sun 07/09/2025

Classical Reviews

Prom 4: Deutsche Kammerphilharmonie Bremen, Kuusisto review - Pekka Kuusisto's charisma shrinks the Royal Albert Hall

Sebastian Scotney

Pekka Kuusisto, making his Proms debut as conductor in the first half of this concert, and then as violinist/conductor/ringmaster/energiser in the second, brought lightness, playfulness, and a Finnish sense for the absurd to the Albert Hall. He is an absolutely live-wire performer and has a hugely charismatic musical presence. He radiates joy in his craft and also unfailingly communicates his appreciation for those around him.

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theartsdesk at the Ravenna Festival - invisible cities and possible dreams

David Nice

Came for the music, returned for the theatre. I oversimplify: Riccardo Muti’s Roads of Friendship events, meetings of his Luigi Cherubini Youth Orchestra with players from other places – since 1997, they have included Sarajevo, Lebanon, Kenya, Iran and this year Jordan – will always be the big cornerstones of the Ravenna Festival.

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First Night of the Proms, BBCSO, Stasevska review - fire and elan mark an evening celebrating freedom

Rachel Halliburton

Even before the Just Stop Oil protesters hit the stage after the interval, this was destined to be one of the most politically charged Proms the Royal Albert Hall has witnessed for a while. The rousing cheer that greeted the BBC Singers was hopefully all the beleaguered BBC bosses needed to realise – after the ill-advised attempt to abolish them in March – what a key part of our music culture they remain today.

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Ligeti Day; Kolesnikov/Tsoy, Aldeburgh Festival review - 14 musicians, 16 premieres and 100 metronomes

David Nice

To give the first performance of a dazzling fantasia in the context of a rangy sunny-evening-to-night concert, as pianists Pavel Kolesnikov and Samson Tsoy did in glorious Blythburgh Church, merits a gold medal in piano-duo enterprise. To premiere 15 new works in a single programme and adapt perfectly to the various styles, the Ligeti Quartet’s crowning glory of three events celebrating their namesake’s centenary, is simply superhuman.

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Hahn, Kaleidoscope Chamber Collective, Wigmore Hall review - Americana old and new

Bernard Hughes

Artist-in-Residence at the Wigmore Hall Hilary Hahn brought her residency to an end with a collaboration with the exciting Kaleidoscope Chamber Collective, a notably youthful and ethnically diverse group, who brought with them a notably more youthful and ethnically diverse crowd than the hall usually entertains.

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Sinfonia of London, Wilson; Kolesnikov/Tsoy; Bozzini Quartet; Phantasm, Aldeburgh Festival review - new sounds for old

Boyd Tonkin

You don’t expect to visit the Britten-Pears shrine in Suffolk and come back raving about Edward Elgar. Yes, Elgar. On Sunday evening, John Wilson and his Sinfonia of London brought the composer’s Second Symphony to Snape Maltings: that marshland temple to every anti-Elgarian current in post-war British music.

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Osborne, BBC Philharmonic, Glassberg, Bridgewater Hall, Manchester review - energy and virtuosity

Robert Beale

The BBC Philharmonic ended its 2022-23 season in Manchester with a programme that might have been chosen as a showpiece for virtuosity.

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Turangalîla-Symphonie, LSO, Rattle, Barbican review - a farewell night to remember

Boyd Tonkin

Simon Rattle’s farewell season as music director of the London Symphony Orchestra has inscribed a sort of artistic memoir as he moves from one of his beloved blockbusters to another. Last night, he closed his account at the Barbican (though he will regularly return as “Conductor Emeritus”) with Messiaen’s mighty Turangalîla-Symphonie.

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Bocheng Wang, Wigmore Hall review - extraordinary agility and technical fluidity

Rachel Halliburton

Rachmaninov had his doubts about his Variations on a Theme of Corelli. He confided to Medtner that when he performed them, “I was guided by the coughing of the audience. Whenever the coughing increased, I would skip the next variation. Whenever there was no coughing, I would play them in proper order.”

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Borletti-Buitoni Trust 20th Anniversary Weekend, Bold Tendencies, Wigmore Hall review - dazzling past, present and future

David Nice

Founded two decades ago by Franco Buitoni and his wife Ilaria in league with their good friend Mitsuko Uchida, the Borletti-Buitoni Trust never seems to put a foot wrong in its choices: the present and future are as dazzling as the last 20 years. As well as giving generous long-term support to over 200 artists and groups, BBT commissions new works – more than 50 to date – and has set up a Communities wing "to encourage social cohesion".

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