staging, that makes no sense, that offers no depth, but which I suspect would be a blast if one were slightly stoned. But to slip a complimentary spliff under the programme's whirligig cover would take it out of the small-... Read more... |
I Don't Believe in Outer Space, The Forsythe Company, Sadler's WellsTuesday, 22 February 2011
An audience favourite has a USP that fills the house as long as they maintain the suspense - with William Forsythe, it’s the quality Diaghilev prized: unpredictability. When he set out in Germany in the 1980s he evolved an extreme classical ballet. Just as people got used to his distortions, he went into conceptual theatre. Expected to be gnomic and abstract, he then did emotional dance-theatre about his young wife’s death. Now to comedy territory in I Don’t Believe in Outer Space, ... Read more... |
Ballet Flamenco Eva Yerbabuena, Sadler's WellsSaturday, 19 February 2011
There are gifted dancers and there are creatures of the stage. You know the difference immediately. The latter have something shamanic about them, ageless at any age, almost eccentric in their power. Eva Yerbabuena is one of those very rare creatures, to whom I succumb as helplessly as a rabbit in front of a cobra. Read more... |
Ballet Boyz, The Talent, AylesburyTuesday, 15 February 2011
Aylesbury, a town without a theatre, has built itself one - a gleaming, glass-fronted, smack-you-in-the-eye 1,500-seater, driven and supported by the district council. High Wycombe and Milton Keynes must beware, so thin are the pickings these days for the regional theatres. The pity is that the Ballet Boyz’ show The Talent last night was the only night of decent dance programmed in this amazing new venue for half of 2011. Read more... |
Shoes, Peacock TheatreTuesday, 15 February 2011
It is perfectly true that, as Arthur Marshall once said of Ibsen, I am Not a Fun One. A party really is a party without me there. And Shoes, now transferred from Sadler’s Wells, is not much of a party, whether I’m there or not. Read more... |
American Ballet Theatre, Prog 2, Sadler’s WellsWednesday, 02 February 2011
Jardin aux Lilas is one of ABT’s great calling cards, and it was danced with great seriousness of purpose and devotion by an admirably schooled cast. Read more... |
American Ballet Theatre, Prog 1, Sadler's WellsTuesday, 01 February 2011
Was it the worst-played and worst-danced performance of Duo Concertant I’ve ever seen? I can’t remember a direr in my experience of quite a few DCs. But then the opening night of American Ballet Theatre’s London tour was a set of fine promises falling flat with a thud. A delicate new sextet ruined by the piano player. A masterpiece of musical ballet murdered by the violinist, the pianist and the ballerina. A cod-ballet duet by Twyla Tharp deflated by an unhumorous leading... Read more... |
Du Goudron et Des Plumes, Barbican/ Flogging a Dead Horse, Roundhouse StudioFriday, 28 January 2011
Five people stand in the dark. A bleak gantry descends with a rumble onto their heads. They scuttle under it and flatten themselves to escape a crushing, but then they get up and start building. The platform is stripped of planks, rebuilt at crazy angles, refashioned while decorating the tasks with acrobatic surprises. Read more... |
Les Antliaclastes, Institute of Contemporary Arts/ A Guide to PuppetryMonday, 24 January 2011
The puppets appearing in LIMF this year are by no means all child-friendly - after the mild kiddy-horror of Teatro Corsario and their hand-manipulated Bunraku creatures, the return of the much more disturbing imagination of Patrick Sims, founder and governing mad scientist of Buchinger’s Boot Marionettes, was my most-looked-for event. Read more... |
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