sun 29/06/2025

Classical Features

'The total confusion about post-Brexit rules adds to the distress': classical musicians speak out

Sophia Rahman

“Fuck business,” Boris Johnson is alleged to have said while Foreign Secretary. (He didn’t deny it). We have seen enough over the past three weeks of the impact of Brexit on fishermen, hauliers, wine merchants and a host of business people to know that he wasn’t joking.

What of the impact on musicians?

Read more...

'Having to establish a real conversation with the audience is a good challenge': Raffaello Morales on a possible musical future

Raffaello Morales

As this most remarkable year prepares to enter the history books, most of us who are part of the music industry have come to realise that the western world is desperately looking for solutions to an emergency of unprecedented dimensions in post-war times, and that music is not widely perceived to provide a

Read more...

Dame Fanny Waterman (1920-2020) - some recollections, with love and affection

Adam Gatehouse

Dame Fanny Waterman was a true force of nature, in the best sense of the word. Her diminutive height belied a giant intellectual force and a steely determination to achieve the seemingly unachievable through every means she could muster.

Read more...

First Person: conductor Johannes Vogel on Beethoven’s Ninth as re-orchestrated by Mahler

Johannes Vogel

Think of the finale at a big fireworks show: the anticipation; the build up. There is nothing bigger than the Ninth Symphony. It is the climax of this year’s Beethoven celebrations.

Read more...

Not-quite-solitude on the 34th floor: violinist Maxine Kwok on the short film 'Rising'

Maxine Kwok

2020: a year that at some point felt like the end of live performance for the world of the performing arts, certainly for the foreseeable future. Artists spent months without any form of collaboration, leading to a serious lack of motivation due to the decimation of performance opportunities.

Read more...

First Person: Avi Avital on 'Art of the Mandolin'

Avi Avital

The mandolin is an instrument everybody has heard of without necessarily knowing much about it. Its history has been written by lovers of the instrument, often amateur players who are drawn to its approachable and appealing character, integrating it into their own lives, and in turn popularising it throughout the world.

Read more...

First Person: horn player Alec Frank-Gemmill on authenticity and enlightenment in lockdown

Alec Frank-Gemmill

The UK’s music industry is in dire straits and my heart goes out to friends and colleagues in financial need. For a proper discussion of the current situation, I refer you to Sophia Rahman’s excellent article for theartsdesk. What I have written here is comparatively superficial.

Read more...

First Person: Jessica Duchen on writing about Beethoven's Immortal Beloved

Jessica Duchen

The identity of Beethoven’s “Immortal Beloved” is one of the biggest cans of worms in musical history. I hadn’t the slightest intention of writing a novel about it. At first I thought I’d create a narrated concert for the anniversary year... but that was then.

Read more...

'Josquin has defined our career': The Tallis Scholars’ Peter Phillips on the end of a major recording project

Peter Phillips

I have never been a fan of recording “Complete Works”. These projects almost inevitably include music that one would not normally spend time and money on, just to claim that one has done it all. For this reason the Gimell catalogue, from the earliest days, will be found to have marked out the Renaissance territory, one disc per composer, each disc a distillation of the best of the writer in question...

Read more...

First Person: Cellist Alban Gerhardt on why concert-hall life must go on

Alban Gerhardt

With horror I heard on Wednesday that the proud cultural nation of Germany, which invests probably more money per capita in its concert, opera and theatre life than any other country in the world, had decided to close down what I as a German citizen am particularly proud of - precisely this rich cultural life.

Read more...

Pages

latest in today

'We are bowled over!' Thank you for your messages... ...
Music Reissues Weekly: Rupert’s People - Dream In My Mind

Procol Harum’s “A Whiter Shade of Pale” was an instant phenomenon. Recorded in April 1967 and issued as a single on 12 May after pre-release play...

Fidelio, Garsington Opera review - a battle of sunshine and...

Sometimes, as the first act of Beethoven’s Fidelio closes, the chorus of prisoners discreetly fade away backstage as their brief taste of...

Intimate Apparel, Donmar Warehouse review - stirring story o...

The corset is an unlikely star of the latest Lynn Nottage play to arrive at the...

theartsdesk Q&A: director Andreas Dresen on his anti-Naz...

Andreas Dresen directs socially engaged realist films that invariably relay personal and political messages; the result can be tough but is...

Hercules, Theatre Royal Drury Lane review - new Disney stage...

Many years ago, reviewing pantomime for the first time, I recall looking around in the stalls. My brain was saying, “This is...

Alfred Brendel 1931-2025 - a personal tribute

Alfred Brendel’s death earlier this month came as a shock, but it wasn’t unexpected. His health had gradually deteriorated over the last year or...

Chicken Town review - sluggish rural comedy with few laughs...

Fans of the character comedian Graham Fellows will possibly turn up for this British film starring the man who created the punk parody...

Album: Lorde - Virgin

Lorde’s trajectory is continually fascinating. From the minimalist, sparse electropop of Pure Heroine to the similar but more grandiose...