mon 19/05/2025

book reviews and features

Wole Soyinka: Chronicles from the Land of the Happiest People on Earth review – sprawling satire of modern-day Nigeria

Daniel Baksi

Eight-years passed between the publication of Wole Soyinka’s debut novel, The Interpreters (1965), and his second, Season of Anomy (1973). A lot happened in...

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Extract: The Breaks by Julietta Singh

theartsdesk

How do we mother at the end of the world? Among the ruins of late capitalism, climate catastrophe, and entrenched white state violence?

Julietta Singh “admit[s]...

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Ananyo Bhattacharya: The Man from the Future review - the man, the maths, the brain

Jon Turney

Suppose I’m a novelist plotting a panoramic narrative through world-shaping moments of the first half of the 20th century. I’ll need a character who can visit a bunch of key sites. Göttingen in...

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Ruby Tandoh: Cook As You Are review - truly a trailblazer

CP Hunter

Ever since her appearance on The Great British Bake Off in 2013, Ruby Tandoh has been a breath of fresh air to the food...

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10 Questions for writer Lucia Osborne-Crowley

Jessica Payn

Anyone familiar with psychiatrist Bessel van der Kolk’s bestseller The Body Keeps the Score (2014) will recognise the ghost of his title in Lucia Osborne-Crowley’s My Body Keeps...

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Barry Adamson: Up Above the City, Down Beneath the Stars review - the post-punk colossus spills his guts in a raw style

Guy Oddy

For those not familiar with the murkier corners of British rock music history, Barry Adamson was a significant...

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Thomas Hardy: Fate, Exclusion and Tragedy, Sky Arts review – too much and not enough

Harriet Thompson

Born in 1840, Thomas Hardy lived a life of in-betweens. Modern yet traditional, the son of a builder who went on to become a famous...

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Colson Whitehead: Harlem Shuffle review - period piece speaks to the present

Daniel Lewis

More than once, reading Colson Whitehead’s latest novel Harlem Shuffle, the brilliant Josh and Benny Safdie movie Uncut Gems from 2019 came to mind, which was...

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Sebastian Faulks: Snow Country review - insects under a stone

Lizzie Hibbert

Historical fiction – perhaps all fiction – presents its authors with the problem of how to convey contextual information that is external to the plot but necessary to the reader’s understanding of...

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Claire-Louise Bennett: Checkout 19 review - coming to life

Daniel Lewis

Like any good writer, Claire-Louise Bennett loves lists. Lists are, after all, those moments when words, freed from grammar’s grip, can simply be themselves – do their own thing, show off,...

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It all started on 09/09/09. That memorable date, September 9 2009, marked the debut of theartsdesk.com.

It followed some...

Parsifal, Glyndebourne review - the music flies up, the dram...

There’s a grail, but it doesn't glow in a mundane if perverted Christian ritual. Three of the main characters have young and old actor versions...

Mr Swallow: Show Pony, Richmond Theatre review - Magic trick...

Nick Mohammed  invented his Mr Swallow character – camp, lisping, with an inflated ego and the mistaken belief that he has...

The Bombing of Pan Am 103, BBC One review - new dramatisatio...

The appalling destruction of Pan Am’s flight 103 over Lockerbie in 1988 was put under the spotlight in January this year in Sky Atlantic’s ...

Ballet to Broadway: Wheeldon Works, Royal Ballet review - th...

Ballet is hardly a stranger to Broadway. Until the late 1950s every other musical had its fantasy ballet sequence – think Cyd Charisse in ...

Album: Robert Forster - Strawberries

“Tell me what you see” invites Robert Forster during Strawberries' “Tell it Back to me.” The album’s eight songs do not, however,...

Music Reissues Weekly: Chapterhouse - White House Demos

Quoted in an early music press article on his band Chapterhouse, singer-guitarist Stephen Patman said their ambition was “to have our records on...

Songlines Encounters, Kings Place review - West African and...

Songlines Encounters is your round-the-world ticket to great...

The Deep Blue Sea, Theatre Royal Haymarket review - Tamsin G...

The water proves newly inviting in The Deep Blue Sea, Terence Rattigan's mournful 1952 play that some while ago established its status as...

The Brightening Air, Old Vic review - Chekhov jostles Conor...

It's one thing to be indebted to a playwright, as Tom Stoppard and Harold Pinter have been at different times to Beckett, or Sondheim's latest...

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