wed 21/05/2025

Comedy Reviews

John Shuttleworth, Leicester Square Theatre review - reflections on life in the slow lane

Veronica Lee

John Shuttleworth walks gingerly on stage and stands with his back to the audience. As he points out, the tour – his first in three years – is called John Shuttleworth's Back, and he's contractually obliged to show the audience his reverse side.

Read more...

Lucy Porter, Quarterhouse, Folkestone review - confessions of an ex-Brownie

Veronica Lee

Scouting and Girlguiding may seem awfully old-fashioned to some, yet many youngsters are still keen to join the Scout movement. Be Prepared (the Scout motto) was inspired by Lucy Porter's two children joining the Beavers, its youngest iteration.

Read more...

Ahir Shah, West End Centre, Aldershot review - a millennial's existential angst

Veronica Lee

Ahir Shah has delivered some very good comedy by performing as a man who knows he is right about everything – that's what a political degree from Cambridge can do for you.

Read more...

Simon Brodkin, The Stables, Milton Keynes review - comics casts off his Lee Nelson character

Veronica Lee

Simon Brodkin is best known for his cheeky Cockney wideboy character Lee Nelson, and for pranking the famous – notably handing Theresa May her P45 at the Conservative Party conference in 2017, throwing Nazi-themed balls at Donald Trump when he visited his Scottish golf course in 2016, and, in 2015, storming Kanye West's Glastonbury set and showering then Fifa president Sepp Blatter with banknotes.

Read more...

Alexei Sayle, Oxford Playhouse review - return of the political bruiser

Veronica Lee

It has been seven years since Alexei Sayle last toured, with radio shows and books detaining him elsewhere, but he's back with a bang. As he walks on stage, he immediately starts railing about the “Eton boys running the country”; instead of hailing the school for having produced 20 prime ministers, “it should be in special fucking measures.” Oh, we've missed him.

Read more...

Simon Evans, Blackheath Halls review - a big reveal worth waiting for

Veronica Lee

Simon Evans is a comic known for pithy observational humour, and an often acerbic take on politics, with occasional bits of biography thrown in.

Read more...

Jen Brister, Soho Theatre review - parenting, privilege and porn under scrutiny

Veronica Lee

Jen Brister loves her five-year-old twin boys, she is at pains to tell us, even when they have a major meltdown and, like Little Lord Fauntleroys, refuse to eat broken biscuits.

Read more...

David Baddiel, RST, Stratford-upon-Avon review - taking on the trolls

Veronica Lee

David Baddiel is a keen Twitter user, commenting on matters of the day, making witty observations about this and that, or simply chatting to his 650,000 followers. But he does seem to attract trolls, whose idiocy he frequently confronts – and his new show, Trolls: Not the Dolls, was inspired by some of those interactions.

Read more...

Jayde Adams, Soho Theatre review - witty celebrity takedown

Veronica Lee

No more glitzy and glam musical shows for Jayde Adams, the comic tells us at the top of the hour. Now, after a few years in the business, she wants to be taken seriously (or seriously enough to host Crazy Delicious on Channel 4), so the sequinned Spandex has gone into storage – “no more camel toes” – and she's popped on jeans and a black turtleneck. 

Read more...

Matt Forde, Soho Theatre review - Brexit and beyond

Veronica Lee

Matt Forde sets out his stall in Brexit: Pursued by a Bear from the first line: “We meet in diabolical circumstances.” These aren't good times, he says, with two major leaders in the Western world whose relationship with the truth is merely that of passing acquaintance.

Read more...

Pages

 

latest in today

Help to give theartsdesk a future!

It all started on 09/09/09. That memorable date, September 9 2009, marked the debut of theartsdesk.com.

It followed some...

Code of Silence, ITVX review - inventively presented reality...

In the guided tour of Britain’s cathedral cities that is the primetime TV...

Pygmalion, Early Opera Company, Curnyn, Middle Temple Hall r...

With French baroque opera all but banished from the UK’s major...

Album: Stereolab - Instant Holograms on Metal Film

Stereolab always walked a knife edge between deadly serious and dead silly. Their sound was constructed around the sort of reference points –...

The Fifth Step, Soho Place review - wickedly funny two-hande...

The plays of David Ireland have a tendency to build to an explosion, after long stretches of caustic dialogue and very funny banter....

Josefowicz, LSO, Mälkki, Barbican review - two old favourite...

Every now and then a concert programme comes along that fits like a bespoke suit, and this one could have been specially designed for me. Two...

Mr Swallow: Show Pony, Richmond Theatre review - magic trick...

Nick Mohammed invented his Mr Swallow character – camp, lisping, with an inflated ego and the mistaken belief that he has creative...

The Great Escape Festival 2025, Brighton review - a feast of...

Photographer Finetime and I have our first pints outside Dalton’s, a bar on...

Parsifal, Glyndebourne review - the music flies up, the dram...

There’s a grail, but it doesn't glow in a mundane if perverted Christian ritual. Three of the main characters have young and old actor versions...

The Bombing of Pan Am 103, BBC One review - new dramatisatio...

The appalling destruction of Pan Am’s flight 103 over Lockerbie in 1988 was put under the spotlight in January this year in Sky Atlantic’s ...