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Veronica Lee

Bio
Veronica is an award-winning writer and critic who contributes on theatre and comedy to the Daily Telegraph, Sunday Telegraph, Observer and London Evening Standard.

Articles By Veronica Lee

Adam Riches Is The Guy Who..., Drink, Shop & Do review - super-suave Lothario on the prowl

Thursday, 07 February 2019 Read more...

Lost Voice Guy, Soho Theatre review - Britain's Got Talent winner finds the funny in disability

Monday, 28 January 2019 Read more...

When We Have Sufficiently Tortured Each Other, Dorfman Theatre review - Cate Blanchett's underwhelming debut at the National

Thursday, 24 January 2019 Read more...

Daniel Sloss, Leicester Square Theatre review - toxic masculinity examined

Monday, 21 January 2019 Read more...

James Acaster, Phoenix Theatre review - a masterclass in comedy

Wednesday, 16 January 2019 Read more...

Leicester Comedy Festival Gala Preview Show review - an entertaining mixed bag

Monday, 14 January 2019 Read more...

Catastrophe, Series 4, Channel 4 review - final series starts strongly

Wednesday, 09 January 2019 Read more...

The Catherine Tate Show Live, Wyndham's Theatre review - sketch show favourites on stage

Wednesday, 09 January 2019 Read more...

Best of 2018: Comedy

Friday, 28 December 2018 Read more...

Upstart Crow, BBC Two review - Shakespeare does Dickens in seasonal tale

Wednesday, 26 December 2018 Read more...

Caroline, or Change, Playhouse Theatre review - Sharon D Clarke is superlative

Wednesday, 19 December 2018 Read more...

Mary Poppins Returns review - Emily Blunt makes the role her own

Wednesday, 19 December 2018 Read more...

Aladdin, New Wimbledon Theatre review - enjoyable but underpowered

Monday, 17 December 2018 Read more...

Aladdin, Hackney Empire review - Clive Rowe returns as the Dame

Monday, 10 December 2018 Read more...

Hari Kondabolu, Soho Theatre review - from politics to papayas

Wednesday, 05 December 2018 Read more...

Matt Forde, Purcell Room review - politics plus deft impressions

Monday, 03 December 2018 Read more...

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'We are bowled over!' Thank you for your messages... ...
Edinburgh Fringe 2025 reviews: Ordinary Decent Criminal / In...

Ordinary Decent Criminal, Summerhall ★★...

Edinburgh Fringe 2025 reviews - Emmanuel Sonubi / Joz Norris

Emmanuel Sonubi, Pleasance Courtyard ★★...

Album: Dinosaur Pile-Up - I've Felt Better

The history of popular music is littered with bands who...

Alien: Earth, Disney+ review - was this interstellar journey...

Ridley Scott’s original Alien movie from 1979 was an all-time sci-fi/horror classic, and even an endless stream of sequels and spin-offs...

Unmoored review - atmospheric Swedish noir set on Exmoor

“When have you ever gone off alone?” scoffs Magnus (Thomas W Gabrielsson) when his wife, Maria (Mirja Turestedt), expresses the wish to go to...

Edinburgh Fringe 2025 reviews: Kinder / Shunga Alert / Clean...

Kinder, Underbelly, Cowgate ★★★...

Album: Tom Grennan - Everywhere I Went Led Me To Where I Did...

Who’d have guessed that a dude who first came to attention a decade ago guesting on a cheesy Chase & Status drum & bass track would likely...

The Two Gentlemen of Verona, RSC, Stratford review - not qui...

I have two guilty secrets about the theatre – okay, two I’m prepared to own up to right here, right now. I quite enjoy some...

Orpheus and Eurydice, Opera Queensland/SCO, Edinburgh Intern...

There’s a lot to shout about in this Orpheus, especially the way it looks. In a thin year for staged opera at the Edinburgh International...