Classical Reviews
Scottish Chamber Orchestra, Ticciati, Usher Hall, EdinburghSaturday, 28 August 2010
Which of the following has the thorniest dissonance: an early 18th-century dance-drama by Rebel, a symphony by Bizet, a concerto by Poulenc or a new work by South African composer Kevin Volans? If you think it's a trick question, you'll guess the right answer: the earliest. And which of the four sounds the least fresh and novel? My own take on that is the most recent. |
Shaham, BBC Symphony Orchestra, Robertson, Royal Albert HallFriday, 27 August 2010
When Mark-Anthony Turnage presents a piece called Hammered Out, that’s pretty much what you expect to hear. Prior to starting work on this co-commission between BBC Radio 3 and the Los Angeles Philharmonic, Turnage was quoted as saying, “I don’t want to write an old man’s piece.” The trouble is that this 15-minute juggernaut for large orchestra sounds like an elder statesman – ie the symphony orchestra – masquerading as a mover and shaker: or to be brutally frank, an old swinger in... Read more... |
Sydney Symphony, Ashkenazy, Grimaud, Royal Albert HallTuesday, 24 August 2010
To be interestingly disappointed isn’t bad - it’s being uninterestingly disappointed that is. This was an intriguing Prom with a full house, possibly because of Hélène Grimaud’s presence in the Ravel piano concerto, as well as Vladimir Ashkenazy on the podium. Surely it wasn’t for Scriabin’s Third Symphony, unheard here for almost 80 years? Or perhaps Richard Strauss’s Der Rosenkavalier is so well beloved that even a dubious orchestral suite made from it lures the thousands? Read more... |
Stemme, Swedish Chamber Orchestra, Dausgaard, Royal Albert HallTuesday, 24 August 2010
“The curse of Schumann,” remarked Prom director Roger Wright to me before Monday’s concert, bemoaning the fact that only (only!) 2,000 seats had been sold for the Swedish Chamber Orchestra’s concert under Thomas Dausgaard - whereas Dausgaard's earlier Tchaikovsky/ Sibelius Prom had been...
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A Celebration of Rodgers and Hammerstein, Royal Albert HallMonday, 23 August 2010
It may have been the glossy, Labrador-like abandon of John Wilson and his fabulous orchestra, but barely two bars of the Oklahoma! overture had passed before I caught myself grinning and drifting into critical neutral. Richard Rodgers’ scores are built for a symphony orchestra, and the massed forces of over 50 strings, swollen brass and percussion sections, brought out their sweeping, sparkling best. Read more... |
Keenlyside, Rotterdam Philharmonic Orchestra, Nézet-Séguin, Royal Albert HallSunday, 22 August 2010
Boy, did I want to enjoy this Prom. On paper it should have been the highlight of the season. Young Canadian conductor Yannick Nézet-Séguin has been making his mark in London as principal guest conductor of the London Philharmonic Orchestra with several sensational performances of Bruckner over the past few years. Read more... |
Tilbury, BBC Scottish Symphony Orchestra, Volkov, Royal Albert HallSunday, 22 August 2010
A metallic shower rained down upon us as five percussionists of the BBC Scottish Symphony Orchestra's percussion sextet unleashed the meteoric potential of five huge metal thundersheets on our unsuspecting ears, and percussionist number six, a pianist, encouraged her muzzled instrument (a metal brace lying across its stringed body) to gnash away rhythmically and to dance amid the downpour. 1939 was when John Cage came up with this breathtakingly original, endlessly exhilarating work, ...
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Bavouzet, Philharmonia Orchestra, Salonen, Royal Albert HallSaturday, 21 August 2010
From Russian “avant-garde constructivism” to Estonian minimalism via a jazz-inspired French concerto and the defiant originality of Scriabin – last night’s Prom from Esa-Pekka Salonen and the Philharmonia Orchestra had a lot of ground to cover. Read more... |
Lugansky, Russian National Orchestra, Boreyko, Royal Albert HallThursday, 19 August 2010
Russians can often get away with murder in concert. It's so ingrained within our Western psyche to believe that the Slav has culture, musicality, an innate aesthetic sensitivity pouring out of every toe that you could get a Russian to do the chicken dance and we'd all be ooh-ing and ah-ing about the passion of each wing flap, the brooding darkness of each wiggle, the searing, sarcastic quality of each clap. Not all Russians have a Russian soul.
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Ibragimova, BBC SO, Gardner/ BBC Singers, Endymion, Hill, Royal Albert HallWednesday, 18 August 2010
Meditative experiences are hard to come by in the Royal Albert Hall. The twitching, scratching, fidgeting ticks of over 5000 people conspire to break your focus, to draw attention from the musical middle-distance back to the here and now. Last night’s two Proms – whether through programming, performance or just a happy chance of circumstances – both glanced into this distant space, briefly achieving that sense of communion peculiar to Proms audiences. As a birthday tribute to composer-mystic... Read more... |
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