Classical Reviews
Joanna MacGregor, Adrian Brendel, Gildas Quartet, Wigmore Hall review - gold and silverTuesday, 25 February 2020
Startlingly high levels of expression and focused fire made this rich concert worthy of the dedicatee who radiated those qualities, Jacqueline du Pré. Read more... |
Aimard, Gürzenich-Orchester Köln, Roth, RFH review - Beethoven as avant-gardistSaturday, 22 February 2020
In Beethoven anniversary year, there are three ways to enhance our ongoing concert dialogues with the composer beyond the bog-standard overture-concerto-symphony format: complete cycles of the quartets, symphonies and sonatas, preferably without old vulgarians presenting; focusing on Beethoven and his contemporaries, including programmes recreated from the early 1800s; and linking the genius with what our... Read more... |
Andsnes, Mahler Chamber Orchestra Soloists, Wigmore Hall review - conversations with MozartFriday, 21 February 2020
Leif Ove Andsnes’s long-term partnership with the Mahler Chamber Orchestra has already yielded rich fruit, and the Mozart quartets and trio he performed last night with members of the top-notch nomad band proved just as succulent. However, I would hardly have been alone in leaving the Wigmore Hall with my strongest impressions stirred by the single solo work that the versatile Norwegian master-pianist allowed himself. Read more... |
Mahler's 'Resurrection' Symphony, Philharmonia, Hrůša, RFH review - big picture, stunning detailsFriday, 21 February 2020
So many performances of Mahler's most theatrical symphony every season, so few conductors who have something radically fresh to say about it. Read more... |
Frang, CBSO, Yamada, Symphony Hall Birmingham review - the tingle factorThursday, 20 February 2020
There’s a particular moment of a particular recording – I suppose every slightly over-obsessive record collector has one – that I just keep listening to over and over again. It’s in Fritz Reiner’s 1960 Chicago Symphony recording of Respighi’s The Fountains of Rome, and it comes right after the first flood of the Triton Fountain starts to recede. |
Michael Collins, Michael McHale, London Winds, Wigmore Hall review - flying the flag for wind chamber musicTuesday, 18 February 2020
In a week when my colleague Jessica Duchen was delighted by the Kaleidoscope Chamber Collective, last night’s concert, also at Wigmore Hall, by Michael Collins and London Winds showed that chamber music with winds need not be the poor relation of that with strings. Read more... |
Kaleidoscope Chamber Collective, Wigmore Hall review - a joyous celebrationMonday, 17 February 2020
Nobody could deny that this was a weekend when we needed cheering up. The place for that was the Wigmore Hall, which played host to a recently formed “shape-shifting” ensemble of superb young soloists. The Kaleidoscope Chamber Collective was launched in 2017 by the violinist Elena Urioste and pianist Tom Poster (incidentally, they got married last summer). Read more... |
Elysian Singers, SPCMH, Sam Laughton, St Luke’s, Chelsea review - John Cage and friends given a rare airingMonday, 17 February 2020
In my reviewing for theartsdesk I like as much as possible to ski off-piste, reaching areas of repertoire, performer and venue that mainstream coverage doesn't. There is much great music-making that flies, to mix my metaphors, under the radar, but which is well worthy of being written about. Read more... |
Acis and Galatea, The Sixteen, Christophers, Cadogan Hall review – pocket-sized pastoral pleasuresWednesday, 12 February 2020
Nymphs and shepherds – go away? In music, as in art or literature, the pastoral fripperies of the Baroque age can feel utterly alien to modern tastes. Those dalliances, seductions and abductions in the Arcadian landscapes of myth may cease to entice in an era that takes sexual violence seriously, while we scorn play-acting toffs who ape the lifestyle of some idealised peasantry, Marie Antoinette-style. Read more... |
Lise Davidsen, James Baillieu, Barbican review - opulence and the promise of greatnessTuesday, 11 February 2020
So much pressure is on for Lise Davidsen to be the next Kirsten Flagstad or Birgit Nilsson, but the question has to be asked: is this just The Voice - a big "just" when a dramatic Wagnerian soprano is at stake - or The Complete Artist? Read more... |
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