Marianka Swain
Bio
Marianka Swain is a London-based writer and editor. She is the UK Editor-in-Chief of BroadwayWorld, and also covers the arts for outlets such as the Ham & High and Islington Gazette newspapers, Dancing Times and MoveTo Town & Country magazines, and TodayTix. You can find further work on www.mkmswain.com or follow her on Twitter @mkmswain
Articles By Marianka Swain
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'We are bowled over!' Thank you for your messages...
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The Buccaneers, Apple TV+, Season 2 review - American advent...
Edith Wharton hadn’t finished her novel, The Buccaneers, when she died in 1937, but it was completed in 1993 by Marion Mainwaring. The...
Red Path review - the dead know everything
Here’s a film you might not feel like seeing. After all, Red Path tells of a 14-year-old in Tunisia who is forced to carry home the...
Album: Loyle Carner - Hopefully!
Loyle Carner’s Hopefully! is a luminous, deeply personal exploration of fatherhood, identity, and artistic reinvention, marking the south...
The Midnight Bell, Sadler's Wells review - a first repr...
Rarely has a revival given a firmer thumbs-up for the future of dance-theatre. Yet Matthew Bourne’s latest show, first aired at the tail-end of...
Album: HAIM - I Quit
Haim’s profile just grows and grows. Since their last album, youngest sibling Alana’s starring role in Paul Thomas Anderson’s whimsical Seventies...
Aldeburgh Festival, Weekend 1 review - dance to the music of...
This year’s Aldeburgh Festival – the 76th – takes as its motto a line from Shelley‘s Prometheus Unbound. The poet speaks of despair “...
Bonnie Raitt, Brighton Dome review - a top night with a char...
If you walked into a bar in the US, say in one of the southern states, and Bonnie Raitt and her band were playing, you’d have the best night of...
Hidden Door Festival 2025 review - the transformative Edinbu...
"When I was your age, I worked in a corrugated cardboard factory!" is a phrase my father was fond of telling me as a teenager, presumably in an...
Edward Burra, Tate Britain review - watercolour made mainstr...
It’s unusual to leave an exhibition liking an artist’s work less than when you went in, but...