thu 19/06/2025

Classical Reviews

Prom 7: BBCSO, Bělohlávek/Prom 8: Pet Shop Boys

Matthew Wright

The Forties and Fifties, seen through the eyes of Shostakovich and the Pet Shop Boys, were the historical centre of gravity for last night’s courageously broad Proms programme. Bartók’s Violin Concerto No.

Read more...

Man Overboard, Aurora Orchestra, Collon, LSO St Luke's

Heidi Goldsmith

If the 15-word limit of a succinct listings blurb ever taught you a lesson let it be immediate suspicion of any performer or musician termed "jazzy". This wariness could extend to anything generically suffixed by "y" or "ish", simply because it suggests either pretence or a lack of original or strong identity.

Read more...

Prom 4: World Orchestra for Peace, Gergiev

Sebastian Scotney

This was a rare outing by the World Orchestra for Peace, which has performed fewer than 20 concerts since the death of its founder Sir Georg Solti in 1997. UNESCO had designated this BBC Prom as "The 2014 Concert for Peace", the definite article implying a uniqueness which - according to rumour - is because concerts planned for Munich and Aix failed to get beyond the planning stage. It drew a respectable house to the Royal Albert Hall, which looked about three-quarters full.

Read more...

Simon Trpčeski, Wigmore Hall

Jessica Duchen

No man is a prophet in his own land – except possibly the Macedonian pianist Simon Trpčeski. In the UK he shot to fame upon winning the London International Piano Competition in 2001 and at home he has become a national hero, his efforts rebooting the country’s classical music scene and inspiring the building of a new full-scale concert hall in Skopje – even though he is still a mere 35. He is also celebrated there as a popular songwriter.

Read more...

First Night of the Proms, BBCSO, Davis, Royal Albert Hall

David Nice

“And suddenly there came from heaven a sound as of the rushing of a mighty wind, and it filled all the house where they were sitting.” To fill the Albert Hall – where a sizeable number of participants are standing, of course, in the best place – as handsomely as this, and as clearly, takes some work.

Read more...

Classical CDs Weekly: Hartmann, Mahler, Vaughan Williams

graham Rickson

 

Read more...

Classical CDs Weekly: Per Nørgård, Stephen Hough, The Society of Strange and Ancient Instruments

graham Rickson

 

Read more...

Daneman, Bostridge, Drake, Middle Temple Hall

Sebastian Scotney

Temple Music's enterprising song series, directed by pianist Julius Drake, brought a welcome rarity to Middle Temple Hall last night. Schumann's Myrthen, the garland of twenty-six songs dedicated to his intended bride Clara Wieck, are seldom heard in a complete performance. Even with an interval in the middle, they serve as a reminder of the power and sheer emotional range of Schumann's music.

Read more...

Pinnock's Passions, Handel's Garden, Sam Wanamaker Playhouse

Kimon Daltas

The latest in a series of "Pinnock’s Passions" concerts at the Sam Wanamaker Playhouse saw the doyen of period instrument performance lead a delightful exploration of Handel the musical borrower, entitled "Handel’s Garden". As Trevor Pinnock writes in the programme notes, "throughout his life as a composer he had the habit of taking cuttings, transplanting and grafting from works old and new".

Read more...

Classical CDs Weekly: Turina, Rorem, Rhos Male Voice Choir

graham Rickson

 

Read more...

Pages

latest in today

'We are bowled over!' Thank you for your messages... ...
The Midnight Bell, Sadler's Wells review - A first repr...

Rarely has a revival given a firmer thumbs-up for the future of dance-theatre. Yet Matthew Bourne’s latest show, first aired at the tail-end of...

Album: HAIM - I Quit

Haim’s profile just grows and grows. Since their last album, youngest sibling Alana’s starring role in Paul Thomas Anderson’s whimsical Seventies...

Aldeburgh Festival, Weekend 1 review - dance to the music of...

This year’s Aldeburgh Festival – the 76th – takes as its motto a line from Shelley‘s Prometheus Unbound. The poet speaks of despair “...

Bonnie Raitt, Brighton Dome review - a top night with a char...

If you walked into a bar in the US, say in one of the southern states, and Bonnie Raitt and her band were playing, you’d have the best night of...

Hidden Door Festival 2025 review - the transformative Edinbu...

"When I was your age, I worked in a corrugated cardboard factory!" is a phrase my father was fond of telling me as a teenager, presumably in an...

Edward Burra, Tate Britain review - watercolour made mainstr...

It’s unusual to leave an exhibition liking an artist’s work less than when you went in, but...

Joyceana around Bloomsday, Dublin review - flawless adaptati...

It amuses me that Dubliners dress up in Edwardian finery on 16 June. After all, this was the date in 1904 when James Joyce first walked out with...

Stereophonic, Duke of York's Theatre review - rich slic...

The tag “the most Tony-nominated play of all time” may mean less to London theatregoers than it does to New Yorkers, but Stereophonic,...