Classical Features
First Person: tenor Elgan Llŷr Thomas on recording a queer-themed albumSunday, 09 July 2023
“No one makes money from CDs anymore”; “Remember, once it’s out there it’s out there forever”; “Everyone’s making recordings these days, it’s a very cluttered market”; “You’ll struggle to make a mark…” Read more... |
First Person: composer Lukas Ligeti on how his father György inspired a new approachFriday, 23 June 2023
The music of various African regions and cultures has played a significant role in shaping my own music. My exposure to African traditional music, which started not long after I began my own composition studies, helped me develop my unique artistic voice as a composer, and I owe this influence in part to my father and, indirectly, to his composition class in Hamburg. Read more... |
First Person: pianist Isata Kanneh-Mason on how childhood informs her latest recordingWednesday, 14 June 2023
My entire childhood was punctuated with music. I just can’t remember a time without it being present and I think it’s shaped me enormously. I have varying pieces of music for the different times in my life and they all evoke very powerful memories for me. Read more... |
theartsdesk in Denmark - celebrating Nielsen in high styleSaturday, 10 June 2023
Eight years ago I was privileged to be in Denmark on the 150th anniversary of Carl Nielsen’s birth, experiencing for the first time live his masterly Saul and David. The return visit was too brief and unexpectedly fraught, including a complicated return to Odense to see work in progress for a new Carl Nielsen Museum. Not a success, but redeemed by an impressive concert in a big series from the Danish National Symphony Orchestra and its fine chief conductor Fabio Luisi. Read more... |
First Person: composer Kate Whitley on a new work for the Borletti-Buitoni Trust’s 20th anniversaryThursday, 08 June 2023
We at the Multi-Story Orchestra have been writing a new piece of music about social media. In one of the writing sessions I remember one of our musicians spending every second she wasn't playing on her phone, checking likes and comments as she'd released something that day. That feeling – being at the mercy of an unwinnable urge to be validated by other people's approval - is what our new piece is about. Read more... |
'Right now, we're in chaos': pianist and Leeds Lieder director Joseph Middleton on catastrophic cuts to arts fundingMonday, 05 June 2023
“If you want a picture of the future, imagine a boot stamping on a human face – for ever.” Replace a few of George Orwell’s words in 1984 and most musicians right now would find alarming resonance in the statement: “If you want a picture of the present, imagine a boot stamping out classical music – for ever.” Read more... |
First Person: violinist and animateur Bjarte Eike on filming the celebrated Alehouse SessionsTuesday, 16 May 2023
BBC Four is broadcasting our Alehouse Sessions which filmmaker Dominic Best filmed in Battersea Arts Centre one snowy night in December. I know it feels very unlikely that we, the Barokksolistene, a Scandi group of baroque specialists, have made a programme for British TV singing sea shanties and folk ballads alongside Purcell. Read more... |
First Person: young composer Chris Brooke on his fanfare for the Coronation Bandstand ProjectFriday, 05 May 2023
Having started my musical journey with the clarinet at the age of seven, I’ve enjoyed 12 years of making music since, playing in recitals and concerts both as a soloist and in an array of local ensembles. I have always had an interest in writing music – experimenting with it for about as long as I’ve been playing – but I started studying composition formally in 2017 with David Stowell at Guildhall Young Artists Norwich. Read more... |
First Person: Donatella Flick on why the conducting competition in her name is needed more than everThursday, 23 March 2023
What are the qualities that make a great conductor? It’s something that has been debated for years, brought into focus recently not least because of Cate Blanchett’s award-winning performance as fictional maestra Lydia Tár. Despite what you may think of the film, it has reignited debate about what it means to be a conductor today, and what qualities they should possess. Read more... |
First Person: Anna Clyne on composing collaborations, not battles, in her latest concertosWednesday, 22 March 2023
Collaboration fuels a lot of my music – I love the interaction that takes me outside of my natural tendencies – it’s a source of inspiration and an opportunity to see my own music and creative process through a different lens. Read more... |
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