Markie Robson-Scott

Articles By Markie Robson-Scott

Pieces of a Woman review - a home birth ends in tragedy Friday, 08 January 2021 Read more...	The Serpent, BBC One review - tracking down the hippie-trail murderer Saturday, 02 January 2021 Read more...
Falling review - Viggo Mortensen's powerful directorial debut Friday, 04 December 2020 Read more...	Nicole Krauss: To Be a Man review - first short-story collection from the award-winning novelist Thursday, 19 November 2020 Read more...
Queen of Hearts review - Trine Dyrholm stars as a stylish sexual predator Friday, 06 November 2020 Read more...	The Same Sky, More4 review - Cold War thriller from both sides of the Berlin wall Friday, 30 October 2020 Read more...
The Other Lamb review - a surreal portrait of an abusive cult Saturday, 17 October 2020 Read more...	Kajillionaire review - quirks, strangeness and charm from Miranda July Friday, 09 October 2020 Read more...
Emma Cline: Daddy review - scintillating short stories by the author of The Girls Monday, 28 September 2020 Read more...	Savage review - an immersive look at gang culture in Wellington, New Zealand Thursday, 10 September 2020 Read more...
I Hate Suzie, Sky Atlantic review - Billie Piper excels as an actress on the edge Friday, 28 August 2020 Read more...	Babyteeth review - teenage love and terminal illness in the Sydney suburbs Friday, 14 August 2020 Read more...
Emily St John Mandel: The Glass Hotel review - a Ponzi scheme and its ghostly repercussions Saturday, 01 August 2020 Read more...	Saint Frances review - relatable and honest Friday, 24 July 2020 Read more...
Terri White: Coming Undone review - a British journalist unravels in NYC Sunday, 05 July 2020 Read more...	The Day After I'm Gone review - a subtle portrayal of a grieving father and his teenage daughter Thursday, 18 June 2020 Read more...

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Monteverdi Choir, English Baroque Soloists, Suzuki, St-Marti...

In the Saxony of 1725 – still in the grip of Europe’s “Little Ice Age” – Bach and his musicians would seldom have had to deal with the sort of...

Patrick Wolf: Rough Trade East review - the Kent-based bard...

After the evening’s second song “The Last of England,” Patrick Wolf cautions “I’ve got nothing left to say.” During the shows leading up to this...

4.48 Psychosis, Royal Court review – powerful but déjà vu

Sarah Kane is the most celebrated new writer of the 1990s. Her work is provocative and innovative. So it seems oddly unimaginative to mark the...

The Buccaneers, Apple TV+, Season 2 review - American advent...

Edith Wharton hadn’t finished her novel, The Buccaneers, when she died in 1937, but it was completed in 1993 by Marion Mainwaring. The...

Red Path review - the dead know everything

Here’s a film you might not feel like seeing. After all, Red Path tells of a 14-year-old in Tunisia who is forced to carry home the...

Album: Loyle Carner - Hopefully!

Loyle Carner’s Hopefully! is a luminous, deeply personal exploration of fatherhood, identity, and artistic reinvention, marking the south...

The Midnight Bell, Sadler's Wells review - a first repr...

Rarely has a revival given a firmer thumbs-up for the future of dance-theatre. Yet Matthew Bourne’s latest show, first aired at the tail-end of...

Album: HAIM - I Quit

Haim’s profile just grows and grows. Since their last album, youngest sibling Alana’s starring role in Paul Thomas Anderson’s whimsical Seventies...

Aldeburgh Festival, Weekend 1 review - dance to the music of...

This year’s Aldeburgh Festival – the 76th – takes as its motto a line from Shelley‘s Prometheus Unbound. The poet speaks of despair “...