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william ward

Bio
William has lived between London and Rome for 30 years, writing and broadcasting in Italian and English as a political analyst and cultural commentator. He is author of Getting it Right in Italy and wrote and presented La Mia Italia on BBC Radio 4. He is London correspondent of Il Foglio and Panorama.

Articles By William Ward

theartsdesk in Abu Dhabi: Doing Things by the Book

Sunday, 21 March 2010 Read more...

The Gods Weep, RSC/Hampstead Theatre

Thursday, 18 March 2010 Read more...

Lord Arthur's Bed, King's Head Theatre

Friday, 05 March 2010 Read more...

Ottorino Respighi, the forgotten composer

Friday, 05 February 2010 Read more...

The Caretaker, Trafalgar Studios

Tuesday, 19 January 2010 Read more...

Every Good Boy Deserves Favour, National Theatre

Friday, 15 January 2010 Read more...

theartsdesk in Rome: Building the Future, Slowly

Sunday, 22 November 2009 Read more...

theartsdesk in Milan: Death of a Quiz Show Host

Sunday, 27 September 2009 Read more...

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“Dying is an act of eroticism,” suggested one of the many disposable characters in David Cronenberg’s first full-length feature, Shivers...

Album: Claudia Brücken - Night Mirror

German singer Claudia Brücken has had a long and busy career,...

Jurassic World Rebirth review - prehistoric franchise gets a...

The first Jurassic Park movie now seems virtually Jurassic itself, having been released in the sepia-tinged year of 1993. Directed with...

Album: Mocky - Music Will Explain (Choir Music Vol. 1)

Dominic “Mocky” Salole has had a long career in which the tension between authenticity and pastiche has been a constant. Toronto-born, of English...

Semele, Royal Opera review - unholy smoke

Poor, slightly silly Semele fries at the sight of lover Jupiter casting off his mortal form, but in Congreve’s and Handel’s supposedly happy...

Sudan, Remember Us review - the revolution will be memorised

In 2019, French-Tunisian journalist and documentary filmmaker Hind Meddeb flew to Sudan after the overthrow of hated dictator Omar al-Bashir,...

Le nozze di Figaro, Glyndebourne review - perceptive humanit...

Over 100 years ago, John Christie envisaged Wagner’s Parsifal with limited forces in the Organ Room at Glyndebourne. He would have been...

Quadrophenia, Sadler's Wells review - missed opportunit...

The red, white and blue bull’s-eye on the front curtain at Sadler’s Wells tells us we are in the familiar territory of Pete Townshend’s...

Fidelio, Garsington Opera review - a battle of sunshine and...

Sometimes, as the first act of Beethoven’s Fidelio closes, the chorus of prisoners discreetly fade away backstage as their brief taste of...