fri 16/05/2025

Classical Features

theartsdesk at the Music@Malling Festival

David Nice

One of the summer’s greatest pleasures has been to confirm an often untested truism: that you may hear some of the finest and rarest music-making in out-of-the-way places.

Read more...

theartsdesk at the Lammermuir Festival

David Kettle

It’s hard to believe that East Lothian’s Lammermuir Festival has only been around for six years. In that short time, it’s become a cherished fixture in Scotland’s musical calendar. For regular concert-goers, it’s a calmer antidote to the August festival mayhem of Edinburgh, just half an hour away, and just a couple of weeks after the capital’s wall-to-wall chaos ends.

Read more...

Sir David Willcocks (1919-2015)

theartsdesk

Even if you never saw him conduct, you may well have sung one of Sir David Willcocks's carol arrangements. I remember the unnatural excitement in our church choir when the orange-jacketed Carols for Choirs 2 arrived on the scene, enhancing our repertoire with some especially juicy settings. Sir David Willcocks, who died on Thursday at the grand old age of 95, was steeped in the British choral tradition; for many, he was its heart and soul.

Read more...

'We have a duty to all children to share our rich artistic history'

Sarah Connolly

Two hundred and 74 years ago today, on 14 September 1741, Georg Friedrich Handel completed the first edition of his legendary oratorio, Messiah. It is a work associated with children’s charity, and thanks to a royal charter granted to philanthropist Thomas Coram’s Foundling Hospital in Bloomsbury, Handel raised awareness and money for the orphans with performances every year for decades.

Read more...

10 Questions for Conductor Laurence Equilbey

David Nice

It’s a sunny afternoon at altitude – 1,082 metres, to be precise – in the precincts of France’s highest historic building, the austerely impressive early Gothic Abbey-Church of St-Robert, La Chaise-Dieu.

Read more...

theartsdesk in Lahti: Sibelius 150, Sibelius Hall

David Nice

When Lahti’s Sibelius Hall finally shone and coruscated into life in 2000, the 100,000 citizens of this modest Finnish town, not to mention acousticians from all over the world, could hardly believe their eyes and ears. Here, at last, was not only a top concert hall fit for what had already become a world-class orchestra under notable Sibelian Osmo Vänskä, but also a twofold architectural wonder.

Read more...

theartsdesk in Bucharest: Loving Enescu

Paul Gent

Where in the world will you find the most glittering line-up of international orchestras? The Proms? Salzburg? Lucerne? Edinburgh? Bucharest, actually. The Enescu Festival, which began on 30 August, this year boasts appearances by the Concertgebouw, Vienna Philharmonic, Dresden Staatskapelle, Israel Philharmonic, San Francisco Symphony, St Petersburg Philharmonic and London Symphony Orchestra.

Read more...

theartsdesk in Pärnu: Top players, great Estonians

David Nice

In 1989 Neeme Järvi, already rated one of the world’s top conductors and soon to be voted “Estonian of the Century” by his compatriots, returned with his Gothenburg Symphony Orchestra to the homeland he had left for America nearly a decade earlier. I went with them then, and to experience a free Estonia 26 years later was a bracing surprise.

Read more...

First Person: Poems to Messiaen

Michael Symmons

I am currently in the middle of a project called Messiaen 2015: Between Heaven and the Clouds, a year-long series of commissions and events around the UK, exploring Messiaen’s Vingt Regards sur l‘Enfant-Jésus, curated by pianist Cordelia Williams. 

Read more...

10 Questions for Pianist Leif Ove Andsnes

Adam Sweeting

Though perhaps not quite the "long strange trip" once hymned by the Grateful Dead, Leif Ove Andsnes's Beethoven Journey has been a marathon undertaking. It has spanned four years, during which the Norwegian pianist and the Mahler Chamber Orchestra have toured the world, performing all five of Beethoven's piano concertos with Andsnes conducting from the keyboard.

Read more...

Pages

latest in today

Help to give theartsdesk a future!

It all started on 09/09/09. That memorable date, September 9 2009, marked the debut of theartsdesk.com.

It followed some...

Magic Farm review - numpties from the Nineties

There’s nothing more healthy than dissing your own dad, and filmmaker Amalia Ulman says that her old man was “a Gen X deadbeat edgelord skater”...

The Great Escape Festival 2025, Brighton review - a dip into...

As every social space in Brighton once again transforms into a mire of self-important music biz sorts loudly bellowing about “waterfalling on...

theartsdesk Q&A: Zoë Telford on playing a stressed-out p...

If you compiled a list of favourite TV series from the last couple of decades, you’d find that Zoë Telford has appeared in most of them. The...

Jean-Efflam Bavouzet, Wigmore Hall review - too big a splash...

It was a daring idea to mark Ravel’s 150th birthday year with a single concert packing in all his works for solo piano. Jean-Efflam Bavouzet knows...

Good One review - a life lesson in the wild with her dad and...

Good One is a generation-and-gender gap drama that mostly unfolds during a weekend hiking and camping trip in the Catskills Forest...

E.1027 - Eileen Gray and the House by the Sea review - dull...

It’s hard to say who is going to enjoy E.1027 – Eileen Gray and the House by the Sea. Admirers of the modernist designer-architect will...

Album: Rico Nasty - LETHAL

Rico Nasty’s new album LETHAL signals a shift in direction, but whether it is a bold evolution or a step towards something less distinct...

The Marching Band review - what's the French for '...

In Emmanuel Courcol’s drama The Marching Band (En Fanfare in French, and also released as My Brother's Band), a...

Lucy Farrell, Catherine MacLellan, The Green Note review - s...

Lucy Farrell, one quarter of the brilliant, award-winning Anglo-Scots band Furrow Collective, and a solo artist whose stunning debut album, We...