Comedy Reviews
Tim Minchin, Eventim Apollo review - fabulous triumph of rhyme and reasonSaturday, 09 November 2019![]()
Is there anything Tim Minchin cannot do? He sings his own songs, plays hot bar-room piano and tells jokes about the existence of God. He composes musicals, performs in Lloyd Webber and Stoppard, writes a multimillion-dollar Hollywood cartoon which he is allowed to direct – until he isn’t. Read more... |
Jonathan Pie, Eventim Apollo review - spoof reporter in coruscating formTuesday, 05 November 2019![]()
Jonathan Pie is a YouTube star, a spoof television news reporter (created by actor and comic Tom Walker), who is prone to gaffes. It was one of those on-screen gaffes that led to Pie being sacked as the BBC's Westminster correspondent, footage of which we see here on the onstage big screen alongside the highlights and lowlights of Pie's career – mostly the latter. Read more... |
Lou Sanders, Soho Theatre review - feminism and dodgy massagesMonday, 04 November 2019![]()
Lou Sanders has named her latest show (which debuted at the Edinburgh Fringe) Say Hello to Your New Step-Mummy. But, as she tells us in her opening comments, she's not a mother or stepmother, and hasn't yet met a father she likes, but “by the end of the year, God willing…” Read more... |
Ben Elton, Tunbridge Wells Assembly Hall review - magnificent return to stand-upThursday, 31 October 2019![]()
It has been 15 years since Ben Elton, known as Motormouth in his 1980s heyday – last toured. Read more... |
Lenny Henry, Watford Colosseum review - enjoyable evening with genial hostMonday, 28 October 2019![]()
It’s a long time since Lenny Henry performed live comedy, and a lot has happened in that interval. He has reinvented himself as a serious actor on stage and screen, become a spokesman for the black British experience, was knighted in 2015 and is now a national treasure. Read more... |
Hannah Gadsby, Royal Festival Hall review - simply magnificentSaturday, 26 October 2019![]()
It's a wonderful thing when a talented comic goes from niche performer to international star almost overnight, and that's what happened to Australian stand-up Hannah Gadsby. In 2017, she announced that her award-winning Edinburgh Fringe show, Nanette, was to be her last as she felt ground down after a decade in a misogynistic and homophobic industry. Read more... |
Elf Lyons, Komedia, Brighton review - bonkers, brilliant and a bit of bare bumFriday, 11 October 2019![]()
Elf Lyons’ new show, Love Songs To Guinea Pigs, has moved away from her usual slapstick and absurdist mimicry into new realms of traditional stand up. She cites the reason as being unable to do mime on the radio, but there’s a more serious reason for the switch. Read more... |
Rob Beckett, St David's Hall, Cardiff review - a mixed bag of observationsTuesday, 08 October 2019![]()
There’s been no avoiding Rob Beckett in recent years. His high beam smile and infectious personality have made him a mainstay of comedy shows. Now he’s back on the road with what he calls the best job in the world, stand up. You can tell he means it, with a show that thrives on enthusiasm if not consistency. Read more... |
Eddie Izzard, Brighton Dome review - splendidly surreal storytellingMonday, 30 September 2019![]()
Eddie Izzard is dressed in a killer outfit of black leather jacket, tartan mini-kilt, thigh-length stiletto boots – and false boobs. “I got them at IKEA,” he deadpans. He’s in jovial form for Wunderbar, his farewell tour before he hopes to enter politics. Read more... |
Russell Howard, Cardiff Motorpoint Arena review - a return with biteWednesday, 25 September 2019![]()
It’s been two years since Russell Howard last performed stand-up. That’s a long gap for such an established fixture of British comedy. As he points out, the world has changed, something reflected in his new show Respite. There are still the whimsical anecdotes that made him a star, but he now has bigger foils than his own family. Read more... |
Pages
latest in today

It all started on 09/09/09. That memorable date, September 9 2009, marked the debut of theartsdesk.com.
It followed some...

Stereolab always walked a knife edge between deadly serious and dead silly. Their sound was constructed around the sort of reference points –...

The plays of David Ireland have a tendency to build to an explosion, after long stretches of caustic dialogue and very funny banter....

Every now and then a concert programme comes along that fits like a bespoke suit, and this one could have been specially designed for me. Two...

Nick Mohammed invented his Mr Swallow character – camp, lisping, with an inflated ego and the mistaken belief that he has creative...

Photographer Finetime and I have our first pints outside Dalton’s, a bar on...

There’s a grail, but it doesn't glow in a mundane if perverted Christian ritual. Three of the main characters have young and old actor versions...

The appalling destruction of Pan Am’s flight 103 over Lockerbie in 1988 was put under the spotlight in January this year in Sky Atlantic’s ...

Ballet is hardly a stranger to Broadway. Until the late 1950s every other musical had its fantasy ballet sequence – think Cyd Charisse in ...

“Tell me what you see” invites Robert Forster during Strawberries' “Tell it Back to me.” The album’s eight songs do not, however,...